Germany - Markus Heinzel of Liquidstudio is the proud owner of the first Audient ASP8024 Heritage desk to be installed in Germany. Based in Freiburg, he has recently upgraded his professional recording and music production studio, wanting to “rely on my technology, so I can get on with making music”.
It was last year that his finances finally allowed for the improvements to his space, for which the biggest investment was the Audient. It took him the best part of a year to find the right desk which also suited his budget. “The combination of a well processed and proven, big analogue desk with DAW integration is perfect for me,” says Markus. “I use the DLC module mostly to make automations, it's great to play with that.
“After working with a digital console for 10 years, I wanted to come back to analogue. I wanted to record using the excellent analogue EQs an

UK- Underneath the Victorian railway arches in London’s Shoreditch district lies Cargo, one of the capital’s edgiest late-night bar and club venues. While the venue’s genuine Banksy graffiti art-filled courtyard is a magnet for art aficionados and tourists alike, the club itself has been busy building up a formidable reputation of its own thanks to an eclectic music programme.
To install an appropriately multifaceted lighting rig, Cargo recently approached London-based installation specialists, Halo lighting, which specified a number of Chauvet Professional and Chauvet DJ fixtures.
“Cargo approached us wanting a lighting rig capable of supporting a wide variety of dub, house, techno and electro events,” commented Yann Guenancia, director of Halo Lighting. “The combination of Chauvet Professional Rogue R1 Wash and Legend 230SR beams, in addition to Chauvet D


Finland - Finish singing sensation Saara Aalto – aka the Snow Fairy – played a sold-out homecoming gig at Helsinki’s Hartwall arena and Green Hippo technology ensured a great view for all. Saara, who shot to fame in the UK through her runner’s up spot in 2016’s X Factor, is a firm favourite in Finland, having appeared in Finland’s Got Talent 2007 and The Voice of Finland in 2012.
Bright Finland, the Finland and Scandinavia-based experience provider, was at the helm for Saara’s 360° screen show employing a Green Hippo Hippotizer Boreal to control six iMAG screens. The Hippotizer Boreal was running Notch – the all-in-one, real-time graphics workhorse – enabling the Bright Finland team to create, simulate, composite, edit, and play, there and then, in the moment. The set-up also used Green Hippo’s compact and powerful 1U Media Server, t

USA - Bon Jovi rocked the house with the band’s This House Is Not For Sale Tour. The tour’s complex staging featured a grandMA2 full-size console provided by PRG and was in support of Bon Jovi’s eponymous thirteenth studio album released last fall.
It was the first to feature Hugh McDonald and Phil X as full-time band members. The tour picked up the album’s theme with a set featuring a stylized house under construction.
“The tour represented the next chapter of Bon Jovi,” says Spike Brant, the show’s creative producer and designer and CEO of Nimblist. “It was a dynamic show – a nod to old fashioned rock ’n roll with a fine art, metaphorical abstractness. Nothing about the design was fake, and with no fascia, the machines became the tools to tell the story.”
“Not many shows use this much motion to create a sense of structure,” notes Joe B

USA - For more than 25 years, the Red Hot Chili Peppers have been closely linked with Dave Rat who has manned the live concert mix for the Grammy Award-winning quartet since 1991. During that period, Rat has successfully grown his own tour sound company (Rat Sound) and been awarded two patents for innovative live sound products. As of February, however, the celebrated engineer has now passed the reins of mixing the band to Sean “Sully” Sullivan, another industry veteran having most recently manned front of house for Rihanna, Atoms For Peace and Beck.
Camarillo-based Rat Sound is continuing to provide the FOH control and monitor package for the band’s current Gateway World Tour, as well as the PA system for all of the band’s US dates.
For the current trek, Sullivan is mixing an all-L-Acoustics system that he designed along with systems engineers Jim Locker and P

Europe - Popular Belgian / Dutch girlband K3 are on the road again for an extensive live schedule through 2017 reaching out to their young and enthusiastic fanbase with a completely new lighting and video design originated by Luc Peumans of Genk-based creative practice, Painting with Light.
This is the first full tour with the ‘new’ K3, since a TV competition staged last year found three new faces to take over from the previous band members, two of whom had been part of the foundation of the K3 phenomenon in 1998. This was followed by a transition tour featuring all six K3 girls performing both together and in their two separate line-ups.
Painting with Light has worked with K3 – known for their colourful, high-octane power-pop stage shows – for the last 15 years. The band is managed by Studio 100 and the staging concept for this tour was developed by Stefaan H

Ukraine - Internationally renowned lighting designer and director of photography Jerry Appelt specified the new Claypaky Scenius Unico as the main stage workhorse fixture for his richly composed lighting design for this year’s Eurovision Song Contest, hosted at the International Exhibition Centre, Kyiv, Ukraine.
This year, 42 countries participated in the global TV phenomenon, each supported by a striking stage and light show embracing video, special effects and a procession of scenic props and costumes, all of which combined to make the lighting of this world famous event an ever more challenging proposition.
Taking up that challenge for the third time, Appelt’s lighting solution was born from a creative collaboration with scenic designer Florian Wieder. This was centred around a fresh take on the Proscenium arch, which curved majestically from upstage, and was fu

UK - A top of the range light and sound system is now delivering all the right notes at The Borderline in Soho, a 300 capacity intimate basement live music venue transformed by new owners DHP Family.
The venue has been remodelled to create a flowing space that provides the best possible experience for both performer and audience. As well as creating improved sight lines, more than £100,000 has been invested in a high spec audio and light system.
With excellent audio established as a hallmark for all DHP Family venues, top of the list was the installation of an L-Acoustics PA system to deliver a signature hi-fi quality sound throughout the venue.
DHP Family technical manager Dave McVea said: “The audio system we inherited was an eclectic mix of gear that had clearly been amassed over a period of time. While it did the job, there was no real design to the sys

UK - Lighting designer Paul Pyant returned to London’s Royal Academy of Dramatic Art (RADA) to light a production of the Steven Sondheim classic, A Little Night Music directed by Edward Kemp and staged at RADA’s Jerwood Vanbrugh Theatre in central London.
Robe enjoys a close ongoing working relationship with RADA, making their latest technologies available for students to use across the three main venues. Paul’s design for this production utilised Robe’s DL7S LED profiles and the new Spiider LED wash beam moving lights, together with other moving and conventional fixtures.
Paul’s acclaimed career started at RADA – he is a 1973 alumnus of the Academy’s technical training course – and features extensive work across the genres of theatre, opera, ballet and dance. It’s earned him recognition for lighting a diversity of shows from large-scale West E

UK - April saw the premiere of the next instalment of The Guardians of the Galaxy, held at the Eventim Apollo at Hammersmith. The global success of the first film from the Marvel franchise guaranteed the sequel and film premieres of this magnitude require more than just a red carpet to announce their arrival.
Impact Production Services (IPS) are well known exponents at delivering the goods at this sort of event. In addition to lighting the press areas and a media wall, IPS supplied the lighting inside the theatre where the main event took place. This was a mainly Clay Paky affair, designed by James Barnfather from the end client, Limited Edition Event Design and featuring Sharpys, Sharpy Washes and the newly upgraded Mythos2 fixtures.
Programmer and operator for the show was Luke Edwards who explains the choices, “Sharpy Washes have always been a favourite of

USA - There are no straight lines in Time, the new Orange County club designed by Davis Ink, Ltd. That’s one reason why the dance floor is visible from anywhere in the venue. The lighting design by Steve Lieberman’s SJ Lighting features a “digital chandelier” made of Chauvet DJ MotionOrb fixtures along with some power packed spot and wash lighting from Chauvet Professional Rogues.
“The space inside this venue is almost amoeba-like,” said Lieberman. “It’s a single flowing and very immersive unit. Davis Ink completely ripped the former retail store apart down to the bone to create the new structure. We identified focal points throughout the space and used those locations to create our dimensioning and distribution of fixtures. Since the space is so different we spent a lot of time evaluating how each space would transition into the next.”
Among the foca

UK - Brighton Dome, built in 1803 for the Prince Regent, features an 1800 capacity concert hall that stages a varied programme of top class international entertainment, including contemporary and classical music, theatre, dance, visual arts and comedy.
In recent years, the Dome's technical team had earmarked a new house lighting scheme as a priority. Its existing dimmers were obsolete and channels were failing, energy consumption was high and maintenance very difficult. Integrator Stage Electrics was awarded the works to supply, install and commission an entire new house lighting and following a site visit, made an immediate suggestion that a GDS solution would be best.
Integrator Stage Electrics were to design an energy efficient house light system, with an increase in lux level, that retained the aesthetic of the auditorium without compromise. Maintaining a warm tun

World - Seven hundred and ninety-five (795) Robe Spikies are on the road with Bruno Mars 24K Magic world tour – setting a record for the largest number to date of a single type of Robe fixture on one touring show!
The Spikies are the main lighting feature of an action-packed show and are used constantly for hi-impact looks, an array of fluid effects, mesmeric chases, animated chunks of colour and magically twinkling and sparkling ‘soft’ surfaces which can totally transform the appearance of the performance space in this exciting hi-energy show.
The dynamic, colourful and highly visual production design was originated by Leroy Bennett of Seven Design Works, who collaborated closely with a top creative team including lighting designer Cory FitzGerald and lighting director on-the-road Whitney Hoversten.
24K Magic is also currently one of the most talked abou

UK - Since its inception, Pinewood MBS Lighting has remained committed to investment in LED and low energy lighting. By sourcing products from leading manufacturers and creating innovative illumination solutions via MBSi’s in-house product development team, PMBS has steadily grown to become one of the world’s largest energy efficient entertainment lighting resources.
Supported and governed by the BAFTA albert Consortium, albert is the UK’s leading environmental sustainability initiative for the visual-arts. The project aims to educate and provide industry colleagues with the necessary expertise and opportunities to reduce the environmental impact of the production process and to create chances for audiences to effectively engage with the climate agenda.
Having recently delivered low energy and LED solutions to crews on major productions, including The Nutcrack

Australia - The Western Australian Academy of Performing Arts is on-par with NIDA in the east as the wellspring of the next generation of Australian talent across the entire spectrum of the live arts. With its original technical fit-out dating to the early 1980s, the entire lighting rig was due for an upgrade. Lighting coordinator Jon Davey had presided over a project that has seen the auditorium go 100% LED, with 24 Elation Sixpar 300s making up the majority of the stock.
With a mass of LED pars on the market, what was it about the Elation Sixpar 300s that stood out from the other fixtures Jon auditioned? “We developed a specification based on what was important to us – noiseless, flicker-free operation, and colour rendering giving us a high level of visual acuity. Went through a shoot-out process that covered a range of products, and the Elation units were the right c

USA - As a boy in Broadalbin, New York, Keith Truax loved listening to the CD of Jekyll & Hyde the Musical. While being swept up by Frank Wildhorn's bold, unabashedly passionate score, he often found himself dreaming of one day being involved in a production of this theatrical take on Robert Louis Stevenson’s classic tale of good and evil.
Dreams do indeed come true when you grow up to become a talented lighting designer. Truax has been earning widespread praise for his current work lighting Jekyll & Hyde The Musical at Long Island’s popular John W Engeman Theatre. Fittingly, his dramatic contrast of colours is endowing the stage with a transformative dream-like quality that underscores the musical’s good-evil dichotomy. Helping him achieve this powerful effect is a collection of Ovation, Maverick and Rogue fixtures from Chauvet Professional.

Trinidad - Inspired by the record-breaking batsman Brian Lara, many young cricketers in Trinidad and Tobago dream of playing their national sport at international level. This dream has been brought a step closer to reality for many by the Urban Development Corporation of Trinidad and Tobago Limited (UDeCOTT) with the completion of the Brian Lara Cricket Academy, a state-of-the-art competition venue and training facility for the development of world-class cricketers.
Just north of the city of San Fernando, the Brian Lara Cricket Academy is the first state-of-the-art cricket training facility to be constructed by the Government of Trinidad and Tobago. The Academy includes a 15,000 seating capacity stadium, club seating, lounges and executive boxes as well as exhibition space. The Academy also incorporates 12 outdoor practice pitches, official and team locker rooms and a gymnas

UK - Northamptonshire-based PA Rental company Sound4Hire has recently added Linea Research 44M20 networked DSP amplifiers into hire stock.
Formed in 1995 Sound4Hire has become one of the UK’s most trusted professional audio suppliers. Providing solutions for events of all sizes, from a speech to 20 people to the largest music festivals, celebrity polo matches or prestigious firework extravaganzas at historic castles, Sound4Hire specialise in delivering only the best solutions for their partners and audiences alike.
“Following several months of research into advancing the sound quality and phase correction of our loudspeaker systems, as well as the ability to explore Beam Steering, we set our criteria and started to see what was available to us – with no limits,” explains Sound4Hire’s Brett Masters.
“During extensive listening tests of both separate D

USA - Billed as Hoboken’s premiere ultra venue, the Hudson Ultra Bar is a state-of-the-art music, dance, and entertainment facility. VIP booths surround the dance floor, offering a high-energy experience for table guests who wish to be at the centre of the action. This venue defines what DJ music and entertainment is all about.
To ensure the best music reproduction capabilities, the Hudson Ultra Bar deployed loudspeaker equipment specifically designed for this type of environment. That’s why they chose Sound Force Series loudspeakers from Valencia, Spain-based D.A.S. Audio.
Global Audio Systems of NY, NY, a full-service provider of audio, visual, DJ, lighting, staging, and related entertainment services, was contracted to handle the design and implementation of the Hudson Ultra Bar’s sound reinforcement system. Company owner Jason Ojeda, who oversees system consu

UK - Triple E beat the odds and the clock to provide Illuminate Design with a custom-built, motorised track for the Centre Stage venue at Butlins, Skegness.
AV specialist Illuminate called in Triple E Ltd when an existing tab system failed just before the start of a new Centre Stage show.
To follow the shape of the stage, Triple E Ltd’s design had to incorporate a double S set of curves. Illuminate sent a sketch across late Thursday evening and MD David Edelstein quoted it immediately. On Friday, Triple E drew the design up, assembled the Erail system and the 25m TDRIVE six-curve track was collected just after lunch.
Robin Shephard-Blandy, Owner/Director at Illuminate Design, comments: “The deadline was particularly tight because there had been difficulties with other ideas for the replacement track. Triple E’s solution enabled us to carry out the install

Iceland - Robe moving lights are making a big impact at the Icelandic National Theatre (Þjóðleikhúsið) in Reykjavík since they became an integral element of the available house lighting rig, a process that started in 2014 and has recently been continued with the addition of DL7S Profiles, LEDBeam 1000s and Actor6s.
The Robe fixtures were specified by Head of lighting Halldór Örn Óskarsson (Halli) and his team of colleagues.
Halli is an award winning LD and also a primary production lighting designer for this high profile venue which has five separate performance spaces and a busy and diverse programme of shows and events. This includes new Icelandic and international works, Icelandic and foreign classics, musicals, dance pieces and children’s productions. The theatre creates around 10 new productions each year and also collaborates with independent theatre

UK - Petersfield Festival Hall, the versatile multipurpose venue in Hampshire, can now create a truly immersive colour experience as well as white light for its audiences, events, and galas thanks to its new Chroma-Q Inspire lighting system installed by A.C. Special Projects Ltd. (AC-SP).
Because of the wide range of productions held at the Festival Hall, the venue wanted new colour changing LED house lighting that could provide a full range of colours, from deep saturates to smooth pastels, all with smooth, theatrical grade dimming. Similarly, it was important to provide quality white light for day to day use and corporate functions. Ultra-quiet running, low energy consumption and low heat generation were other important considerations.
Having enquired about Chroma-Q’s Inspire fixtures to meet these criteria, John Tucker, the Festival Hall’s technical manager, was

Australia - The Australian TV industry’s biggest night, the 59th annual Logie Awards, were held at Melbourne’s Crown Palladium on Sunday 23 April 2017, broadcast live on the Nine Network.
Always a great opportunity for the broadcaster to show off its tech capabilities, visuals were spread across three huge screens onstage, a wrap-around screen surrounding the audience, and pixel mapped to onstage fixtures and LED chandeliers. Helming the mission-critical media server and console operation was Lynden Gare, director of Melbourne-based lighting and production company Colourblind, who relied on Green Hippo’s Hippotizer media servers to ensure that the show went exactly to plan.
Green Hippo is no stranger to the world’s biggest televised events, with their media servers used on The Eurovision Song Contest and The Academy Awards. At the heart of Lynden’s set-up for

South Africa - Peter Rieck of Rieck’s Lighting and joint owner of rental company Event Lighting, was selected by Red Pepper Pictures for the second year running, as lighting designer for Lip Sync Battle Africa. This televised lip sync showdown, filmed at Urban Brew Studios, returned for its second season in April 2017, premiering on MTV Base, a DStv channel.
“It’s a dynamic show and funky looks have to compliment the entertainment, interviews and bantering between contestants,” said Peter, who controls the Robe lighting rig with a MA dot2. While each new episode opens with a generic look Peter holds back, only adding colour and pulse moments to the first song of the night. Then, with guns blazing, he lunges with explosive and vibrant lighting effects as the show heats up to complement the massive prop changes.
The set, an adaptation from the international form

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