Unusual takes to the Eurovision stage
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As well as the rigging requirements of the show itself, Unusual was also contracted to supply the aerial rescue cover. With the set design finalised and ready from the get-go, the team had approximately 10 weeks of pre-production time for this huge-scale event. “Knowing exactly what we were working towards from day one was a huge benefit given the sheer quantity of work involved,” says Paul Rhodes, senior production rigger at Unusual.
He continues: “This year’s Eurovision set had a lot of automation. The set design required nearly 600 motors,