UK - Woods’ Silver Fleet has worked with Flipside Soundsystem to create a discreet yet powerful AV system for its new Woods Quay home in central London. The new building moored on the Thames includes a tasting room and bar alongside 140m of private river moorings.
“When we first heard about the pavilion project, we knew it was the kind of venue that could really benefit from our expertise,” says Flipside managing director, James Cooper. “We understood exactly what they wanted to achieve with Woods Quay and how we could deliver something above and beyond their expectations.”
The opportunity to create this base came with the purchase of an old pub boat, The Queen Mary, located just 100 yards from their temporary base at the Savoy Pier. When The Queen Mary was floated away, it revealed a remarkable piece of London’s history.
“Underneath that there was

Australia - The Brisbane Broncos Rugby League Football Club, commonly referred to as the Broncos, are an Australian professional rugby league football club based in the city of Brisbane, QLD.
The Broncos season launch event is a mainstay of the team’s foundation for the year, giving the club an opportunity to announce new players in addition to the coach speaking to the media and fans. For this year’s season launch, the club worked with their tried and tested event technology service provider, Ikonix to deliver an intimate event bringing the team and fans safely together all under one roof at one of Australia’s leading performance venues, with Brompton processing playing an important part in the overall success.
“The Brisbane Broncos launch event reinforces the club’s ethos and the team’s plans for the new season, so it’s an important date in everybody

The Netherlands - The Eurovision Song Contest (ESC) is considered one of the world's most prestigious live television events. Being involved in this spectacle is an honour that many companies want to be credited with. Organising the ESC in the Netherlands has given many Dutch-based companies that chance. ROE Visual is among them.
Early 2020, just before COVID-19, gave the world and our industry a different outlook. The team from Faber Audiovisuals, including Jeroen Jongenelen, international sales director, gathered at the ROE Visual booth at ISE to discuss possibilities and products that would be suitable for the ESC 2020. One thing was clear from the start, Faber Audiovisuals would bid for the ESC event with the ROE Visual products specified.
Later, the final bids were discussed; products were screened and evaluated in the technical ESC team, consisting of Hans Cromhe

Dubai - Pixel Artworks recently specified a TiMax SoundHub spatial audio server for a new high-profile AV experience greeting visitors arriving into Dubai International airport. The immersive installation captures the spirit and ethos of the rescheduled Expo 2020 event, now running from autumn 2021 to spring 2022.
Raven AV’s Dan Roncoroni handled the highly sophisticated audio aspects of the installation, following an earlier preparatory visit to site by Out Board’s Robin Whittaker. Due to its late addition to the project, TiMax had to be retrofitted into an existing system design within very tight timescales, adding interesting challenges into what was, as Roncoroni explains it, “quite a difficult scenario”.
Aside from the airport’s highly reflective environment and characteristically high level of background noise,

Vietnam - BaSao Invest recently partnered with Harman Professional Solutions to outfit Saigon South Marina Club with JBL Professional line array loudspeakers and portable PA systems.
A popular getaway destination, Saigon South Marina Club provides a range of activities and services for visitors, including catering, entertainment, private events, a playground and river rides. The club hired Pro Sound Centre Viet Nam to install a Harman event audio solution consisting of JBL BRX300 and EON Series loudspeakers supplied by BaSao Invest.
BaSao Invest reported that the client required a versatile audio system for both small and large events.
For the facility’s main sound system, BaSao selected JBL BRX308-LA line array loudspeakers and BRX325-SP subwoofers. For smaller events, the team included JBL EON612 self-powered PA speakers for maximum flexibility, portabilit

UK - It has been a tough year for the entire industry and none more so than those studying the performing arts, with colleges having to radically re-think not just the teaching process and online learning, but also the realisation of practical coursework modules.
Second-year students on the Creative Lighting Control (CLC) and Lighting Design (LD) courses at the UK’s Rose Bruford College of Theatre and Performance thought out of the box and forged ahead with the staging of their annual Live Event project, delivering a full programme of music entertainment in a fully covid compliant environment.
The action took place at the 330-capacity Rose Theatre on the college’s Sidcup, Kent campus, comprising a series of shows featuring the talents of four live artists – two solo acts, a band, and a DJ – with performances either livestreamed by the Lighting Design students

The Netherlands – A newly formed group of Hippotizer Media Servers worked in total harmony for this year’s Eurovision final, feeding lighting and visual data into LED strips and LED tape on the main stage, set pieces and in the ‘green room’ artist area.
An estimated 183m people around the world watched as a Hippotizer Boreal+ served as lead in the band, driving all of the LED tape and strip colours on and around the main stage at Rotterdam’s Ahoy Arena. Contestants from 39 countries took part in this year’s event.
Second in command was a Hippotizer Karst+, which controlled all of the LED strips in the artist booths – where the all-important live interviews took place - as well as the specials for selected performers on the night.
No band is complete without support, so the set up was complemented by a Karst and Karst+ Media Server as backup for the

UK - The Brit Awards 2021 was staged at the O2 Arena, London, featuring an elegant and dynamic production design by Es Devlin and Yinka Ilori with lighting created by Al Gurdon. The live broadcast event celebrated some of the best British and international music and broke ground as the first major indoor live music event with an audience – of key and frontline workers – since the pandemic shut down of March 2020.
Hosted by comedian Jack Whitehall, and aired on ITV, the live line-up included Coldplay, Dua Lipa, Elton John, The Weeknd, Griff, Rag’n’Bone Man, Pink & The Greenwich & Lewisham NHS Choir, Headie One and several more.
Al Gurdon worked alongside a lighting programming team comprising Alex Mildenhall looking after the show’s ‘effect’ lights using a grandMA3 full-size console running grandMA3 software, and Ross Williams who took care of all

USA - Toby Keith kicked off his Country Comes To Town tour at the Denny Sanford Premier Centre in Sioux Falls, SD on Thursday May 20.
Stepping onto the stage, the country superstar became the first major artist to embark on a tour since the start of the pandemic 14 months earlier. For the happy fans in attendance that night, Keith’s appearance represented not only a chance to enjoy live music again, but a reunion with an old and treasured friend.
“The connection with the audience has always been a big part of who Toby is,” said Seth Jackson of Darkroom Creative, who along with his partner, Nathan Alves handled the lighting, video and production design for the multi-city tour. “From the earliest days of his career, Toby has developed an especially close rapport with fans, doing things like bringing soldiers on stage to express his gratitude for their service, an

USA - The fountain at Cary’s Downtown Park, in Cary NC, has quickly become a landmark in the town since its construction in 2017.
The fountain has served as a backdrop to lighting displays marking celebrations and causes that are important to townspeople. This has included being illuminated in the rainbow of colours symbolising LGBTQ+ Pride Month every June.
This year, however, the fountain was temporarily decommissioned as part of a larger park renovation project. Moving quickly, the city turned to another nearby landmark, the historic Cary Arts Centre. By the start of June, the centre, which traces its roots back to the 19th century, was glowing with a brilliant display of Pride Month colours.
“With the fountain shut down right now as part of a renovation, we needed to come up quickly with an alternate way to celebrate, which led to the selection of the Art

Czech Republic - The largest performance space of Brno City Theatre (Městské divadlo Brno), The Music Theatre, is a 680-seat venue that hosts a programme of current musicals and large-scale drama.
Technical manager, David Kachlíř, recently added a Robert Juliat SpotMe tracking device to the venue’s lighting inventory, thereby increasing its existing complement of Robert Juliat products of three RJ Ginger followspots, Dalis 864 coloured footlights and a number of RJ 600 and 700 series profiles. The RJ SpotMe device was supplied by Prague-based Prolight s.r.o., Robert Juliat’s exclusive distributor for the Czech Republic, as part of an improvement initiative to future-proof the Theatre.
SpotMe is Robert Juliat’s award-winning server that produces real-time tracking information with no emitters or cameras on stage or performers. It uses feedback from sensor

Germany - At the Department of Music (Institut für Musik – IfM) of the German Kassel University, prospective music teachers are being trained to teach at all kinds of schools. The department also has its own concert hall, which is used for concerts of all musical genres as well as lectures and examinations. Plain concrete walls and a high proportion of glass elements characterize the room - and place special demands on the sound system.
After a PA workshop with Rolf Dressler - probably Kassel's "longest-serving sound engineer" in 2018 - instructors and technical assistants were enthusiastic about the sound of his Alcons system which he set up in the IfM concert hall in addition to the house system.
"Whenever we switched back from the Alcons to the house system during Rolf's workshop, I kept thinking that our speakers had just been broken," says Roman Beilharz, a le

The Netherlands - The 65th edition of the Eurovision Song Contest at Rotterdam’s Ahoy arena, marked the first major live event to take place in the Netherlands since the pandemic. The event was powered by disguise.
The official technical supplier for the contest, Faber Audiovisuals, relied on a complement of disguise vx 4, gx 2c and 4x4pro media servers to power a total of 55 scenes on a giant LED video wall and floors, used across all 39 competing performances, the opening ceremony, the flag parade and all interval acts, such as the impressive Power of Water. The six-week production period was led by ESC head of production Erwin Rintjema and head of video Hand Cromheecke.
Faber’s Eurovision team included disguise workflow specialist Jo Pauly (of Visual Solutions) as media server operators for the show. The two share a long history of successful live projects power

UK - Jakarta-based Mola TV introduced Chill Fridays an interactive weekly livestream that features stars playing mellow music in an intimate setting and, every once in a while, taking questions from fans.
Many of the episodes are filmed at Mola’s London TV studio, where artists like Jacob Collier, Tom Misch and Bruno Major have performed in a set that evokes images of the kind of hotel bars where friends gathered for a pre-weekend happy hours back in the day.
Key to creating this ambience is a warm, inviting lighting design that works hand-in-hand with scenic elements like potted plants and table lamps to engender a homey feeling. Fold Sound owner Tristan Finn, who supplies lights, sound gear, recording equipment and cameras for the show called on Martin Dudley of Martin’s Lights to handle lighting duties, something he’s done skilfully with his ChamSys PC

Romania - Based in the Romanian port of Navodari, Alezzi Yacht – a 42m x 18m, 1,000-capacity catamaran - offers cruises along the Black Sea coast, complete with fine dining, cocktails and glamour along with breathtaking views of the lively beach resort of Mamaia and Constanta City.
The afternoon is dedicated to an experience aimed at the whole family, whilst the evening cruise is reserved for those looking for a full-on party atmosphere. Any good party requires great audio, and Alezzi Yacht is no exception - Constanta-based AV specialists, AudioVision, were asked to design, supply and install a comprehensive AV system throughout the catamaran. AudioVision selected KV2 Audio for the project.
“We were fortunate to have been involved from the early stages of construction, which made AV integration much more efficient,” observes AudioVision general manager, Vasile Ma

The Netherlands - The Grand Final of the 65th staging of the Eurovision Song Contest event took place at the Rotterdam Ahoy in May, where winners Italy triumphed over the other 25 finalists with their song Zitti E Buoni performed by Måneskin.
Utrecht-based Ampco Flashlight were the ESC’s official technical supplier for audio, lighting and rigging, working with Erwin Rintjema, ESC’s head of production, who was responsible for the whole technical production this year and Jeroen ten Brinke, ESC’s head of live sound.
Ampco Flashlight’s Remco Verhoek was their project manager, audio, for the event and he describes the role which Newton played in their system design: “Newton was used as matrix mixer to sum all the mixers to the PA feeds. There were two DiGiCo Quantum7's and two Yamaha CL1's, matrixed into a number of feeds outputting over Dante - on the oth

Europe - The inaugural Conference on the Future of Europe (CoFoE) event - a European Union initiative to reform its policies and institutions - took place in May at the European Parliament in Strasbourg. The hemicycle debating chamber sits inside the striking Louise Weiss Building designed by Parisian-based Architecture-Studio and opened in 1999. It includes a 60m high tower which is left looking deliberately unfinished and was inspired by Roman amphitheatres and the mythical Tower of Babel.
The event included a welcome speech by French President Emmanuel Macron and contributions by other high-ranking politicians and EU officials. As CoFoE was aimed primarily at a younger audience of under 40s, production company Nimblerr asked lighting designer Dimi Theuwissen of Belgium-based creative practice ID2Q to energise the distinctive hemicycle ensuring it looked dynamic and diffe

Austria - 4youreye and Rezac employed Pixera media servers for this year’s most anticipated charity fund raising event in Austria, Austria for Life, which involved complex media playout and advanced projection mapping setups.
The Stephansdom Cathedral in Vienna, was beaming not just with the enthusiasm of the countless helpers on the 28 May, but also due to the impressive usage of modern media playout display technologies.
The 90-minute-long live TV charity fundraising show was broadcast on ORF 2 and Krone.tv. The project, which had been initiated by the LIFE+ chairman Gery Keszler, supports the aid organisations Caritas, Diakonie, Hilfswerk, Red Cross, Samariterbund and Volkshilfe.
LIFE+ itself supports socially relevant projects that fight epidemic diseases and helps people impacted by them.
A variety of well-known Austrian artists invited the Austria

USA - A mad scientist locks his daughter in a garden full of beautiful but deadly flowers. An earnest medical student spies her and falls in love, but her surroundings have made her poisonous to the touch. Will their romance bloom or wilt? This is the question posed by La Hija de Rappaccini, a contemporary opera based on a Nathaniel Hawthorne story composed by Daniel Catán and live-streamed by the Chicago Opera Theatre this past April.
Drawing on Mexican musical influences, the performance streamed from the Field Museum of Natural History in keeping with the botanical theme. Chicago Opera Theatre’s audio and video production partner Valhalla Media teamed with location audio experts Second City Sound on A/V support, choosing Lectrosonics’ D Squared line of digital wireless. DBSMD transmitter-recorders fitted to the cast members were picked up by a pair of DSQD fo

UK - This April, Volkswagen UK took over Stage A at Millennium Studios in Thurleigh, one of UK’s premier music, film and TV production facilities, to deliver its annual conference.
Traditionally hosted as an in-person event, Volkswagen opted for a virtual setting built around a live, complex agenda that included keynotes, videos, presentation slides, and more. Volkswagen’s team delivered an immersive presentation in front of an LED screen backdrop supplied by technical production and LED screen hire company, iMAG displays, with iMAG’s sister company Graymatter delivering the control infrastructure for a headache-free Virtual Production event.
IMAG’s involvement stems from an initial conversation between its technical sales and relationship manager, Jonathan Dyson, and Simon Garrett, who was working with event producer Second Sight to source a reliable company t

USA - The Make-A-Wish Foundation is a non-profit organisation founded in the United States that helps to fulfill the wishes of children with a critical illness between the ages of two and a half and 18 years. Towards the end of last year, when Becci Smith of the Make-A-Wish Greater Bay Area Chapter in Northern California received five-year-old Valeria’s wish to sing on a big stage, she decided to contact the team at the Concord Pavilion. Operated by Live Nation and owned by the City of Concord, the venue has a capacity of 12,500.
What followed was a display of cooperation between entertainment technology professionals that not only made Valeria’s wish come true, but reminded everyone involved just how much they’d missed the shows that are the lifeblood of the industry. Against the backdrop of the Coronavirus pandemic where access to venues was naturally difficult, the

USA - William Mooney, lighting designer for BYB Extreme Fighting, a bare-knuckles form of boxing, is using an IP-rated Elation Professional lighting rig to highlight the action inside the ring while supporting the atmosphere outside the ring.
With BYB’s three-sided triangle cage, known as the Trigon and the smallest ring in combat sports, there is plenty of that. “It’s the most exciting franchise I have ever been involved with,” states Mooney, a man who has worked on boxing and mixed martial arts projects such as ESPN’s Friday Night Fights (2008-2015) and Combat America MMA Fights. “I’ve worked on all the major networks but I feel more excited about this show than anything I’ve ever worked with in my life.”
Although the fights take place indoors, Mooney uses a multi-environmental IP65-rated rig as a peace-of-mind layer of protection. “To have most

USA - The Cathedral Basilica of the Immaculate Conception in Mobile, Alabama had long struggled with inadequate sound system performance due to the cathedral’s high curved ceilings, large stained-glass windows, wooden pews and other acoustically challenging design features.
An upgrade to the sound system became a necessity, but to preserve the beauty and historical nature of the cathedral’s large sanctuary, the ministry leadership decided against acoustic treatment. Instead, they trusted a high-performance sound system backed by Renkus-Heinz loudspeakers.
The cathedral’s sanctuary was plagued by a great deal of acoustic shadowing due to the building’s columns, with sound sources out of the sightline of the congregation, which significantly diminished levels and effective coverage. The previous attempt to redesign the sound system over-compensated with pairs of

Germany - Frankfurt Opera is one of the most renowned opera stages in Europe, having paved the way for many successful operatic careers. Recently, with an extensive d&b audio system already installed, the venue chose to enrich its audiences’ sound experience with d&b Soundscape technology.
A d&b DS100 Signal engine was duly purchased in time for the 2019/2020 season and the staging of a world premiere at the Bockenheimer Depot - Frankfurt Opera’s second venue.
"It was a spatially complex work, with moving actors and an orchestra spread across the stage” explains sound engineer, Margit Baruschka. Unfortunately, due to the pandemic the production was postponed to 2021.
The decision was then made to move the entire Soundscape system to the Frankfurt Opera. Here it could be used to adapt some of the regular programme to allow for social distancing

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