Europe - The Rolling Stones’ live shows are still known for their dynamics and power, and the recent No Filter tour featured a stunning lighting and video design that captured the essence of their performance and underlines the indelible legacy and huge influence of their music.
Lighting designer and creative director Patrick Woodroffe of Woodroffe Bassett Design (WBD) worked closely with stage architects Stufish on developing the look and feel of the No Filter tour, which used four grandMA2 full-size consoles, one MA grandMA2 light, five MA NPUs (Network Processing Units) and four MA 8Port Nodes.
Woodroffe explained: “We had very little lead time once the tour had been confirmed but worked with a great team from Neg Earth on lighting, and Solotech on video. Stufish and Jeremy Lloyd put together the scenic design and concentrated very much on the deta

Switzerland - The Zurich Opera House entered the 2017/18 opera and theatre season following an extensive technical renewal that included new audio equipment, modernisation of its workflows, and fresh approaches to its sound reinforcement.
The Lawo mc²66 mixing console that was previously installed in the sound control room has been replaced with an mc²56, with a second an mc²56 also installed in the auditorium – making the sound control desk and auditorium desk mirrored consoles. Operated in mirror mode, the configurations, snapshots and adjustments of parameters that are performed on one console can also be recalled at the other. This ensures efficient preparation of performances, particularly where Microport systems are increasingly being used. Managed in this way, musical and children's opera projects planned for the future will be easier to mix in the hall.
Th

UK - Battersea Dogs & Cats Home’s annual Collars & Coats Gala Ball returned for its ninth year earlier this month, with Hawthorn on hand - or should that be paw - to deliver full technical production for the star-studded occasion. Taking place at Battersea Evolution, a Smart venue, the creative technical production expert provided lighting, sound, video and staging for the charity’s biggest fundraising event of the year.
Even with a guest list packed with some of biggest names of stage, screen and sport, it was Battersea’s four-legged friends that stole the spotlight at the Gala Ball. Battersea’s legendary Guard of Honour, a red carpet lined with the home’s dogs and their handlers, kicked off proceedings before guests settled down to a dinner by Smart Hospitality.
Guests of the two-legged variety were kept well entertained throughout the eveni

USA - Success has not spoiled Louis The Child, nor has it made this pair of Chicago-bred DJs any less daring when it comes to reshaping their distinctive brand of EDM music. Since bursting on the scene two years ago with the highly original and spacey tune It’s Strange, the duo has continued to jump head first into the creative cauldron. Rather than resting on their laurels, they show a fearless willingness to experiment with novel eclectic synths, push percussion assemblages to the limit, and in general do whatever it takes to reach new musical heights.
The same Louis The Child philosophy is at play when it comes to lighting their shows. Going into their 32 -city Last To Leave Tour, which started 12 October, the pair told the team at Creative Production & Design (Austin, TX) that they wanted a lightshow that looked radically different from the one that h

USA - When the latest in a series of remodels stretching back two decades was completed in 2013 at the newly named AXIS at the Planet Hollywood resort in Las Vegas and it was announced that pop star Britney Spears had been signed to a two-year residency deal, no one - including gurus of the entertainment world, and even most of the crew - really expected it to last more than six months.
Today, with that residency wrapping up an overwhelmingly successful four-year run and other pop residencies having taken hold, the venue boasts the highest number of ticket sales in Las Vegas and, most weeks, the highest in the country. In a world of dizzying changes, one of the few constants has been the presence of DiGiCo consoles at both ends of the snake.
The other constant has been the presence of AXIS production supervision and head of audio Eric Fish. “When I first came in, thi

UK - Overlooked by a dominating Nelson’s Column and The National Gallery, U2 premiered material from new album Songs Of Experience amongst a set of their greatest hits, at a free show for 7,000 fans in London’s Trafalgar Square on Saturday 11 November.
Introduced by the Mayor of London, Sadiq Khan, MTV Presents Trafalgar Square was the curtain-raiser to the following evening’s 24th annual MTV Europe Music Awards (EMAs) at The SSE Arena, Wembley, where the Irish four-piece were honoured with the Global Icon award.
Both events were graced by Stageco’s dedication as staging provider with Wim DeWolf and Mario Dockx handling the R&D, while Dirk De Decker managed both projects. For the U2 event, the Stageco crew of seven [plus local crew], headed by Stefaan Vandenbosch, negotiated one of the busiest tourist areas of the city to erect the company’s

Europe - Thirty-Six Robe BMFL Spots were workhorse moving lights on the recent Rolling Stones No Filter European tour, part of a spectacular and epic lighting design created by Patrick Woodroffe.
Patrick and associate designer Terry Cook of Woodroffe Bassett design (WBD) worked closely with stage architects Stufish on developing the show’s overall aesthetic.
With many moving lights on the rig, they sought a high-powered fixture to occupy four 'slots' just below the tops of four imposing 23m high by 11m wide monolithic video towers which define the performance space.
"Patrick and I needed a multi-functional fixture and knew the positions would be hard to access and given the complexity of CDM rules and regulations and the requirement that crew be able to access the fixtures safely - a lot of thought went into the process," explained Terry. “We decided o

Turkmenistan - Internationally renowned lighting designer, Durham Marenghi used more than 800 Claypaky fixtures to deliver the two large-scale lighting designs for the opening and closing ceremonies of the 2017 Asian Indoor and Martial Arts Games (AIMAG), produced by Balich Worldwide Shows, held this year at the Olympic Stadium in Ashgabat, Turkmenistan.
The ceremonies, broadcast on the 17 and 27 of September to 57 countries worldwide, featured giant projection-mapped sets, pyrotechnics and sweeping light displays. For the opening ceremony, over 7,600 performers told the history of the Silk Road through music and dance, culminating in the lighting of the games' 'cauldron' which burned throughout the 12-day event.
Marenghi, the designer behind the lighting for the Rio Olympics last year, specified a large Claypaky lighting package for the AIMAG ceremonies. The rig com

USA - On Tuesday, 14 November, the Atlona On Tour road show rolled into Boston for a special two-day Visual Systems Show in Marlborough, MA, where more than 75 dealers, distributors and systems integrators took in live presentations focused on Atlona’s Velocity networked control solution, OmniStream R-Type AV over IP platform, and a variety of HDR products. Seth Powell, Atlona’s resident AV over IP training expert, led most of the presentations.
Sponsored by the D.L. Henderson Company, a regional manufacturer’s representative, the event also included a three-hour Atlona Certification Course on how to configure, deploy and maintain OmniStream and Velocity systems. More than 20 attendees were certified. Atlona offers these trainings free of charge, and has been granted CTS certification for them due to providing a thorough and complete curriculum.
The road show con

France - Aeroscopia is a museum which celebrates the contribution that the Midi-Pyrénées region has made to French civil and military aviation. As well as aircraft and themed exhibition areas, the museum features spaces for hospitality events, meetings and presentations. In all of them, Yamaha audio systems deliver smooth, turbulence-free sound.
Toulouse is known globally for Airbus, but the area around the city has witnessed over a century of aviation - from France’s first powered flight by Clément Ader, via the Caravelle (the first French jet airliner) and Concorde, to the mighty Airbus A380. Appropriately, Aeroscopia is connected to Toulouse-Blagnac airport - where many French aircraft made their maiden flights - and is within easy reach of the city.
At the heart of the museum, the 506m² l’espace évènementiel (event space) can host up to 400 guests in a co

UK - The multi-cellular controllability of Martin Audio’s MLA was put to the test recently at the notoriously difficult Alexandra Palace, when The War on Drugs played to a 10,000 sell-out crowd.
The American indie six-piece rock band, fronted by Adam Granduciel, were promoting their fourth album A Deeper Understanding - and fortunately their FOH engineer Bob Strakele had prior experience, not only of the venue but also of MLA.
“I have mixed at Ally Pally before,” he confirmed. “So when I heard that we would be doing a show there, I immediately asked our production manager [David Scheid] to get in touch with Capital Sound about getting an MLA system.”
Capital’s operations & development director, Paul Timmins takes up the story. “We have worked with Bob on a number of shows over the past 10 years, including Billy Talent, Erasure and James.

UK - Audio specialist tube UK returned to the familiar urban territory of Manchester’s Albert Square to help deliver the city’s 2017 Christmas Switch On ceremony, which officially fired up the city’s Christmas lights for the run up to a fun-packed festive season.
tube has been involved with the Switch-On since 2001 and has seen it grow massively in that time, so the audience now fills the entire square and the event involves multiple road closures and the traditional hoisting of Manchester’s own huge LED clad Santa onto the front of the Town Hall to oversee the proceedings!
The d&b sound system spec’d for the show was designed by tube’s John Redfern and based on the required crowd coverage and the needs of the multiple acts appearing onstage in the hour-long entertainment extravaganza headlined for the first time by a DJ – Sigala. He was joine

Canada - Radio Active Designs (RAD) Canadian manufacturer rep Zimbel Audio Productions has had a busy couple of months placing RAD UV-1G wireless intercom systems with the Canada 150 Celebration, Canadian Country Music Awards, Toronto Pride and Caribana parades and at historic Massey Hall in Toronto for the Canadian Songwriter’s Hall of Fame inductee ceremonies.
The four-day Canada 150 Celebrations at Toronto’s Nathan Phillips Square benefited from a six- drop UV-1G system that covered site-wide communication needs for the stage managers with just two antennas. The event featured more than 40 music acts including Drake, Belly, and Barenaked Ladies.
Another six-drop system was used at the Canadian Country Music awards broadcast in Saskatoon. Technical producer Neil Staite says, “The RAD comm system supplied flawless communications between our floor and stage manag

France - The second edition of the Fun Radio Ibiza Experience, organised in association with Ushuaïa Ibiza Beach Hotel, took place on 14 April 2017 at the Accor Hotels Arena in Paris. Around 17,000 people gathered at this huge EDM event which transformed the venue into a massive dance floor to the sounds of top DJs Robin Schultz, Nervo, Sam Feldt, W&W and headliners, Afrojack and Hardwell.
“The Paris show is a little taste of resistance,” says show director, and founder of High Scream, Romain Pissenem. “To stand up and dance and have fun is the only response we can show to the threats to which our city has been subjected.”
Helping Pissenem bring the spirit of Ibiza and the Ushuaïa vibe to Paris were over 200 Ayrton lighting fixtures, including over 100 MagicBlade-FX, 50 MagicPanel-FX and 50 MagicDot-XT. The fixtures were supplied by Ayrton as part

Brazil - Four Robert Juliat Lancelot 4K HTI followspots took pride of place front-of-house at Brazil’s Rock In Rio Festival this summer. Held over two weekends at the Cidade do Rock at Rio de Janeiro’s Parque Olímpico da Barra, this festival saw headliners Aerosmith, Guns ‘n’ Roses, Bon Jovi, Maroon 5 and the Red Hot Chili Peppers play to over 700,000 across seven nights.
The Lancelot followspots were supplied by Robert Juliat’s Brazilian rental partner LPL Lighting Productions Ltda, whose Caio Bertti worked in association with Daniel Ridano of Robert Juliat’s Brazilian distributor, Lighting Bits Ltda and the festival’s lighting designers, Patrick Woodroffe and Terry Cook of Woodroffe Bassett Design.
The Lancelot fixtures were rigged in full view of the audience on stylish, modern lighting and sound towers - skilfully designed for minimal impact on audie

Switzerland - Thunerseespiele is well-known for its beautiful scenic location, providing the most stunning backdrop to the high-energy performances gracing the stage every summer. The energy is fully matched by the immersive spatial audio delivered by award-winning sound designer Tom Strebel, using TiMax Tracker stage tracking and object-based TiMax SoundHub spatial reinforcement to deliver transparent vocal clarity and intelligibility.
As usual, Strebel’s seasoned audiopool engineers also crewed the production and Out Board’s Robin Whittaker provided TiMax spatial tuning and programming support on-site.
In previous years, lavish performances have included Jesus Christ Superstar, Titanic and Aida – and unforgettably, Shakespeare’s Romeo and Juliet performed in a massive half-pipe with a cast of BMX stunt bikers and skateboarders. Th

Romania - The Timeshift festival in Bucharest was the debut for the largest roof ever engineered and sold by Milos. The massive MR5 Heavy-Duty roof measured 31 x 18m and covered the main stage of the first edition of Timeshift Bucharest Music Festival - an event where technology and music come together.
The festival was a four-day event held from 20-23 July and featured a total of four stages, with the Milos MR5 roof covering the main stage. Featuring international artists such as David Guetta, DJ Snake and Bloc Party, Milos helped Timeshift ensure its mission of providing the means for its audience to “step into another dimension”.
The client for this project was A.S.C. Systems Sound & Light, based in Bucharest. A.S.C. Systems has been in operation for 17 years and is one of the leading rental companies in Romania for stage, light & sound equipment.

Europe - L-Acoustics sound systems have been specified for the recent European tour of Grammy Award-winning artist John Legend, with BCS Audio supplying the equipment.
BCS owner David Shepherd explains: “As is so often the case, the client specified an L-Acoustics system. This is one of the reasons we’ve been an L-Acoustics supplier for several years now. Their systems are rider-friendly simply because they make great sounding products and consistently deliver the high quality of sound the artists want. And we want to provide our clients with that high quality - you always know what you’re going to get with L-Acoustics.
“We’ve been working with John Legend since 2014,” recalls BCS project manager, Nick Boulton. “His FOH engineer, Troy Milner, had been really impressed with a K1 system they’d used during the first run of shows he worked on with John and

Denmark - The Rhythmic Conservatory (RMC) in Copenhagen aims at supporting the creative forces of its students, musicians as well as producers, as they have more than 30 rehearsal rooms that are equipped with recording set-ups, including USB recording interfaces, external preamps, a MIDI keyboard and controller and studio monitors so the students can hook up their own laptop and capture and work on their musical ideas. In 16 of those rehearsal spaces, a pair of Dynaudio LYD 7 studio monitors has now been installed.
“All of the new rooms are prepared with a basic set-up that allows our students to bring their own laptop and simply plug in,” says sound technician, Tim Harris, who took the lead on designing the new rooms. “They have access to record up to 16 simultaneous tracks and since most of our students have a DAW and their favorite sound and instrument libraries on

New Zealand - New Zealand singer-songwriter Bic Runga marked the 20th anniversary of her debut album with a tour across the country.
The album, Drive, was released in August 1997 and won the New Zealand Music Award for Album of the Year in 1998. It went platinum seven times in New Zealand.
The Auckland leg of the anniversary tour was held at The Civic Performance Art Theatre, with the main sound system supplied especially for the event was JBL’s new line array system, the VTX A12.
“When we were given the opportunity to mix with the VTX A12, it was a no-brainer really,” says leading sound engineer Kevin Bennett, who mixed FOH for the show. “I have never received as many compliments from an audience as I did after this performance. Sonically the A12 is exceptionally smooth on and off axis. Very little tweaking was necessary to get the system to work

South Africa - MJ Event Gear supplied the full technical for the annual employee awards organised by building materials merchant Cashbuild.
The annual Cashbuild Hall of Fame Awards were hosted at the Maslow Hotel in Sandton to recognise the top performers among its 4,700 employees based at stores in South Africa, Namibia, Lesotho, Botswana, Swaziland, Malawi and Zambia.
Commissioned by Trace Elements, MJ Event Gear has provided the full technical for the event since 2010. MJ’s Theo Rood ensured the event, which catered for just over 200 guests, was stage manager for the awards. He relied on Robe moving lights, programmed by LD Gary Sam on a grandMA2 light, to create the fire and ice theme that lit the ballroom.
Gary Sam said: “It’s always such a pleasure to work with the MJ team. Equipment-wise, the grandMA2 light worked well for me as I enjoy the MA pla

UK - Rental specialists Pinewood MBS Lighting worked alongside cinematographer Josie Williams on the award-winning film David and Bathsheba by directors Sammy Patterson and Dagmar Scheibenreif.
Filmed at Pinewood Studios Underwater Stage as part of the 48hour Film Project, the film is a resplendent mix of storytelling and spectacular lighting and camerawork.
Working with Robert Shears, Pinewood MBS provided supported and equipment to the shoot, including ARRIMax M18 and Dedo Octadome kits which the crew employed to good effect, particularly during the underwater sequences filmed by Dagmar Scheibenreif.
Commenting on the support received by the production, director Sammy Patterson says: “Our heartfelt thanks go out to Pinewood MBS Lighting, Pinewood Studios and absolutely everyone who helped us and worked so hard to put this film together - we could not

UK - A SSL console is being used on Imagine Dragon’s latest world tour in support of their Evolve album.
Tour sound company Sound Image recommended the SSL Live L500 to FOH engineer Scott Eisenberg. "It was great to be able to bring up channels that sounded good right out of the box," he notes. "We were able to bring everything together really quickly, which is a tribute to both the band and the console."
The Evolve show features two stages. The main stage is for the primary song list with full line-up, while a 'B' stage allows the band to switch to pared-down, unplugged interludes that include viola, cello, acoustic bass, and keyboards.
This was one of the main challenges for Eisenberg - two stages, lots of instruments, and lots of inputs: "It's about 80 inputs between the two stages," he says. "Around 50 from the main stage, a dozen from the B S

UK - West End fringe venue The Space and its in-house company Space Productions, are building a solid reputation around great acting and direction as well as new and challenging drama.
The company’s sound designer, Keri Chesser, is dedicated to pushing the boundaries of sound design within the intimate site, confidently manipulating the audio framework of productions using a TiMax SoundHub spatial audio matrix.
Chesser and the Space Productions team have recently staged a minimalistic adaptation of Howard Barker’s The Castle, where TiMax once again topped her tool kit. “I love to use TiMax,” she explains, “It makes me braver with my sound design. Makes me want to discover new ways of manipulating the audio rather than just sticking to the limitations of the speakers I have.”
The invisible loudspeaker set up comprised just seven cabinets: two co

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