France - The Colisée de Roubaix (Roubaix Coliseum) in France has undergone various interior transformations throughout its near-century of operations. The most recent of those included the installation of an S-Series loudspeaker system from Adamson to enhance the myriad of productions presented in the historic 1,700-seat main theatre.
The venue boasts 7,000 subscribers and welcomes an average of 100,000 spectators per season. Built in 1927, it is well known for its rich cultural history and stunning architecture. That, in addition to the many types of productions hosted on its main stage, from modern and classical music to opera, drama, and dance, resulted in a long list of stipulations for the ideal audio solution.
“We needed a system that would provide excellent sound reinforcement for a number of different productions, and that met several other technical criter

The Netherlands - December 2017 saw Dutch singer Waylon appearing in association with Radio Veronica and its Top 1000 show to play three sold-out nights at the Ahoy Rotterdam arena. The Radio Veronica brand goes back to the 1960s – when it broadcast from offshore – and its Top 1000 is a hotly anticipated announcement, yearly listing ‘the 1000 best songs ever’.
The Rotterdam shows featured Waylon, plus special guests, delivering tracks from the Top 1000 list. Dutch creative outfit Tenfeet was charged with providing pre-programme studio facilities for lights and video, as well as operating media servers during the live gigs.
Given carte blanche by the event organisers to configure a video control system to exactly match its wishes, Tenfeet opted to use the Hippotizer Montane+ media server.
“Only two weeks before, we heard about Green Hippo’s newest med

UK - First performed in 1960, Gore Vidal’s The Best Man recently made its debut in London’s West End. Opening at the Playhouse Theatre, the show tells the story of two presidential candidates who are both vying for an endorsement from the current president; with the play exploring the lengths they’ll go to achieve this. This latest production is produced by Bill Kenwright and the lighting equipment was supplied by White Light.
The Best Man enters the West End directly from a UK tour, on which WL also supplied the lighting. It stars a range of well-known names, including Martin Shaw, Maureen Lipman and Honeysuckle Weeks and features a lighting design by Chris Davey.
Chris comments: “The entire play is set in a hotel suite in Philadelphia, which houses both of the candidates. In terms of the set, there is a huge gauze wall with a bedroom upstage th

USA - Systems integrator STC Audio Video recently deployed a complete Harman Professional Solutions audio system at the Beulah Missionary Baptist Church in the Atlanta suburb of Decatur, Georgia.
Established in 1896, Beulah Baptist has relocated several times before moving into its current facility in 1999. Featuring a sizeable domed-ceiling structure and seating for 3,000 congregants, the church recently hired STC to replace its 15-year-old audio system with a new audio solution that could deliver excellent sound quality during sermons, choir performances and full band worship performances. After careful consideration, STC selected a complete JBL VTX Series audio solution for its power, clarity and transparent reproduction.
"Harman has a reputation for making speakers that provide excellent performance," said George Seldon, president and CIO of STC Audio Video. "I c

USA - Hip-hop artist Juvenile recently brought his street heat to eastern Georgia, shaking up the house at the Country Club live music venue with blistering renditions of songs like Back That Thang Up and his 2003 No. 1 Billboard hit Slow Motion.
Helping set a feverishly intense mood at the club for his no-holds-barred performance was a bright fast-moving John Berret lightshow that featured Chauvet Professional fixtures supplied by Quest Sound & Productions.
Anchored by Rogue R1 Beam and Rogue R2 Spot fixtures, Berret’s show, which he controlled with a ChamSys PC Wing and Chauvet Net-X Art-Net node, filled the spacious dancehall venue with bursts of light to accent key moments in Juvenile’s performance.
“No doubt, this lightshow was built on brightness and intensity, because this is what the music called for,” said Berret. “Something I

Austria - The Super Bowl – the final of the US National Football League – was celebrated at Europe's biggest Super Bowl Party, a night organised by Austrian private broadcaster PULS 4 in the Vienna Albert Schultz ice rink.
With over 4000 sports fans attending, Viennese company Pro Performance Wolfgang Sauter was responsible for the entire sound concept of the Super Bowl Party. The long-standing Alcons distribution partner was supported by Ils medientechnik GmbH from Leipzig, who under the management of Thomas Ils and Matthias Heilmann took over the detailed audio planning, supervised the network technology and managed the labour coordination. Also material disposition and logistics lay in the hands of the Leipziger. Uwe Biesgen from Creative Sound was on site for ils as responsible system engineer.
The Super Bowl Party was amplified from both sides of the ic

UK - A.C. Entertainment Technologies (AC-ET) have helped full event production services company VisionEvents Manchester (VE-M) to upgrade their equipment inventory with some of the latest technologies from premier industry brands, including Green Hippo, Panasonic, ProLights, Sennheiser, Manfrotto, Doughty and Tourflex Cabling.
VE-M's complete event services cover all creative and technical aspects of client projects - including event planning & solutions; creative graphics & video production; and technology equipment hire.
VE-M were keen to invest in high quality new video, sound and lighting technologies for their AV department, so approached AC-ET, knowing that the company would be able to meet all their needs.
Mike Docksey in AC-ET's external sales team oversaw the sale. Working with product specialists in the company's dedicated video, lighting, audio

Germany - Stadthalle Singen in Singen was recently upgraded with a Yamaha CL5 digital mixing system to the benefit of both national and international productions.
Owned and managed by Kultur und Tourismus Singen (KTS), the venue has attracted over 850,000 visitors to more than 2,400 events in the 10 years since it opened. Described as ‘the most versatile event and conference centre between the Black Forest and Lake Constance’, it features the Thügasaal (up to 690 seats), Small Hall (up to 270 seats) and Gallery (up to 203 seats), plus three meeting rooms and two seminar rooms.
Thanks to an inventive, modular construction with movable floors, a flat space of 1700 m² can be created by combining the Thügasaal, Small Hall, main foyer and side foyer. This versatility allows a wide range of large events such as theatre, ballet, opera, musicals, rock, pop and classica

USA - Rapper Snoop Dogg completed his most recent touring season with dates in the American Southwest and West Coast supported by monitor engineer Freddie Johns III mixing on an Allen & Heath dLive S Class S5000 Surface with DM64 MixRack.
Johns, who has also worked with artists like B.o.B., Far East Movement, Jeremih and A$AP Rocky had been using an older digital mixer with Snoop Dogg. Then, he had a chance to try out a dLive for several days in Los Angeles and says, “I fell in love with the desk.” Johns had multi-track recordings from previous Snoop Dogg concerts and played these using the dLive’s Virtual Sound Check to set up and mix a couple of virtual shows. “I just became one with the board,” he said. “Ever since then, I’ve had it on every Snoop Dogg show.”
Snoop Dogg’s monitor setup includes in-ear monitors, floor wedges and side-fills and J

Canada - With the winter season in full swing, Canadian production company Ottawa Special Events (OSE) increased the scope of its service to corporate clients by investing in 12 of GLP’s large Air Dome 850’s.
GLP Air Domes offer protection against rain and other environmental influences in various sized housings, with the 850 dome purpose-designed for larger moving heads.
They were supplied by GLP’s Canadian distributor, AVL Media Group who have been aggressively promoting both these, and GLP’s Rain Cover Kits into the local markets to counter the arduous conditions.
“We were looking at a product that was going to protect our fixtures and be rugged enough to withstand cold Canadian weather but also be user friendly and a breeze to install,” confirms OSE production manager, Joel Deslauriers. “There were other brands out there, but the builds were n

India - Bollywood Music Project, Asia’s largest Bollywood music festival, came to Delhi’s Jawaharlal Nehru Stadium, on 27-28 January. Hosted by Event Capital & Talent Management, the event featured two stages, over 200 musicians and more than 50 artists performing for its high adrenaline audience. DiGiCo SD10 consoles, supplied by audio rental company Mega Sound, were at the centre of the action.
For two days, the city saw some of India’s biggest names head to BMP, including Farhan Akhtar, Papon, Vishal Bhardwaj, Euphoria, Nooran Sisters, Richa Sharma, Benny Dayal, Aditi Singh Sharma, Anusha Mani, Shilpa Rao, Shruti Pathak, Raftaar, Amitabh Bhattacharya, Kutle Khan, as well as other eclectic artists from the world of Bollywood music.
Udaipur-based Mega Sound is one of India’s leading AV rental companies and has an impressive inventory of first class

USA - The Band's Visit, a critically acclaimed new musical that celebrates the deeply human ways music and laughter connect us, opened in November to rave reviews at the Barrymore Theatre on Broadway. It is the story of the Alexandria Ceremonial Police Orchestra's arrival in Israel for the opening of an Arab Cultural Centre, only to find out that they have boarded the wrong bus to the wrong town – with some inevitably amusing consequences.
A big part of the musical's success is celebrated sound designer Kai Harada's innovative sound design, at the heart of which is Astro Spatial Audio's true object-based approach to immersive, three-dimensional audio.
At the heart of the Astro Spatial Audio (ASA) solution is the conversion of audio signals into audio objects. ASA's SARA II Premium Rendering Engine – a 3U road and rack ready processor offering up to 128 MADI

Oman - The Muscat-based Oman Convention and Exhibition Centre (OCEC) has taken delivery of ProLyft Aetos hoists.
With over 22,000sq.m of column-free space, the venue offers a wide array of meeting and exhibition spaces with the very latest in communications and audio-visual technology to meet the demands of the most discerning global event organisers.
To meet their customers’ demands, the venue operator, AEG Ogden, was looking for a flexible solution for the venue’s rigging facilities. Adhering to the highest quality standards and service excellence, they were looking for high-end rigging solutions, supported by the best service and knowledge.
Meeting OCEC’s brief, Prolyte Group was selected to present a proposal. Based on the quality of the proposal and the technical support they experienced during this phase, they were happy to give the green light.

UAE - Dubai-based Fountains International Events employed Green Hippo to deliver a prestigious graduation ceremony in the United Arab Emirates.
The American University in the Emirates (AUE) invited Dubai-based Fountains International Events to craft a video and lighting show for its seventh commencement ceremony at Dubai World Trade Centre.
Led by Pavel Pashkovskiy, Fountains International Events has extensive experience in the region, and for the AUE graduation ceremony the company designed and produced content with a total size of approximately 10,000 x 4,000 pixels. Using a pair of Hippotizer Karst Media Servers, Pavel operated a special Art-Net timeline-based controller from Syncronorm, sending layers, and starting triggers to the Karsts. Pavel calls this technique ‘Art-Net timecode’, and the Art-Net timeline triggered all of his other devices, including lasers

UK - Figure of Eight Events was recently approached to provide technical production for this year’s Isuzu Awards, which took place in the 70,000-seat Principality Stadium in Cardiff.
As the new sponsor for the Welsh Rugby Union (WRU), Isuzu wanted to create a fitting start to their relationship by showcasing what the stadium has to offer. Figure of Eight didn’t disappoint by delighting the guests with a 360° lighting design that featured a collection of Rogue fixtures from Chauvet Professional.
With the awards ceremony and dinner housed within a clear marquee, positioned 3m high over the central pitch area, Figure of Eight came up with the idea of surrounding the structure with high-power light from the Rogue RH1 Hybrid and Rogue R2 Wash fixtures.
“We wanted to create a stunning backdrop for the award ceremony by allowing the guests inside to be able to se

UK - Illumination rental and installation specialists LED Creative assisted in creating the 360° studio experience for the recent six-show run of BBC’s All Together Now.
Produced by Remarkable Television (part of Endemol Shine UK) and filmed in front of a live studio audience at Salford’s Dock 10 studios, All Together Now posts a series of would be singing stars before a panel of 100 carefully selected, highly opinionated ‘judges’ who cast their votes by standing up and joining with the performances.
The series features a set created by scenic designer Dominic Tolfts, lit by LD Dave Davey, that surrounds the singers, panel and audience in a wall of colour and movement, allowing the performances to be viewed from almost any angle with no break in the vibrant studio backdrop.
LED Creative supported the crew on the shows, supplying their BYTE

USA - A quality tungsten audience blinder has a key role in a Zac Brown Band show, and last year’s discharge-based lights for the band’s Welcome Home tour gave way to high-impact Elation Professional Cuepix Blinder WW2 LED-based white light fixtures.
Production and lighting design for the tour was by UK-based production design company Okulus, who also handled creative direction and scenic design. James Scott, Okulus director, had been introduced to the Cuepix Blinder on another design tour, Passenger, in 2015, an outing where power consumption limitations were a concern and an LED fixture the solution. “Looking at the sheer quantity of blinders that Zac Brown wanted to use on this show, having all those dimmers and cabling didn’t make sense. We had to go LED and again chose Cuepix,” Scott commented.
The Cuepix white light fixtures not only give the cl

UK - On the evening of 16 February, the Hong Kong Trade Development Council organised the Fashion Hong Kong Show and Cocktail Reception at London's Somerset House. Being an approved supplier at Somerset House, along with working on several shows across London Fashion Week, White Light was called upon to provide the technical solutions.
The event was produced by My Beautiful City - a full service creative agency that offers end-to-end support across art direction, concept creation and event production. For over 10 years they have worked with some of the world’s most talented designers to bring their collections to life at Fashion Week. They have also worked closely with WL across several London Fashion Weeks.
WL’s senior account manager Dominic Yates comments: “We have a strong working relationship with My Beautiful City, which goes back many years, and they calle

World - Irish rock band The Script's current Freedom Child tour features a complex mix of video, live footage, pre-made content and live effects displayed on a multiscreen structure. The ambitious visuals are being powered by Avolites Ai Infinity R8 Servers and Quartz lighting control consoles.
The Script's long-time show designer, Jamie Thompson, is working alongside freelance media server expert Annalisa Terranova, Tom and Satoko Wall from Blinkin LAB and video director Ben Farrey, to deliver the architectural content.
The multi-screen set-up is being run by four Ai R8 media servers. Two R8 servers process content created in real-time effects generator, Notch, which is then fed into the second pair of Ai servers which handle the main content. All of this is then outputted to the massive, angular on-stage LED screens.
"It's a pretty hybrid setup and we've

UK - A.C. Special Projects (AC-SP) has assisted engineering company Hoare Lea in bringing its dynamic lighting scheme to life for etc.venues' 68,000sq.ft multi-use event space inside the London County Hall - providing an e:cue control system to meet the venue's bespoke needs.
The historic County Hall location is etc.venues' largest event space of 15 sites around the Capital, and a major historic tourist destination.
The lighting team at Hoare Lea worked closely with lead interior designer, Jestico + Whiles and executive architect, Synergy Architects, restoring County Hall to create a unique conference space for etc.venues.
The project included upgrading the building with integrated lighting elements to reveal and accentuate its architectural history, and help to create spaces with flexible ambient lighting serving and enhancing different events and tasks, rang

USA - Guests at the Arizona Biltmore often ask if the upscale hotel/resort was designed by Frank Lloyd Wright. It wasn’t, but it could well have been. Although the famed architect didn’t draw up the blueprints (a former student of his did), he was actively involved in planning the aesthetically balanced 89-year-old structure, which bears his trademark ‘textile block’ construction.
Nowhere is Wright’s ethereal touch more evident than in the Biltmore’s spacious grounds, which instantly captivate visitors with their winding tree-lined paths, evocative abstract sculptures from the Master’s own Midway Gardens, and gently curved glimmering pool. The transformative effect of these grounds was made even more powerful at a recent event, thanks to a Creative BackStage lighting design that featured Maverick and Rogue fixtures from Chauvet Professional.
“We were b

USA - Paradigm Rigging has worked with Christie Lites to monitor the loads with BroadWeigh wireless load cells on The Killers Wonderful Wonderful world tour.
Michael Sorowka, CEO, Paradigm Rigging, explains: "In September we were brought to New Jersey where The Killers were doing technical rehearsals and programming of the show before their UK leg. There we had 56 cells in play to weight the full show before it hit its first arenas.
“From initial versions, cells were originally going to be specified for some of the larger video walls and two mother grids to help with determining load distribution, but through a few minor design revisions, elements of that changed which in turn changed the needs of the load cells for the run."
The set gives a strong Las Vegas feel consisting of large flown marquee arrows lined in neon, pointing downward to the stage as w

USA - Lighting and visuals designer Tom Sutherland incorporated 110 Spikies into his lighting rig of over 600 fixtures for rapper Pitbull’s current Time Of Our Lives residency at the Axis Theatre, Planet Hollywood, Las Vegas.
“We had brand new 470W HMI lamps right next to the Spikies, and on a few occasions, I couldn't tell which lamp was which,” stated lighting and visuals designer Tom Sutherland talking about rapper Pitbull’s current Time Of Our Lives residency playing at the Axis Theatre, Planet Hollywood, Las Vegas.
Tom first started working with the popular artist, record producer and activist over the last year, and was asked to redesign his show by producer Macarena Moreno with whom he had previously worked on The Latin Grammys.
Pitbull’s Las Vegas residency has been running for the last couple of years, usually in blocks of three o

Austria - Lighting designer Björn Hermann faced major challenges at the 2018 Swarovski Festival in Austria. The exclusive outdoor event took place under difficult conditions, as the temperatures in Tyrol fluctuate between -20°C to + 12°C in the month of January, but it was no problem for the SGM fixtures.
"SGM fixtures have been incorporated in all my lighting concepts ever since my first usage of the SGM P-5 back in 2013,” said Hermann. “As most of my projects are outdoors, SGM luminaires’ true IP65-rating is a must for me. But also the enormous range in the product family from wash- and floodlights, to blinders, to pixel products, not to mention the wide range of lenses and that I choose between RGBW, TW, UV, and W.
“In addition, I see it as an advantage to move within the same product family, because I remain in the same colour space.”
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