UK - Prolights Smart BatPlus, provided by Luminosity Lighting Services, illuminated the Blue Room and Music Room of Buckingham Palace for an exclusive TV broadcast shooting.
Luminosity Lighting Services strategically positioned the Smart BatPlus lights to ‘enhance the architectural grandeur of Buckingham Palace’. The lighting configuration focused on discreetly accentuating the pillars within both rooms, accentuating the intricate details and timeless elegance of the historic building.
“The innovative use of Prolights lights not only emphasised the beauty of Buckingham Palace but also played a pivotal role in creating a captivating visual experience for viewers,” says the team. “By ingeniously leveraging the reflection of mirrors and strategically placing lights behind the camera, the production team achieved the illusion of a significantly deeper field of vi

USA - John Garberson created the lighting rig for the Powerhouse hip-hop celebration at the Desert Diamond Arena outside Phoenix.
Garberson and his team at Creative BackStage positioned a potent lighting rig on the 60ft wide by 40ft deep stage, using fixtures supplied by LIT Lighting. At the same time, however, they made sure to arrange things so there was a generous amount of open space at the stage’s centre. This gave headliners Kevin Gates, Tech N9ne, Young Nudy, and other performers a chance to standout, and connect to the sellout crowd of 20,000 without distractions.
While the hip-hop stars performed their art against the ‘blank canvas’ they were surrounded and supported by dynamic lighting displays above them and to their sides. Principal lighting designer James Simpson and the visiting LDs used a rig anchored by 48 Chauvet Professional fixtures to create a

World - The 1975’s appetite for touring is considerable and their schedule is gruelling, so their touring equipment needs to be able to keep up. Eighteen rounds of air and road freight can take its toll and reliable consoles that can withstand dust, heat, cold and humidity are vital as the team and their equipment cross multiple time zones. The tour relies on a DiGiCo Quantum 7 at front of house, and a Quantum 5 at the monitor position.
Monitor engineer Francois Pare states, “I don’t think I’ve used any other desk since 2016. Nowadays the shows are so involved, there aren’t many desks that can handle the number of channels we need. On The 1975, we have an eight-piece band, and the show is quite theatrical, there’s a lot going on effects wise on stage, so it all adds up.”
At front of house, Lee McMahon’s comments, “Building this show has been an amazi

USA Country singer Scotty McCreery’s Cab in a Solo Tour is making its way through the US with a versatile setlist that transitions between upbeat anthems and touching ballads, backed by three upstage LED screens driven by tvONE's Green Hippo brand of Hippotizer media servers.
Landing at Boston’s new MGM Musical Hall at Fenway at the beginning of March, the North Carolina native’s production was ramped up as fans flocked to see McCreery. Striking graphics, animations and imagery from McCreery’s music videos were displayed on the three portrait LED walls, which were made up of ROE’s ultra-fine 8.33mm pixel pitch CB8 LED panels. The content was delivered by two Green Hippo Hippotizer Karst+ MK2 media servers sourced from 4Wall Entertainment and controlled using a grandMA3 console.
Production designer Drew Hornback of DH Production Designs created the concept fo

Europe - Czech moving and LED lighting manufacturer Robe celebrated its 30th anniversary at the 2024 Prolight + Sound expo in Frankfurt and looked forward to another 30 years of lighting innovation.
The entertainment technology brand presented the finale of the Power of Imagination show, that entertained packed audiences five times a day and also staged a Rock ‘n’ Robe stand party on the evening of the second day, featuring Queen tribute band Queenie. Additionally, an array of new lighting products was launched and on the eve of the expo, Robe announced the acquisition of LSC Control Systems.
LSC joined the other Robe businesses – sister architectural brand Anolis, console manufacturer Avolites and control solutions provider Artistic Licence
The two public ‘dark demonstration’ rooms on the booth were constantly busy throughout the four days wi

Canada - Montreal studio Le Lab Mastering has built an all-Focal DolbyAtmos room, adding Atmos mastering to its offerings on top of fully analogue stereo, vinyl mastering, and lacquer cutting. The 7.1.4 Atmos studio features an all-Focal powered monitor configuration with Trio11, Trio6, Solo6, and Sub6.
The room’s layout features dual Sub6 subwoofers stacked under the left and right Trio11 monitors – four subwoofers total. This subwoofer configuration gives Le Lab’s Atmos room the ability to offer mastering for movie soundtracks and other formats that would need extended low-end response; It also offers a symmetrical low-frequency coverage in a smaller footprint.
Trio6 monitors fill out the centre and rear channels, while Solo6 are on the sides. Le Lab has already mastered a lot of legacy recordings remixed for Atmos, including Celine Dion, Sia, Whitney Houston

USA - The inaugural Montreux Jazz Festival Miami made waves this March, marking the festival’s first venture onto US shores in decades. The event presented diverse musical performances against a backdrop of waterfront vistas, with sound from the Montreux Jazz Festival Miami’s official sound partner, Meyer Sound.
The intimate 1,500-person festival held March 1–3 at The Hangar at Regatta Harbour, showcased a lineup led by headliners Jon Batiste, Daniela Mercury, and Daryl Hall, topped off each night with the Montreux Jam Sessions.
The Hangar - built in 1918 as the first continental naval air station in the United States - is a cavernous 20,000sq.ft space, with thin corrugated metal walls and vast expanses of windows, that presents significant acoustic challenges.
For 38 years, Meyer Sound has been the strategic partner and official sound provider of the Montr

USA - “I don't know that there's another desk that we could really do it all with,” says Chad Olech, front-of-house mix engineer for Fall Out Boy, talking about managing the band’s complex comms infrastructure that sees three separate talkback lines coming into his DiGiCo Quantum5 console, as well as mixing a great show for fans.
“I don't think there's another manufacturer that makes something that would do what we need it to do in this situation. I'm sure we could work our way around it, but it wouldn't be as seamless and as easy.”
Rob Smuder is one of those comms sources, as he mixes the band’s monitors from a DiGiCo Quantum7 console, along with the stage manager and backline crew lines. “The main reason that I use the Q7 out here, honestly, is the matrixes,” says Smuder, who has worked with the band since 2018. “We have a ton of talkback mics tha

UK - In early March, sound designer Simon Honywill used TiMax SoundHub with TiMax TrackerD4 performer stagetracking to spatially enhance an already incredible – and quite unique – immersive performance by the Paraorchestra musical ensemble. The Nature of Why, composed by Will Gregory and choreographed by Caroline Bowditch under the artistic direction of award-winning conductor, Charles Hazelwood, was performed within a 14m circular space on the Lyric Stage at Theatre Royal Plymouth, with 100-120 audience members mingling amongst the players and dancers for each performance.
Though it wasn’t the first performance of The Nature of Why– an interpretation of the famous interview with physicist Richard Feynman which asks in empirical terms why certain physical properties occur, such as magnetic attraction and slippery ice - it was the first time the immersiv

UK - Jones AV, provider of advanced integrated theatre and medical training facilities in Europe has launched a new technology to turbocharge the environmental sustainability of integrated operating rooms.
As part of the development of the new ‘Integrated Operating Theatre of Things’ (ITOT), Jones AV looked to revolutionise operating room AV set-ups to overcome audio limitations, harness smart power management, reduce the number of devices via a fully digital signal chain, and scale down travel with full remote control aiming to meet Net Zero 2045 targets within the NHS.
The company installed the first ITOT system at the Cambridge Surgical Training Centre in September 2023, unveiling its solution after 18 months of intensive research and development incorporating a demo operating theatre. The system is optimised to deliver superior technological performance while

Hungary - After working with leading Hungarian artiste, Magdolna ‘Magdi’ Rúzsa for more than a decade, Martin Audio’s Hungarian partner, BG Event, is accustomed to rising to different challenges.
When it comes to the creative element, they strive to scale new heights with every collaboration. Two recent shows at the 12,500-cap László Papp Budapest Sports Arena proved no exception.
Rúzsa requested a 50m-long catwalk thrust, linking to a 6m x 6m ‘B’ stage. While her standard five-piece rock band would occupy main stage, there was a very different set up awaiting on the small ‘in-the-round’ secondary stage, where a 10-piece orchestra would perform. To achieve the end-result required some clever positioning and time alignment of nearly 200 Martin Audio speakers deployed by the service provider.
BG Event project manager Gábor ‘Mazsi’ Bácskay

Europe - Throughout February 2024, German rap artist Luciano worked his way across Germany, Switzerland and Austria on his Seductive tour. One of the first German-speaking rappers in the UK drill style, Luciano was Germany’s most streamed artist on Spotify in 2022. For this year’s tour, 80 Ayrton Cobra fixtures were supplied by TDA Clair GmbH.
Cobra is Ayrton’s first IP65 laser-sourced fixture. Designed for rendering a D65 white point that allows perfect colour reproduction, Cobra has an output of 386,000 lux at 20m, a 38x zoom ratio and zoom range of 0.6° to 23°. It also sports a highly innovative colour section, graphics capability and continuous pan and tilt.
The Cobra fixtures were specified by Stop Making Sense’s Timo Martens who created the lighting design for the tour with support and cooperation from Bertil Mark (also from Stop Making Sense), and Raph

Morocco - When Theatro Marrakech opened its doors in 2003, it was the very first nightclub in Morocco, and today, the 2,000-capacity is thriving. Before becoming a nightlife hotspot, Theatro was Africa’s first music hall, inaugurated over 60 years ago, and from this past, the club has kept both its décor – a mix of dramatic theatrical and dynamic Moroccan themes - and an immoderate taste for show.
Theatro Marrakech recently upgraded to a premium L-Acoustics K2 sound system to attract leading international artists who know and appreciate the brand. Inspired by a visit to Omnia Las Vegas and its L-Acoustics professional sound system, Theatro management worked with Paris-based nightclub consultant Timothée Renard of the Fox Agency and L-Acoustics certified provider integrator Potar Hurlant for the upgrade. "Our main objective was to integrate a rider-ready sound system t

UK - Sterling Events Group recently added to its professional audio offering through a substantial investment in EM Acoustics loudspeakers. Since adding to its portfolio, Sterling has deployed EM Acoustics systems on multiple high-profile projects.
The investment, comprised of 24 R8 Reference Series loudspeakers, complemented by 12 S215 subwoofers, has granted Sterling Events Group access to a powerful audio arsenal, enabling them to offer high-quality sound solutions to an expanding client base.
"EM’s R8s have proven to be a game-changer for us. We recognised the need for a an accessible, yet still high-quality option to meet diverse demands of some of our client base,” commented Tom Wright, assistant head of audio at Sterling Events Group. “The Reference Series fits the bill, offering remarkable musicality and great value when compared to other brands. Couple

Singapore - Wild Rice @ Funan is part of a modern performing arts complex sitting at the heart of Singapore’s lively civic and cultural district. Built in 2019, the main Ngee Ann Kongsi Theatre space offers an intimate 358-capacity space with Singapore’s only thrust stage, which was inspired by the Royal Shakespeare Company’s Swan Theatre in Stratford-upon-Avon in the UK.
In 2022, the theatre took delivery of a new Robe moving light package – 10 x T1 Profiles and 16 x ParFect 150s – which joined the original lighting rig that was specified by theatre design consultants Charcoalblue when the venue opened. More recently, the theatre invested in Robe again, purchasing Tetra2 moving LED battens and LEDBeam 350 wash beams to boost the general lighting rig.
The fixtures were delivered via Robe’s Asia Pacific office, and these lighting investments were overseen

USA - The 2024 edition of Premio Lo Nuestro dazzled on many levels, not the least of which were what critics called the “historic collaborations” that were performed throughout the three-hour programme.
The Univision TV special featured reggaeton performer Don Omar doing a rendition of Danza Kuduro with pop-punk rocker Machine Gun Kelly. Then there was Mexican music sensation Carin León joining forces with country music star Kane Brown in the world premiere of their song The One (Pero No Como Yo). Camilo and Evaluna also broke new ground at Miami’s Kaseya Centre by performing their song PLIS for the first time on television.
The spirit of collaboration also drove the creative juices behind the vibrant production that supported the iconic awards show according to lighting designer Tom Kenny, who described the process this way: “Production

Italy - In 2015, in an extraordinary display of unity, 1,000 musicians and hundreds of volunteers including producers, videographers, sound engineers and more, converged in Cesena, Italy to perform Foo Fighters' Learn to Fly live in order to realise a video.
This video was a viral musical plea to Dave Grohl, asking him to play in their city, and marked the inception of Rockin'1000, now cited as the world's largest rock band. Since its viral debut, Rockin'1000 has evolved into a global phenomenon, orchestrating annual events across Europe and Brazil.
Rockin'1000 selected L-Acoustics for its global reach and the versatility of K Series, both crucial for their travelling shows. The debut use of this system occurred at the Stade de France in 2019, installed by the France-based L-Acoustics certified provider Dushow.
Luca Stefani, sound engineer at Rockin’10

Argentina - Tale of Us, the Italian DJ duo based in Berlin, made their fourth stop on the Latin American leg of their Afterlife world tour when they recently played Buenos Aires.
Claypaky lighting took centre stage at the Mandarine Park & Tent at Punto Carrasco on 8-9 March for the two shows.
The duo is known for curating shows that transport audiences to another dimension with artistic activations, visually impactful installations and unique soundscapes, created by themselves and a variety of extraordinary supporting artists. They launched Afterlife in 2016, a show billed as an odyssey through the realm of consciousness, an immersive experience that transcends the limits of reality.
Lighting designer Pascal Bach was involved in the design of Afterlife. For the Buenos Aires show, BALS (Buenos Aires Live Show) provided a large complement of Claypaky fixtures

Saudi Arabia - Lighting designer Thomas Giegerich of bright! studios and ES:ME Entertainment Services teamed up to illuminate an agal art piece for Saudi Arabia's 2024 Founding Day celebration and used over 250 Elation Proteus luminaires to fulfil the brief.
The event, held on 22 February, commemorated the founding of the first Saudi state and showcased the ‘heritage and spirit of the kingdom’.
An agal, a traditional cord worn by Arab men to secure their headcloth, served as the centrepiece of the art installation, symbolising the cultural richness of the region. Thomas, managing director of bright! studios, brought his expertise to the project, crafting a dynamic light show that captivated audiences and could be seen across Riyadh.
In partnership with Alex Wuerfel, CEO of ES:ME Entertainment Services, Thomas orchestrated the intricate lighting design using

France - At Les Rencontres Trans Musicales (aka Transmusicales or Les Trans) The music starts at 9pm and continues virtually nonstop until morning. This process is repeated over the course of four days inside 100,000sq.m of cavernous airport hangers at Rennes Airport Parc Expo.
The festival was founded 44-years ago by Béatrice Macé and Jean-Louis Brossard, who still run the event today.
Whether it’s Iranian American trip-hop innovator Rahill, or French Israeli jazz drummer Roni Kaspi, the festival embraces a potpourri of artists for the express purpose of finding “the next big thing”. Les Trans has done quite a good job in this quest. Nirvana got what many regard as their first big European exposure at the festival, so too did Björk, Cabaret Voltaire and Daft Punk.
Future stars, as well as established artists, performing in the festival’s spacious Gre

Canada - BlackTrax brought their expertise to the live sports industry and added a new level of immersive artistry to the recent NBA All-Star events. Whether you were spectating from home or within the arena, the NBA raised the bar by transforming how fans engage in sports broadcasting through the integration of immersive technologies, including BlackTrax, into the games as they happened in real-time.
In collaboration with ASB GlassFloor, the NBA left fans in awe as the traditional glossy hardwood floor was upgraded to a 27m-pixel screen displaying real-time visuals and animations. Certified for the highest level of professional sports competitions by federations such as the International Basketball Federation (FIBA) and International Volleyball Federation, ASB GlassFloor is more than just a flooring system; it's a versatile, multi-functional solution.
The surface of

USA - This year’s Academy Awards featured a number of notable musical performances. With the help of Shure wireless audio technology, the industry’s most experienced professionals brought the evening at Hollywood’s Dolby Theatre to life, making certain that all 10.5m viewers watching the event around the world ‘could enjoy every blockbuster moment with crystal-clear audio quality’.
Overall, the Academy Awards’ production team deployed 50 channels of Shure Axient Digital wireless, monitoring the spectrum with Shure Wireless Workbench. The team, comprised of professionals from ATK and Soundtronics, also deployed 16 channels of Q5X PlayerMics that were combined with Axient Digital wireless receivers to deliver superior digital transmission and spectrum efficiency.
Originally developed for the NBA, Q5X PlayerMics are super concealable, bendable, and are design

Germany - This week, the biggest and brightest names in international sports and media technology will gather for SportsInnovation at the Merkur Spiel-Arena in Duesseldorf. At this, invitation-only event, ARRI is set to present its impressive technology portfolio of camera and stabiliser equipment that ‘elevates live entertainment and sports broadcast environments to new heights’.
ARRI is new to the roster of selected exhibitors at SportsInnovation this year and presents a bespoke lineup of tools and workflows that are helping to shape the future of spectator sports. During the event’s Innovation Games, ARRI showcases its Multicam and camera stabiliser systems through live game demonstrations in partnership with the Deutsche Fussball Liga (DFL) and the National Football League (NFL). These real-life applications, featuring live soccer and American football matches, end

USA - When the Sphere opened last fall to resounding acclaim at the Venetian Resort Las Vegas, another eye-opening yet distinctly intimate entertainment venue made its debut at the same resort, Voltaire. Presented as an entirely new kind of entertainment space, Voltaire features architectural and theatrical lighting by renowned design studio Lightswitch, with Elation luminaires playing an essential role in crafting its atmosphere.
“I think it’s interesting to compare and contrast those two modalities, two totally different experiences and two ways of thinking about entertainment,” Lightswitch principal John Featherstone says of Sphere and Voltaire. “Both venues offer experiences pushed to the extremes, one a massive edifice of technology that immerses you in a grand experience, and the other a beautiful, small, intimate space that offers a remarkably personal experi

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