The Sharpys were used to create the impression that the studio was live in LA, the beams moving around the sky line.
"For part of the set dressing - lighting plants and louvered windows, I wanted a wide beamed LED Light source so I chose the Chroma Flood 200 TC," says Reed. "For me this was an ideal light as it gave the beam spread that I was looking for a great colour range and being Tri colour LED's I get very good and strong colour coverage."
(Jim Evans)
