South Africa - DWR Distribution has partnered with South African technician Jacob ‘Jakes’ Mogale to form a new installation company, The Install Crew.
While the new company will run independently from DWR, it will operate from the DWR offices.
Mogale, who formerly owned DimBright, comments: “For me, this is the ultimate partnership. We share the same values, we care about quality workmanship and we have also worked on projects together for the past ten years which means we have built a relationship. This is an exciting venture for both my team and me.”
Robert Izzett of DWR says: “This will be an installation company with no products involved. It means that The Install Crew will offer skilled labour and good workmanship, backed-up with outstanding service.”
Mogale adds: “The aim is to be of service to any theatre or company in the country who n

UK - Track specialist Triple E has stepped into the breech born of Hall Stage’s demise by supplying Tab Hooks & Twin Hooks to the theatre industry, acquiring the original tooling and improving the hooks’ strength and durability in the process.
Triple E brand Tab Hooks & Twin Hooks are compatible with its own runners, existing Hall Stage systems and many other track ranges.
The company is currently considering other innovative solutions to fill the void left by Hall Stage.
Triple E managing director, David Edelstein, comments: “Customers asked us to take these products on. They’re now British-made, it’s a proven design that lasts and with rebranded tooling we have given the hooks a greater degree of elasticity to withstand inevitable knocks and rough handling.”
Launched in 1984, Triple E supplies the entertainment industry with standa

Turkey - J&C Joel, in conjunction with their regional distributor Eramita, received the Turkish President’s seal of approval when they were commissioned to fit the stage engineering solutions at TCCB National Congress and Cultural Centre.
The Congress and Cultural Centre is one of the largest multi-purpose halls in Turkey and is located within the grounds of the Presidential Palace Complex in Ankara. The venue will be home to several types of performances ranging from concerts, operas, theatres, musicals to congresses or big meetings.
J&C Joel’s engineers took on one of the company’s biggest ever installations despite being caught in the middle of an attempted military coup in the country’s capital city. The installation in the 2,042-seat theatre took around seven months to complete with a team comprising a site project manager, four UK fitters and thre

Spain - D.A.S. Audio has announced the launch of two new products, the Vantec-20A and the Vantec-118A, which join the Vantec Series line-up of portable systems.
The Vantec-20A is an active curved source line array that incorporates an arsenal of hi-tech solutions designed to provide the versatility today's sound hire professionals need.
Whether stacked on the powered Vantec-118A companion subwoofer, flown in a compact array, or used alone on a speaker stand, the Vantec-20A can be used effectively in a sizable number of applications that include corporate A/V, mid-size sound reinforcement, and permanent installation.
Designed for use in arrays of up to five units, the Vantec-20A is designed for applications that don't require the power and long-throw characteristics of large line arrays. The D.A.S. Click-LockTM rigging hardware enables the system to be securely st

USA - The XLNT CyberHoist IITM system by CyberMotion recently finished the US leg of Fall Out Boy’s Mania tour. Sixteen CyberHoist II Intelligent, variable-speed chain hoists and one MotionCue 3D console, plus two hoists spare and one console spare were rented to Fall Out Boy management for the 2017 autumn tour.
The hoists were used to float a B and C stage above the crowd with artists on top of them. The B-Stage consisted of a double layer, where the top was raised to reveal a secondary B-Stage with drum set and drummer on top. This bottom, or secondary B-Stage, would then grab onto the video skirt surrounding the B-Stage to lift the whole thing above the crowd.
The C-Stage was used as a three-sided iMag screen throughout the show and it landed during the show to create the C-Stage for the lead singer and bassist. This stage then raised over the crowd so the

UK - A dazzling array of lighting exhibits and artworks brought London to life in January when Lumiere London took to the capital to bring the biggest ever festival of light to the city's streets. Running from the 18-21 January, it showcased London's spectacular and iconic architecture and streets with more than 50 works created by international and local artists. Once again, event organiser Artichoke has worked alongside Unusual – both the services and rigging division – to make the event possible.
Unusual’s Jim Dugan explained: "Lumiere is always an amazing project for us – Unusual has worked with Artichoke on this for some years now –Unusual Services handles the technical production element of Lumiere (this encompasses all technical aspects of an event from power to building permissions and road closures). Unusual Rigging provide the rigging expertise. W

Spain - FENIX Stage has announced a new staff member joining its export department. Juan Bautista joins after a long international career in the industry.
“I have always tried to contribute with effort and passion everywhere I have been working at, as purchasing analyst, legal advisor or trade advisor in many industries in different countries,” says Bautista. “Now I have the chance to work on the other side, on the sales department, and FENIX Stage offers me the opportunity and the confidence to begin this new challenge thanks both to its great professional team and its formidable range of products, with continuous innovation and improvement processes. The complete trust in our products is a key point for me.”
“For FENIX Stage, Juan’s incorporation is an important bet for new and unexplored markets, within the ambitious, but realistic, expansion strategy du

UK - The trust that Neg Earth Lights has put into EXE Technology products was demonstrated last year when they purchased over 200 new EXE-RISE units within a six-month period.
Recent purchases included 250kg, 500kg, 1000kg and 2000kg units, all featuring the new 8:1 safety factor standard and FEM class 2m rating, along with some specific Neg Earth Lights customisation.
“The current EXE-RISE hoist (8:1 range) has seen some fantastic improvements,” says Neg Earth. “For example, the way in which the wiring has been arranged internally, and also the upgrade of the limit switch assembly, especially in the 500kg hoist. Mechanical improvements have seen the chain size increase, leading to a higher safety factor. Another great part of the EXE-RISE is the external nylon guide used, with a carefully designed chain opening to avoid damage to internal components if the chain

South Africa - UK based Phase 3 Connectors has officially appointed DWR Distribution as its South African agent.
Said Robert Izzett, head of sales at DWR, “While we’ve been selling Phase 3 items for a number of years, we were recently appointed the authorized distributors in SA. Phase 3 Connectors need little introduction. The products are outstanding, designed, manufactured and assembled in the UK. These products are the unsung heroes at events.”
Phase 3’s Power Connectors product range includes standard and special application, harsh environment connectors for power, signal, optical and data transmission. In addition, Phase 3 offers complete interconnect system solutions, including cabling and distribution equipment.
(Jim Evans)

USA - ESTA and USITT have announced the presenters for the upcoming New World Rigging Symposium, 13-14 March in Ft. Lauderdale, FL in conjunction with the USITT Conference and Stage Expo. Full session descriptions can be found at www.esta.org/nwrs_sessions.
The programme includes: Keynote Address: Scott Fisher; Show Rigging on Cruise Ships. Big ideas. Tiny venues Bob Murphy, Paul Riley, Loren Schreiber; Ground Support Concert Rigs: Mike Garl, Jeff Reder, Jose Roche, Will Todd; ANSI Standards and ICOPER. Paperwork that’s actually useful: Tiny Good, Karl Ruling, Bill Sapsis; Damn it, Jim. I’m a chain hoist, not a winch: Rick Montgomery, Eric Rouse, Ken Tilson
OSHA, Risk Assessments and Rigging Emergency Action Plans: Steve Adelman, Tony Galuppi, Eddie Raymond; Automation and Touring. Because we can: Joe McGeough

Europe - In 2018 the Ehrlich Brothers are once again touring large arenas in Germany, Luxemburg, Austria and Switzerland with their latest show Fascination. The two brothers, Andreas and Chris Ehrlich, have developed a spectacular show featuring illusions in which high-tech stage equipment plays a major role and that is packing some of Europe’s largest halls and stadiums.
On their current tour, for example, the Ehrlich Brothers are making an eight-ton, 2,000 BHP monster truck materialize on stage out of nothing as well as "teleporting" individual spectators right across the hall.
To realise a production of such complexity, the Ehrlich Brothers have been relying on chain hoist systems and controllers from Movecat. To replace the kinetic systems previously used, Ehrlich Entertainment GmbH invested in Movecat‘s VMKS chain hoists, V-Motion-E variable motion con

UK - The first of many seamless updates to Current RMS scheduled for 2018, January saw the release of Choosing Accessories, the most voted for idea on Current’s Customer Wishlist. This new update gives users even more of a chance to forward plan their stock allocation and ensure the right accessories are on a job when they need them.
When selecting products to add to a job, Current now shows the individual accessories linked to these products, plus their real-time availability, all on one screen.
“When I read the update message I was delighted! Choosing Accessories is already streamlining the quoting process, but also ensuring that prep lists in the warehouse are fully correct,” says Neil Walker, from Surrey-based events planning agency MGN Events. Neil and his team have used Current RMS for over two years to manage their business, hiring a range of decor, furnit

Australia - Showtech Australia is one of a growing number of companies investing in and using Kinesys automation products regularly in both their day-to-day and custom work.
The company was founded in 1987 by Tiny Good with headquarters in Braeside, Victoria, and a satellite office in Hong Kong - to serve the growing Asian market.
Showtech Australia specialises in entertainment rigging, staging, automation, flying effects, technical and ‘uncommon’ services, applying expert knowledge and imagination to the intriguing world of motion control.
Tiny was already familiar with Kinesys products before he committed to the purchases, as they had been working regularly with Kinesys elements … “basically I knew the power and scope of the Vector system, so I was confident it was the right choice,” stated Tiny.
They have been purchasing and utilising Kinesys

UK - Newry Town Hall in Ireland has undergone a dramatic refurbishment to make the venue more usable for the entertainment industry. Newry District and Mourne Council brought consultant John Gallagher from Lumiere Productions on board to specify the technical facilities in the venue, with Doughty Engineering's Irish and Northern Irish distributor Production Services Ireland (PSI) being awarded the specialist theatrical install.
Brian Reilly, director, PSI said: "As part of this prestigious project to transform this historic venue into a space that works well for hosting entertainment events, we were enlisted to supply Newry Town Hall with all its theatrical requirements including lighting, dimming and flying system as well as IWBs and facility panels from Doughty. Working with Peter Tweed, PSI's service and install manager, we took the outline from the consultant and the di

Sweden - LD Fredrik Stormby has been making prolific use of GLP’s new JDC1 hybrid strobe on tour with Gothenburg-based heavy metal band, In Flames, on their European arena tour with co-headliners, 5-Finger Death Punch (FFDP).
Having been operating lightshows for the Gothenburg-based In Flames since 2011 (and been designing their sets since 2014) Stormby wanted to focus on the artwork that the band had been developing for the current European tour.
“I wanted to use a lot of video and set elements,” he said. “There is a lot of artwork and figures/elements to look at and my idea was to create an atmosphere and style that really represents the band; you should be able to see a picture and immediately tell that this is an In Flames show.”
No fewer than 65 JDC1 hybrid strobes have been helping him in his quest, with Soundforce supplying all the In Flames gea

UK - CPL, working for event producers Bright, supplied lighting, sound and video equipment for Bristol Vision 2017, a networking event held at the University of Bristol Students’ Union building and organised by Bristol Media for individuals and companies engaged in media and communications sectors.
Mike Radford project-managed for CPL, working with a crew of four and closely with Bright’s production manager Fleur Saynor. The team covered several different areas including a main plenary space, associated break-out rooms in the Pegg Theatre and AR Bar, reception / check-in and a café / open / meeting space complete with a number of exhibition display booths.
It was a busy day for the 200 delegates who could catch 18 keynote speakers and engage in a range of digital and media-related commercial and business activities.
In the main plenary room, CPL rigg

UK - Lighting and rigging provider TSL has announced that Colin Paxton will now be managing its dry hire department.
Colin brings considerable experience and technical knowledge having previously worked in similar roles in rental companies, including a senior position as hire manager.
Colin will be supported by hire coordinator Ryan Abrahams who has been with the company since May 2017.
Colin comments, "I have admired TSL for a long time for their strong focus on quality equipment, maintained to the highest standard and backed up by knowledgeable staff who have a passion for what they are doing. I'm looking forward to getting back to building relationships with hire customers. It's a really exciting time to join the company as with the addition of Blinding Light there are a huge range of opportunities for customers."
Alongside Colin's appointment,

UK - S+H Technical, specialists for LED visual effects, drapes and starcloths, supplied an array of high profile television shows including Strictly Come Dancing, Children in Need and the final of X Factor UK 2017.
S+H’s Terry Murtha comments: “It was great to be working again with many of our regular clients like Strictly and Children In Need, and also with some exciting new ones – it was the first time we have supplied anything to X-Factor, so we were delighted to be offered the opportunity”.
S+H again supplied starcloth for the main hub of the BBC’s 2017 Children in Need live telethon at Elstree Studios in Hertfordshire. The broadcast was directed by John L Spencer and was the culmination of an action-packed year of fundraising activities.
Production designer Alex Craig utilised 350sq.m of S+H animati

Belgium - Entertainment engineering specialists WIcreations supplied flying - both people and objects – and stage automation equipment, expertise and crew to the recent Marmalade production of Disney’s The Little Mermaid, staged in Halls 7 and 8 of the Ghent Expo in Belgium, which ran from 17 December until 7 January.
Directed by Frank van Laecke, this eye-catching original production with a detailed and intricate set design by Stefan Haudenhuyse was based on the 1989 animated musical fantasy film from Walt Disney Features, in turn inspired by the Danish fairy tale by Hans Christian Andersen, first published in 1837.
Hans Willems project-managed for WIcreations, who were asked to design and co-ordinate flying systems and stage automation having provided similar services for Marmalade’s 2016 production of another Disney musical, Beauty and the Beast

USA - NAMM 2018 marks the introduction of GigaCore 10, the first truss-adaptable switch in the GigaCore family. The 19-inch half unit can be mounted in truss, on a wall or in a single or double rack.
In addition to the GigaCore 10 introduction, Luminex will be presenting the new GigaCore v2.6.1 firmware bringing some major improvements on PTP, PoE management and network monitoring. With the constant growth of Audio over IP solutions, Luminex has enhanced the performance of the Precision Time Protocol handling, especially with applications running AES67. PoE handling now offers advanced power management settings allowing users to select between class-based consumption and class based allocation providing even more flexibility when connecting PoE devices such as cameras or PoE loudspeakers.
“The recent expansion of Winter NAMM gives us the perfect venue to introduce so

Belgium - Luc Peumans of Painting With Light created the lighting and stage design for the 30th anniversary tour by rock band Clouseau.
The visual concept of Clouseau 30 tour - an extensive itinerary visiting 500 2000-capacity venues across Belgium - is based around a lounge-style environment with carpets on the floor, standard lamps dotted around and an upright piano onstage.
Charismatic lead singer Koen enthusiastically engages with the audience as he tells assorted stories related to each song. The set list can also change - with no warning - depending on this audience interaction, as they will often shout out requests for specific songs the band might decide to play. This improvisation keeps Luc and the crew on their toes and is an exciting and invigorating way to work ‘live’.
Luc is celebrating his own anniversary, being back behind the lighting

UK - Automation manufacturer Kinesys has launched a new website at www.kinesys.co.uk and www.kinesysusa.com.
This highly visual and contemporary environment reflects the brand’s identity and reputation for excellence, innovation and imagination, says the company. It will be a key communications hub for Kinesys clients, end-users, technicians and anyone wanting to discover more about the company and its products and services.
Several important new features include Live Chat, Support Tickets, Social Wall and Newsletter sign ups, together with articles, opinions, news and other sources of valuable information and technical detail.
This new platform was created due to the growing interest and trend for automation as a visual component of shows, events, installations, venues and many other applications.
Kinesys MD Dave Weatherhead states: “Many of our custom

UK - It’s panto season again and as innuendos fly, slapstick humour is trowelled on and extravagant costumes and characters abound, entertaining thousands of people up and down the UK. Lighting and visuals rental and production specialist HSL supplied equipment to a record 31 premium UK pantomime productions for the 2017-18 season for leading pantomime producers, Qdos.
That is 11 more shows than last year’s schedule of 20, which are taking place all over England, Wales, Scotland and Northern Ireland, as far north as Aberdeen, Glasgow and Edinburgh and as far west as Plymouth and Llandudno, as far south as Southampton and also including Belfast, Cardiff and London.
The equipment has included lighting – conventional and intelligent fixtures (LEDs / moving heads), rigging and a raft of special effects like smoke, fog and atmosphere, together with humungous amounts o

UK - Really Creative Media was entrusted to design the stage content for British pop group Steps’ Party on the Dance Floor arena tour, a vibrant celebration of 20 years since their formation.
Fresh off the back of working with Rudimental and Dua Lipa, Really Creative Media’s lead creative Jack James and head of video James Adkins were brought on board by the tour’s production manager Steve Reeve from Pull The Pin Out to deliver the tour’s live visual content.
Working with creative director Frank Strachan, Really Creative Media first captured footage during a one-day shoot with the band and dancers, destined to populate five LED square hero screens flown above the stage on a Kinesys system and two LED IMAG side-of-stage screens, helping to give the show a larger than life feel for the audience. LED continued to be used on stage with a 18m wide back wall a

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