Robe very much alive with Phil Collins
- Details
Collins’ long term lighting designer Patrick Woodroffe has created a stylish, animated lightshow, which is directed and operated on the road by Roland Greil, who also acted as the associate designer for the show - the two have collaborated on a number of projects in recent years including Adele last year, and on this one they worked closely with set and scenic designer, Misty Buckley.
On the rig are 48 x Robe BMFL Spot moving lights, a Robe RoboSpot remote control system and two PATT 2013s, all being provided by leading UK lighting rental company, Neg Earth.
Patrick has worked for the artist for nearly 20 years and this tour celebrates his return from ‘retirement’, It plays London’s Royal Albert Hall and multiple shows in the Lanxess Arena in Cologne, the AccorHotels Arena in Paris as well as shows in Dublin. It culminates in the former rock supergroup Genesis drummer’s largest ever solo show in Hyde Park at the end of the month.
The show – for which Collins is most definitely centre stage - is based around a stunningly elegant and almost timeless – but understatedly modern - stage concept with a flexible and vibrant lighting rig.
Two LED screens are an integrated part of the scenery together with some additional ‘soft’ scenic elements like an Austrian gauze, a chic silver curtain and a star cloth adding flourishes of classic stage magic.
A wide dynamic range of lighting looks have been crafted by Patrick and Roland, all taking the music as their base inspiration. Some numbers are classically theatrical, others are full-on pop-tastic, and as the set unfolds it reveals a run of gripping, memorable rock looks and progressive contemporary scenes. Two songs even feature a ‘ballet’ of lights, utilizing 11 fixtures rigged on individual hoists with RSC Lightlocks that move freely above the stage!
Flipping between so many moods, smooth and seamless transitions were essential for the lightshow flow.
Forty-seven of the BMFLs are rigged between the overhead positions and on two vertical side ladders upstage and are used as key lights, backlighting spots and traditional spots to create tight, precise looks.
BMFLs are a huge part of the show and were selected for their “Versatility and elegance, plus the ability to create some very powerful looks,” stated Roland.
The 48th BMFL Spot is being controlled via the RoboSpot system and is used as Phil’s main backlight instead of a standard truss spot.
The PATT 2013s are used for three songs in the set as elegant looking lighting fixtures, as well as a scenic element.
Video is integral to the show, with a balanced mix of special playback content created by Sam Pattinson of Treatment and IMAG directed by Ruary Macphie, while Joshua Keys handles the media servers. The show’s styling features IMAG feeds imaginatively treated with colours or shown in sepia, monochrome, etc.
Patrick first specified Robe moving lights on one of his designs in 2007 - ColorSpot 2500E ATs for the Genesis “Turn It on Again” world tour. More recently, BMFLs have started making regular appearances in his work including for the AC/DC and Adele world tours. He used Pointes on the Rolling Stones 2014 ‘On Fire’ European tour.
(Jim Evans)
