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Nepal - When Lucy Peckham, co-partner of Anchorage-based Both Ears Live Sound, was contacted by Greg Mitchell, a design professor at UC Santa Barbara, she knew she would be a part of something special. Mitchell was looking for a sound engineer to go to Nepal to work on the first opera ever performed in that country. Peckham recognized early that she would also need equipment capable of performing under Kathmandu’s less than forgiving environment. Peckham found the solution she needed in DPA Microphones’ d:screet 4061 Necklace Microphone.
Peckham first heard of DPA after attending a Live Design conference in Las Vegas. “I started receiving Live Design’s online newsletter and DPA kept popping up in the articles I found most interesting,” she says. “One article in particular caught my attention: DPA microphones were used to mic the entire cast and orchestra of a San

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China - PR Lighting has launched upgraded versions of two of its products, and has now released the XR 330 Beam II and XR 250 Beam II.
While the XR 330 Beam II is equipped with the Osram Sirius HRI 330W lamp the XR 250 Beam II houses a Philips MSD Platinum 11R 250W lamp to produce a laser-like parallel beam.
These products are designed to meet the requirements of small and medium installation applications. Rich in features, they are compact and easy to maintain and install.
Features include: colour wheel with 13 colours; fixed gobo wheel with 16 gobos and rotating gobo wheel with 12 gobos (three prisms and frost wheel. The fixture also contains: electronic strobe (0.3-20 fps); Dimmer (0-100%, linearly adjustable); Motorized linear Focus and Zoom.
The Head movement offers 540° (pan) and 270° (tilt), with auto position correction, and light angle of 3°.
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Italy - Staged since 2006, Nextech is one of Italy’s longest lasting electronic and visual arts festivals, drawing top international EDM artists to Florence and enabling fans to discover suggestive locations in the Tuscan ‘capital’, creating a sprcial atmosphere with its mainstream and trendsetting sounds.
For the last four years, Nextech has been held in the Cavaniglia hall, in the conference hub hosted by Florence’s spectacular Renaissance Fortezza da Basso, and headliner at the December 2016 edition, Nextech Legend, was Germany’s Chris Liebing.
Liebing has dedicated the past 25 years of his life to the performance, production, distribution and broadcasting of Techno at global level. He has run a club and held residencies in many of the most prestigious venues worldwide, playing for established nights like Cocoon, Carl Cox and Music On in Ibiza, he now has

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USA - History runs deep throughout the Lone Star State. Perhaps nowhere in Texas is this more evident than in the little town of Granbury. A look at the well preserved 19th century homes and original frontier storefronts that line the downtown district make it easy to see why Granbury bills itself as “The Place Where Texas History Lives.”
Although the people of Granbury celebrate their rich history, they also have their eyes firmly fixed on the future.This balance between the time-honoured and contemporary was evident recently when the local Acton United Methodist Church installed a massive new LED video wall in its traditional sanctuary.
Made with Chauvet Professional C6 Panels, the 26’ wide by 10’ high wall engages worshippers with crisp and colouful contemporary images, as well as text and IMAG video. Yet, when it’s not in use, this high-tech wall “virtu

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UK - A substantial EM Acoustics HALO-C system has recently been supplied and commissioned into the main performance space at Dorking Halls in Surrey by Autograph Sales & Installations. Opened in 1931, the handsome inter-war facade of the Halls conceals a vibrant, contemporary entertainment and conference complex in which three separate spaces variously host live music, cinema, corporate events, comedy and theatrical productions throughout the year.
The new system resides in the main hall which has a capacity of 791 seated, rising to over 1000 when part-standing. Comprising 22 HALO-C compact line-array elements plus a single MSE-218 subwoofer per side and four EMS-61 modules, the entire system is powered and processed by just two EM Acoustics DQ20s and one DQ6 advanced system amplifiers.
According to Autograph’s sales engineer, Peppe Mallozzi, one of the first con

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UK - Donny Osmond’s recent Soundtrack of My Life arena tour has given the entertainment icon not only a chance to promote the album of the same name (his 60th), but also take a trip down memory lane to cover five decades of material.
The fact that Donny-mania is still alive and well can be measured by the constant screaming of fans, drowning out the mainly arena auditoria, which in normal circumstances would threaten to envelop the sound from the stage.
In the case of Martin Audio’s award-winning MLA, Osmond’s tour manager (and FOH engineer) Chris Acton found so much headroom under the bonnet that this never became an issue.
Capital Sound, who supplied the rig, first worked with Acton on Donny & Marie’s tour of the United Kingdom two years ago. Introduced by UK event production company, LarMac LIVE, the relationship has blossomed - and Acton was highl

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Europe - The Holiday on Ice Time show is back on the road with a new creative team and a new look, with lighting and visuals designed by Jeffrey Goes from Amsterdam based creative design practice Live Legends - and a lighting rig featuring over 170 Robe moving lights.
Holiday on Ice producer Kiki Venhuizen and new executive producer Jay Smith contacted Live Legends when looking for a new integrated design that would encompass lighting and video visuals for the re-launch of Time (the original show name was Speed), which has been a big hit with audiences throughout Europe.
Live Legends’ work embraces all sectors and genres – concerts and live music events, TV and theatre productions, corporate and industrials, but this was their first ice show.
“Holiday on Ice was looking for a fresh approach,” said Jeffrey who has been using Robe prod

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USA - ImageCue has made available a new suite of free content preparation utilities for its users. The utilities are now available for downloading from the ImageCue website.
One of the new utilities is designed specifically for users new to the content preparation process. “We’ve encountered many potential customers that want to integrate projection and digital content into their productions but feel overwhelmed by the complexity of the process,” says Bill Hewlett, ImageCue CEO. “This new utility allows the user to plug a USB flash drive into their PC and the utility steps them through the process.”
The new utility prepares the USB drive for use with ImageCue and analyzes the user’s content, determining how best to convert or modify it for best performance with the ImageCue compact server. The tedious task of adding numeric prefixes to file names is handled

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USA - Purpose Church, located in Pomona, California, 30 miles east of Los Angeles, recently installed a new Eastern Acoustic Works (EAW) Adaptive sound reinforcement system to provide their church community with a more complete worship experience.
After the church decided to upgrade the 25-year-old system, Peter Wilson, audio tech director for Purpose Church, and Jeremy Rynders, audio/acoustic system designer, began to research their options.
The fan-shaped church sanctuary, with seating for 1,800-2,000, features a wrap-around balcony that necessitates 180-degree coverage. And, because the space is made up primarily of hard, flat surfaces – with little or no acoustic treatment – the room would benefit from sound reinforcement with custom-tailored coverage, easily defined by the user. Lastly, the church was interested in a system with the ability to vary the cover

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USA - Located right outside Fort Hood, Texas - the largest military installation in the free world - the Christian House of Prayer was founded in 1980, and from its main location in Killeen and a satellite location in Copperas Cove serves a ministry that reaches across the country and into Europe.
As the need to improve the sound at the main sanctuary increased, Chris McKinney, the church’s head audio engineer and production manager, began researching the best way to go about modernizing the system there. His inquiries led him to the Focusrite RedNet suite of Dante-networked audio converters and interfaces, which he recognized as the perfect bridge from the church’s existing analogue sound system to the Danley PA system they intend to install later in 2017.
Supplied by Sound Productions of Irving, TX, a system comprising the following RedNet components provided the

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USA - Located in Minneapolis, MN, Substance Church is a dynamic multi-site church that believes in doing things a bit differently by pushing the limits of the congregation’s expectations to build a stronger community.
In holding true to their foundation, they recently underwent a LED video installation at their Northtown Campus with one of the largest LED video walls in any house of worship known today. Led by Adam Frey, technical director for Substance, the church wanted to complete their full production design with a high-resolution and virtually flicker-free LED video solution, so they chose FLEXTour LED video from PixelFLEX, installed by REACH Communications, Inc. of Champlin, MN.
“The project on a whole was a new lighting, projection and LED video installation for our auditorium that was built about a year ago, and this was the final piece of the design for th

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Canada - What better way to adorn a new Canadian seaside shopping mall than with a 45ft stainless steel and glass leaping salmon sculpture? Located near Vancouver, BC, the Tsawwassen Mills Mall opened last October and every night since, shoppers have enjoyed just such a noble work of art, brightly illuminated by a Solaris Flare IP RGBW outdoor LED wash fixture.
“The challenge was to bring out the colours of the dichroic glass ‘scales’ covering the fish’s metal skeleton,” says Chris Moreno of ShowTech AVL in Burnaby, BC. “Each two-foot square glass panel has natural hues which are quite evident in daylight. We wanted to achieve the ‘sunlight’ effect at night but LED fixtures we tried fell short, creating hot spots and making the glass look merely transparent.
“We found the perfect solution with the Flare IP HD RGBW outdoor wash. The Flare has the ideal

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Scandinavia - Swedish PA company, Parashoot, flew out its new Allen & Heath compact dLive system for the world’s northernmost festival, held in Longyearbyen, Svalbard, located on a Norwegian archipelago in the Arctic Ocean.
Running since 1998, the Polar Jazz festival is a unique event, which year on year attracts well-known artists from across Scandinavia to perform. Parashoot managed audio requirements for Swedish singer, Ane Brun, for her headline performance, using their new dLive C Class C1500 rack-mountable Surface with CDM32 MixRack.
“This must be the furthest north a dLive has ever travelled!” comments Parashoot owner and engineer, Oscar Söderlund. “Our new compact set up was so easy to transport and load in/out, which was very important given the temperature was -13°C.
“We have several dLive S Class touring systems but for unusual or fly

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UK - Ever the travelling troubadours, Two Door Cinema Club are currently touring the UK with sound engineer Ian Laughton at the controls of a Britrow K2 system. “I first met the band two years ago,” he said. “They have loads of talent, excellent musicians; I’d always liked them and wanted to work with them. Listen to their latest third album Gameshow, and I defy you to find a song you don’t like.
“The first shows at the Manchester Apollo was my initiation to Britrow’s L-Acoustics K2 system with the new’ish KS28 subs. I don’t really need the low end weight – I’m not looking to flap trousers, but I do want that low frequency information to be present. The PA gives me the room to put the full character of what is a very musical band into the mix, neglecting nothing.”
Craig Ross (aided by Steve Donovan on stage) looks after the system for La

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Sweden - The twelfth Swedish Idol season started airing on TV4 in August 2016 with a finale show held 8 December at the Ericsson Globe Arena in Stockholm.
Scandinavian Rigging Service (SRS) has worked on each Swedish Idol Final for the last 10 years, and this year was responsible for the complete rigging from drawings and weight calculations to top rigging supply and rigging personnel. New this year however was the use of Eilon Engineering’s Ron StageMaster load cells to monitor the rig’s weight and distribution.
“There are no requirements to use load cells with large rigs in Sweden,” says Sören Durango, who has owned Scandinavian Rigging Service since 2014. “Not yet, anyway.” Sören does say though that there has been more awareness to use load cells on larger shows in venues like the Globe, an arena that seats 16,000 people. “I have a go

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USA - Back in 1996, an original rock musical by a little-known composer opened on Broadway and forever changed the landscape of American theatre. A re-imagining of Puccini’s La Bohème, RENT follows an unforgettable year in the lives of seven artists struggling to follow their dreams without selling out.
Twenty years later, the Pulitzer Prize and Tony Award-winning masterpiece is still selling out theatres around the country and around the world. The 20th anniversary edition of the show began its run last September and carries with it an L-Acoustics sound system that conveys all of the power of its music and message of hope while keeping touring logistics and costs at a minimum
According to associate sound designer Mike Tracey, the touring sound system for RENT comprises two main left/right towers of 11 Kara enclosures per side, as well as two SB18 subw

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USA - Bandit Lites provides its clients access to its Venue One rehearsal facility, consisting of virtual programming suites, accommodations for 80,000 pound hang capacity, bus parking and easy access. Up and coming urban pop dance artist Taylor X utilized the space for her recent music video shoot for the song, No Ceiling.
In addition to using the Venue One rehearsal space for the shoot, Bandit Lites supplied VL 3000 Spots, GLP X4S, Martin Atomic Strobes, and ETC Source Four Pars, giving lighting designer Erik Parker the tools to tailor a high energy look.
“My role in this shoot was to add the ‘rock and roll’ effect in the video with moving lights, but the looks were much more about lease-flare and how the lights interact with the lens than what an audience member would see,” said Parker. “For a live production I try to make large pretty pictures to b

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USA - Lamar University serves 15,000 students on its Beaumont campus in south eastern Texas and one of the biggest sports on campus is basketball. Their basketball team, the Cardinals, has played in eleven NCAA tournaments.
Now over 30-years-old, the 10,080-seat Montagne Centre hosts all of the Lamar Cardinals’ home basketball games, as well as graduation ceremonies, athletic banquets, rock concerts, and touring entertainment. Until recently, it was limping along using the original sound reinforcement system that came with the building. Those forty-plus boxes have now been replaced by a single Danley J1-94 Jericho Horn and five Danley SM-80 full-range loudspeakers for fill.
“The old system lacked fidelity, coverage, and intelligibility, all of which was compounded by the fact that boxes were failing,” explained Chase Daigle, system designer at Beaumont-based MSC

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Italy - A classical music concert, Noi Per Napoli, was hosted at Naples’ Teatro Delle Palme theatre managed by Allen & Heath’s Qu-SB ultra compact digital rack mixer.
The event comprised performances from members of Naples’ San Carlo Opera House, who performed waltzes, classic folk songs and operetta. Audio requirements were managed by PA company, Megaride, and comprised a chorus of 40 people, a piano, harp, two violins, a cello, and the principal singers, two tenors, a baritone and a soprano. The faderless Qu-SB, with additional AB168 IO rack, provided FOH and monitor mixes, set up and controlled via the Qu-Pad app.
Sound engineer, Luigi Esposito, commented, “Qu-SB is a fantastically flexible, fast mixer. Simply plug in your inputs on stage, and then enjoy the freedom to set up your channels and change your settings from anywhere in the venue using the Qu-

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USA - Whether working as tour manager for Mike Posner or mixing for such groups as Rixton and MisterWives, Robert Dugan has found one common element that keeps his artists happy: Sensaphonics 2MAX.
“I’ve been using Sensaphonics since I started working with singer/songwriter Mike Posner in 2011,” says Dugan. “He turned me onto them, and I’ve been using them ever since. The 2MAX is so well balanced, with such accurate bass response, it feels like you’re listening to a full PA. I like referencing through them, even for studio work.”
On the road, Dugan uses the 2MAX even when he's not mixing monitors. "When I'm mixing front of house, I record my house feed most nights, then listen to it through the 2MAX on the bus or in my hotel. I know I'm hearing all the details, and it's a great way to keep both myself and the band happy with the mix."
Recently, Duga

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South Africa - The Joburg Theatre has invested in seven more Robin LEDWash 800s to supplement their existing stock and which have been the workhorses on productions like Robin Hood and the Babes in the Wood, the new pantomime adventure from Janice Honyeman which ran until 30 December 2016.
“We chose the Robin LEDWash 800s two years ago because of their popularity amongst visiting companies,” said Enos Ramoroko, technical manager at the Joburg Theatre. “The lamp shaper is quite handy for theatre, and we have received positive feedback from lighting designers who love their output and colour mixing.”
While the Robin LEDWash 800s were a hit on Robin Hood and the Babes in the Wood, they have been used on all shows performed at the Mandela Stage over the past year with highlights including Supreme Divas and Burn the Floor, the ultimate ballroom

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USA - Time: its passage and the way it shapes our lives, is at the heart of Gulf View Drive, the third and final drama in Arlene Hutton’s classic Nibroc Trilogy, which follows the lives of a young couple over a decade during the post-World War II era. Helping to convey this evocative theme at the Rubicon Theatre’s production of the play is a powerful Mike Billings lighting design that creates a visually rich and textured sense of time’s inexorable flow with help from the Chauvet Professional Ovation E-910FC colour mixing ellipsoidal.
“Early in the design process, the creative team discussed the colour arc for this show, which was incorporated into costumes, scenery and, of course, lighting,” said Billings.
“The show is set in 1953 Florida. It starts off very warm during a hot day. Then as the story unfolds, things become more tense, which we c

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UK - Lighting Design International has used the MentorLED Remote from Light Projects in conjunction with Soraa's AR111s to help illuminate and accentuate the beautiful Human Nature artwork in the Shard’s 37th floor Aqua Shard restaurant.
This stunning Christmas feature was a collaboration between Timothy Hatton Architects and Sir David Attenborough in aid of the charity Flora & Fauna International. It comprises a beautiful nine-metre high cascading leaf sculpture made from 3D-printed recycled plastic leaves in the shape of English Oak, Silver Birch, Dogwood, Wych Elm and Field Maple.
During the day, the white leaves are silhouetted against the dramatic London skyline. At night, the soft light from the MentorLED grazes up through the leaves which seemingly float in space, casting gentle shadows on the ceiling.
The MentorLED Remote uses the latest SR11

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Australia - As part of their pitch for the rebranding of the Australian Open, Landor, Tennis Australia’s chosen branding agency, created a video rendering of their proposed logo. The rendering depicted a 3m high three-dimensional logo, complete with a video screen on its front and LED pixels covering the side surfaces.
Whilst not part of Landor’s actual deliverable, the concept inspired Tennis Australia to test the market to see if it were possible.
The technical team at Tennis Australia prepared and issued a specification in August last year. Sydney’s The P.A. People, who had worked with Tennis Australia on many events over the years, took up the challenge.
“Our experience in designing bespoke mechanical solutions as part of AV systems integration, coupled with our work around the world on large scale events, led us to believe we could create a v
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