Rental companies support Robe Lighting Show
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With live performances halted worldwide due to the pandemic, Mr. Sakamoto was keen to produce a lighting art video concept that could be enjoyed and appreciated by lighting enthusiasts worldwide, and he knew Mr Hayashi was the right person to create a brilliant, poignant, and high-impact work.
Mr Sakamoto himself was inspired by the positive, robust power of Robe’s brand messaging during these uncertain pandemic times. “A show like this using Robe products exclusively is unprecedented in Japan, so it was great to create one with everyone’s cooperation,” he comments.
He wanted to work with Mr. Hayashi on this project as a leading influencer and practitioner both in the Japanese lighting industry and internationally.
The 10-minute lightshow features three music tracks and the action takes place on an empty stage which is bare apart from a large and symbolic piece of driftwood, placed so Mr Hayashi could imagine a world of light and energy around it inspired by the music.
His goal was to also keep the space open and the lighting very fluid and kinetic allowing each viewer to interpret independently and enjoy their own individual journey whilst watching, feeling the emotion and spirit of the combined visual and sonic experience.
One hundred and twenty-six Robe BMFL WashBeam EVs, 168 x MegaPointes, 12 x ESPRITES and 56 x Tetra2s were specifically chosen to create the work.
A hundred and twenty of the BMFL WashBeams were arranged in a back wall, six rows deep, each row with 20 fixtures, the highest being at 11m off the stage and the lowest at 2m. These trusses moved up and down on an automation system.
A further four BMFL WashBeams were deployed in each corner of the performance space on the floor, with a fifth upstage centre on the floor.
The MegaPointes were positioned on two long left and right long side trusses which each had 24 MegaPointes, with a third set of 24 MegaPointes at the bottom of the back wall of BMFL EVs.
These same physical positions for another 72 MegaPointes were mirrored on the floor, with another 24 fixtures rigged on a 12-metre circular truss above the stage.
Above the centre point of the stage was a 3 diameter Parasol KLR spinning truss loaded with the 12 ESPRITES, and directly above the driftwood tree trunk, pinpointing the epicentre of the geometric design, was another single BMFL WashBeam.
The Tetra2 bars were rigged along the back wall, on the lower run of side trussing and on the floor.
Josef Valchar, CEO of Robe s.r.o. comments: “It was amazing to see Mr Hayashi’s work - as always. He crafted an exquisite show utilising so many fine-tuned features of the fixtures, which was really thought-through and explored the boundaries of what can be achieved with a spectacular result.”
Robe’s sales director Harry von den Stemmen was equally impressed. “We are all very captivated by the show and grateful to Mr Sakamoto for taking the initiative and energising Mr Hayashi to making such striking light art.”
The Robe Lighting Show was programmed on a grandMA2 console by Mr. Masaki Morii and visualised by Ms. Michiko Yagi both from the Mula Corporation.
Also instrumental in creating this work was production manager Mr. Yo-Ichi Ashikawa from M-Tech Style. The video was directed by Mr. Jihoon Kim and produced by Mr. Shinji Ootake, both of V-CON K.K.
