VL5LED Wash brings retro style to Mountview's Carrie
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With a lighting design brief from show director Rich Fitch that specified ‘Stranger Things meets ‘80s horror gameshow,’ the scenic design, created by Sophia Pardon, was a torn-up school, ravaged by the powers of Carrie. “The set design exposed the wings and back wall of the venue,” says Smurthwaite. “With lighting, this gave a deeper perspective to the playing space and allowed us to manipulate the atmospherics. What I like about the Vari-Lite VL5LED Wash is the impact of the LED feature around the rim of the lens and the 1980s classic fixture aesthetic. It’s bold, it says, ‘I’m here’, which is not the usual approach for a theatrical production.”
Carrie: The Musical, with its moments of horror, demanded numerous, contrasting atmospheric looks. This meant Smurthwaite required a lush creative palette offering vivid colours, soft pastels plus good whites. “The VL5 combines the high output I needed with a colour palette that satisfied my design objectives for every scene,” says Smurthwaite.
Of course, the scope of a lighting designer is much broader when you are designing at a drama school that offers a dedicated lighting degree and masters. Smurthwaite’s role encompassed a great deal more than the obvious tasks of an LD, such as delivering the design concept, producing plot and cue synopsis, programming, and the entire tech process to opening night. “My role was to engage with the students in a way that encourages critical thinking of process and self-examination and reflection of creative drivers and motives,” she explains. “I took time to discuss the design, not only with the lighting students, but with stage management, scenic art students and directing students. All gave valuable feedback that had an impact on the design. We agreed that we wanted the lighting to have a retro feel but without compromising on the effects, atmospherics and dramatic impact that modern lighting can bring.”
To satisfy that objective, Smurthwaite ensures that she maintains good relationships with lighting technologists and manufacturers. “While Mountview has a great stock of technical equipment, as the productions continue to raise the bar in terms of production and design, there is always technology that students want to use that isn’t on the shelves,” she says.
Smurthwaite was introduced to the VL5LED Wash by Grant Bales Smith, regional sales leader, EMEA & APAC, Vari-Lite for Signify, and Darren Howard, technical support for Signify. “I was struck by the VL5’s obvious nod back to ‘80s design, which made it stand out to me as an attention-grabbing fixture for Carrie: The Musical,” explains Smurthwaite. “It’s critical for me that the students get used to new lighting fixtures that will ultimately be popular in the professional world. The VL5 fits that bill. Students must be able to confidently explore and embrace new tech and that isn’t always achievable on drama school show budgets. That means that the support from companies such as Vari-Lite and other entertainment technology manufacturers is invaluable.”
Grant Bales Smith concludes: “Vari-Lite has established a strong reputation for supporting lighting designers and teaching establishments by loaning them our latest technology. We appreciate how important it is for future designers to get real world experience using our products and gain clear understanding of the latest technology. For that reason, we were delighted to see Louisa and her students create such a stunning lighting design for their production of Carrie: The Musical by incorporating VL5LED Wash fixtures.”
