The Netherlands - Fresh from blowing minds at the Lightening in a Bottle festival and its successful debut in Miami for MMW, Pure Groove has announced that it will be providing the sound for Amsterdam's Lost in a Moment. Featuring acts such as Dixon, Ame (DJ), Howling (live), David August, Gerd Janson, KiNK (live), and Baikal, Pure Groove's future sound technology is "perfect to take the crowd on their sonic journey," says the company.

Pure Groove recently partnered with Danley Sound Labs, to create a series of sound systems targeted at nightlife and music industries. Possessing over 25 years' of festival and nightclub production experience, Pure Groove Systems are ideal partners for Danley's foray into the music world, and will be installing Danley's award-winning audio technology in the nightclub, concert and festival arenas.

Danley holds 13 Aerospace patents including being the first to demonstrate acoustic levitation for space research. The company also holds 17 loudspeaker patents and has been a research leader in the uses of acoustics in military and industrial applications specifically related to active noise cancellation.

Danley's revolutionary power-to-size ratio gives Pure Groove Systems an aesthetic and environmental advantage over its competitors. "Requiring reduced square footage, fewer speakers and rigging means Pure Groove Systems offers a less intrusive system that consumes less power, while delivering an unmatched audio experience."

This summer, Lost in a Moment is visiting select cities in Europe with some of Innervisions top notch artists. For the very first time, they will also strike down in Amsterdam for a true open air takeover of Sportpark Riekerhaven. Visitors can expect an 11-hour musical journey based on the challenging and innovative Berlin sound.

Proudly built in America, Danley Sound Labs' products are used by Cirque du Soleil, IMAX, and major sports arenas including Green Bay Packers' Lambeau Field, Atlanta Braves' Turner Field, The Kentucky Derby's Churchill Downs Stadium and many more.

(Claire Beeson)


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