Just days before previews commenced, Thelma Holt’s new production of Noel Coward’s Semi Monde had a weighty problem. The main scenic element, essentially a large hemisphere built of steel frame and plaster, remained resolutely on terra firma. Summit Steel effected a solution, but it was not just a question of the appropriate support. The set-builders had estimated a weight of 2000 lbs for the hemisphere, calculating that it would be flown by strapping eight counter weight fly bars together. However, when all eight cradles were fully loaded, the structure refused to defy gravity. "Fortunately, one of the production crew had worked at the Albery Theatre where we had solved a similar flying problem for that theatre’s production of Baby Doll," said Chris Walker of Summit Steel. "A frantic Monday morning phone call to tell us of their nightmare m

Following a reorganisation of its business, Playlight is hosting a massive auction next Tuesday, where literally hundreds of items will come under the hammer. On the lighting side these include a collection of lighting desks and dimmers, and just about every type of lantern and moving light under the sun. For special effects, there are smoke machines, mirror balls, projectors and ultra-violet systems, whilst on the audio side, a large stockholding of speakers, amplifiers, mixing desks and microphones will be auctioned. Rigging and trussing will also feature, as will a range of office furniture and general equipment.

The auction takes place on Tuesday 22 May in London at 860 Coronation Road, Park Royal, London and begins at 11am. All items in the auction can be viewed on Monday 21 May from 9.30am to 4.30pm and on the day of sale.

For a catalogue call +44 0117 930 4020.

Theatres in London, Manchester and Brighton have become the latest in a growing number of performing arts venues to use a high-tensile wire grid system to deliver safe and easy access to high level lighting and sound equipment. In each case, the system specified has been Cablenet, a product designed and manufactured by Slingco Ltd, a family-owned company based in Rochdale and one that has virtually captured the market since becoming the first UK company to install a wire grid system just four years ago.

The last three months have seen contracts totalling over £150,000 completed with Cablenet systems being installed at the Brighton Dome Museum, Stratford Performing Arts Centre (SPAC) and the Zion Art Centre, joining a client list that already includes RADA, Bridgewater Hall and the Tron Theatre among its members. The Cablenet system consists of high-tensile steel cable woven and tensio

Mobil Tech UK has recently announced two exclusive distributorship agreements to promote and sell their products. Liverpool-based Adlite will be the main distributor in the north of England, whilst The Warehouse Ltd will be selling exclusively in Scotland from their Edinburgh headquarters and shortly from their brand new showroom in Glasgow. Both companies will be selling the complete range of Mobil Tech stands, trussing and accessories as well as the new range of lighting effects. As Mobil Tech UK sales manager Peter Stressing comments: "These agreements will allow us to concentrate our sales effort fully throughout the whole of the UK market. Adlite and The Warehouse will be able to promote our full range of products as well as providing a local focus point for customers in that both companies will be carrying a full range of products for demonstration."

This move has been

Hosted by Jerry Springer, Channel Five’s ‘Greed’ hit UK television screens this month, as contestants battled to answer a series of eight questions heading for a total one million pounds prize money. Pearson Television, London, bought the worldwide rights for the winning formula of US-based Fox Television Network's 'Greed', first screened in the USA in 1999/2000. Since March 2000 it has been sold to 17 different countries, the most recent production being in the UK. It is already a hit in Portugal, Israel, Germany, Finland and Denmark, amongst others. Production company A1 Set was commissioned to design the UK set which features a bank vault, a safe door and deposit boxes alongside piles of gold bullion. A1’s Andy Walmsley, who also designed the set for Who Wants To Be A Millionaire?, commissioned Blackout Triple E to supply and rig three truss circles, 12m, 9m, a

On the 25th April, Golden Princess left the Fincantieri shipyard in Monfalcone and sailed to Southampton, the home of P&O, from where she later set sail on her maiden voyage to Barcelona. She will be based in Europe throughout the summer, before sailing the Eastern Caribbean in the autumn. The main lounge stage on board the Grand class vessel features a four deck high flytower, orchestra pit, large side stage areas and substage area with stage elevators. Many land-based theatres would be lucky to have the facilities provided. A major feature of the new ship is much improved personnel access in the flytower for maintenance of the rigging systems and the large amount of lighting equipment installed in the space. As part of the design process, Stage Technologies developed TanJent (patent pending), an innovative solution to guiding the flybars throughout the full travel of the bar. The flyin

PCM took its award-winning Motor School roadshow to one of Europe’s top staging companies. StageCo, in Belgium, recently. PCM’s Tony Dickson presented the Motor School which was attended by 15 StageCo crew, plus four technicians from VLPS Belgium. PCM were asked to do the school by StageCo’s safety advisor Louis Claes. StageCo’s stage and roof systems - rated as some of the best in the world - work exclusively with Lodestar motors. "So we called in the masters to show us all about the hoists," explains Claes enthusiastically. PCM’s Motor School is designed to provide a comprehensive overview of the CM Lodestar hoist, and to familiarise owners, users and specifiers of Lodestar motors with the operational theory, design philosophy, safety aspects, internal workings and trouble-shooting methods of the product.

Claes commented: "The feedback we&

The Production Services Association has made two announcements: the first is that John Jones of PCM has filled the remaining seat on the 2001 PSA Council. John is a long-time supporter of the PSA and through his company PCM has donated £10,000 to the PSA Welfare & Benevolent Fund since the Fund’s inception. PCM has also gained a reputation for being among the industry’s leaders in promoting training, with the PCM Motor Schools now well established. In a separate announcement, Keith Owen will now oversee the PSA’s new series of BTEC courses. The courses, which commence in June in Birmingham with the Production Technician Intermediate BTEC, will be expanded during the year to cover other disciplines. Owen spent 20 years at Light & Sound Design before spending 18 months at Loughborough College as the PSA’s representative for training. He is working for two days a we

Performance Exhibitions Ltd has announced the launch of Performance 2001 - an exhibition including conferences, seminars and workshops aimed at the live performance industry. To be staged at the Newcastle Telewest Arena on 17-18 November 2001, the exhibition will bring together manufacturers, venues, producers and promoters, plus a complete range of associated services. Colin Rowell, director of ShowBlokes, whose vast portfolio includes production stage manager of The Tube, stage director for the MTV Awards and stage manager for the Brit Awards, recently returned to the North East, and is involved in live events in the area. He says: "I feel that this exhibition will offer companies a platform for exhibiting to a large audience. It will put the North East on the exhibition circuit where it belongs for this important segment of the industry." Over 1500sq.m of exhibition space wi

Star Hire (Event Services) Ltd supplied its SS 15 12 mobile stage to the BBC for the Russell Watson at BBC Music Live concert, with highlights shown on BBC1 on Bank Holiday Monday to 3.7 million viewers. A sell-out audience of over 2,000 fans enjoyed the concert. The event took place in Leeds’ Millennium Square on Friday 25 May, and was the first seated concert to be hosted there. Leeds Council has invested in the region of £13million in the city centre event site, with facilities that include artists’ dressing rooms and hospitality area located beneath the stage area of the square.

The SS 15 12 stage supplied is the largest of Star Hire’s mobile fleet of stages, with over 175sq.m floor area, standing 12m high; it was flanked by its own PA wings, which supported a Wigwam PA system on this show. The time-frame for the event saw Star Hire’s staff, under newly ap

Coe-tech Ltd has appointed FPD Savills to hold a two-day public auction/stock clearance sale to make way for the latest range of new Coe-tech products. The auction will take place at Coe-tech’s premises in Northampton on Wednesday 25 and Thursday 26 July 2001. It will feature over 3000 lots of all types of professional sound, lighting, AV and special effects equipment. Viewing day is Tuesday 24 July 2001 from between 9am to 4pm. The diverse array of equipment for sale will include intelligent lighting; moving head luminaires; discothèque lighting; architectural colour changers; theatre lighting including followspots, profiles and fresnels; trussing; video equipment - cameras, switchers and video walls; sound processing equipment; loudspeakers; power distribution and cables. For Further Information and catalogues, please contact: FPD Savills, 4 St. Peter’s Gate, Nottingham, N

ESS Superstructure has secured a major contract to build a vast 2,500sq.m superstructure building for a high profile, blue chip corporate event. The contract is the first for ESS Superstructure following the recent formation of a joint venture between ESS Ltd and The Pure Group. An ESS Superstructure building will be used initially by HP:ICM, one of Europe's leading live communication companies, for a client event involving a global brand. Two thousand delegates are expected to attend a one-day management conference, which will be followed by an elaborate gala dinner to be hosted in the superstructure building. The huge aluminium transparent structure, which is 100m long by 25m wide and 11m high, is based in the grounds of Syon Park in west London. Managed by The Pure Group, the Superstructure will be available for hire as a conference and corporate hospitality venue, in conjunction with

PLASA has completed the first phase of its major industry research project, which will provide PLASA members with an invaluable insight into their industry. As well as being able to estimate the global market size for professional lighting, sound, staging and AV products and services, the research also gives a very detailed picture of the market in the UK. For the first time, PLASA has information about the value of the product sectors, how fast they are growing and the size and growth of the various vertical sectors into which its members sell. The findings enable the Association to say some very precise things about its members collectively and the nature of the industry as a whole.

PLASA plans to repeat the exercise every 12 months, enabling it to build up ever-more accurate trend information. A quick flick through the 119-page report reveals that it estimates the respective size by

This summer saw a free concert for 20,000 people staged in the busy heart of London. Mike Mann discovered that such a production has its logistical difficulties . . .

Before even thinking about the problems involved in bringing central London to a standstill, Star Hire’s Roger Barrett realised that the stage design for the Africa Day concert would have to be an unusual one: "We would normally have built a higher stage than this - but a major feature of the design was that the famous lions should be visible on stage." Two of the huge statues were incorporated into the stage, which was positioned just in front of Nelson’s Column, facing northwards towards the National Gallery. Flanked by the South African Embassy (who funded the entire event) and Canada House, the central area of Trafalgar Square itself also needed treatment. "One of the first things we realise

The Royal Festival Hall, arguably the UK’s highest profile multi-purpose performance space, recently celebrated its 50th anniversary in a blaze of colourful architectural lighting, basking radiantly and beacon-like on the South Bank, for two glorious weeks.

The idea was first suggested by the RFH’s head of production, Nigel March, in February. Knowing the event was approaching, he decided that it was time to take advantage of the building’s massive white marble facades by lighting it in a visually stimulating style.

"It was an unmissable opportunity," says March who worked hard to get the project approved, realised and within budget, collaborating closely with his associate and production LX Barry Waterman and team of South Bank technicians. The outdoor lighting was sponsored by Accenture (formally known as Andersen Consulting), and March’s concept i

The ABTT has confirmed that its ABTT Theatre Show 2002 will be held at the Royal Horticultural Halls on 19 and 20 June 2002. Further details of booking arrangements will be announced shortly. Any enquiries should be directed to the ABTT Office on 020 7403 3778.

AVW Controls have recently completed a couple of major projects. In less than five days, staff at the company designed, built and installed an entirely new motion control system and provided full training to the production crew for Howard Katz, which opened on 1st June at The Cottesloe, Royal National Theatre. The theatre needed to control two circular revolves, one inside the other, similar to a doughnut. As the existing house system was not able to perform the number of complex functions and movements that the production required, AVW was contracted to provide eleventh hour assistance using the company's Impressario control system. With a depleted budget, AVW agreed to effectively hire the system to the theatre. In a separate project, the company also designed and built the hydraulic power pack control system to raise and lower the stage during the ever-popular production of Joe Penhal

The Cloud One Group Ltd, located in Birmingham, have appointed Bill Jones as business development manager. Well known within the industry, and most recently with Lightfactor Sales, his background in sales, aligned with his vast knowledge of sound and lighting equipment, will strengthen the group’s long established position within the areas of equipment hire and event production. Installations, flight-case manufacturing and the sale of pro audio products are other areas covered by Cloud One, Stratford Acoustics - the rental arm - and Midland Custom Cases.

Late May saw the 45th anniversary of the inception of the Duke of Edinburgh Award scheme commemorated at the Royal Albert Hall, an event which also formed the only official public recognition of Prince Philip's 80th birthday, televised as ‘80 Years a Royal Celebration’. Following a long-standing working relationship, Visage Television commissioned Blackout Triple E to supply a 40m x12m rental starcloth, as well as rigging from which to suspend a 1.6 ton LVP110 LED screen supplied by Creative Technology. Dominic Peissel, MD of Blackout France handled the production management of the event.

In true Vegas-style, Tomcat unveiled its new Las Vegas office in mid May. The grand opening of the new office in the Western region of the United States lasted the entire afternoon with over 40 representatives from surrounding companies and various media visiting the new facility. The new site will carry over 200 sections of standard truss products in stock at all times, as well as over 50 Columbus McKinnon Lodestar motors and various rigging accessories. The new office comes hot on the heels of the opening of Storm at the Mandalay Bay Resort & Casino where the Tomcat family of companies manufactured essential parts of the special effects. The new office is located in an industrial section of Las Vegas at 4020 Ali Baba Lane, Bldg D Suite A about two miles off the Southwest end of Las Vegas Boulevard. The office consists of two staff members, Sharon Ozzolek, sales assistant, and Brian Wis

Edwin Shirley Staging, the international concert staging company, has won the contract to provide staging for Tom Jones, Sting, The Beach Boys and other high profile, international pop stars as part of a UK tour this summer. The concerts will be held at Warwick Castle and Cardiff Castle towards the end of July. ESS is set to build an 18m by 18m stage in the grounds of Warwick Castle for three concerts which will feature performances from The Beach Boys and Status Quo (20 July), Van Morrison (21 July) and Tom Jones (22 July). All three concerts are already sold out and will attract audiences of more than 30,000. The staging will then be dismantled and re-assembled in time for a series of concerts the following week-end inside the grounds of Cardiff Castle, where Sting and Tom Jones will be performing in front of an audience of 10,000. The BBC will be broadcasting Tom Jones’s perform

Established in 1996, AVW Controls has a growing reputation for leading the way for affordable stage machinery automation, and this year is exhibiting at PLASA for the first time.

PLASA 2001 will see the launch of the company’s latest chain hoist controller. The six-way chain hoist controller is designed for Verlinde and CM Lodestar type hoists and can be used either in the usual way or controlled with AVW’s Impressario computer control system. AVW will also be promoting its Impressario motion control system, designed and built by AVW. In response to industry needs, Impressario offers sophisticated computerised automation for rigging and scenery, at a significantly lower price than anything else in its league. Developed primarily to control flying systems, Impressario suits any motor and is ideal for scenery changes and synchronising flying bars.

The console can be plugged

London-based ESS used its staging technology to help the BBC provide live, online coverage of Royal Ascot for the first time to audiences around the world, including a unique view of the famous finish. The company provided two 30m high TV towers which were positioned along the final straight of the racecourse. Each tower had to be able to take the equivalent of a 5 tonne force, the weight by the camera as it speeds along the 700m, to provide the bird’s eye view of the finish.

After the success of the multimedia waterscreen shows during the world expos in both Osaka (1990) and Tottori (1996), Yves Pépin and his team at ECA2 have been asked to produce the multi-media watershow for the Yamaguchi Expo in Japan, which runs from the 14th of July through to the 30th of September 2001. For the last two years, ECA2 and its technicians have been working alongside the Japanese Expo team to ensure the success of this night-time spectacular. The show will feature images projected onto four monumental spheres, as well as onto a giant water screen; pyrotechnic and fire effects will complete the impressive show.

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