"Every project offers new and interesting challenges. Jewel was tremendously exciting, offering a dramatic backdrop for some sensational lighting effects," stated Frank.
Audiotek's lighting designer Andy Taylor worked alongside their project directors Chris Kmeic, Mags Morton and Len Bolger who all collaborated closely with local integrators NTA (National Technology Associates), Shaun Sullivan of Rockwell who created the stylish interiors and architect Shaun Yauch of BWA.
The main artistic brief from Hakkasan's project managers James Algate, Jeff Gooch and Jerry Klint was to keep in mind the streamlined, contemporary aesthetic defining the whole Aria resort.
When it came to lighting the club, there was already a large amount of LED in the overall visual design for the oval shaped room, which has a domed ceiling comprising concentric rings of video with four prominent pillars - also clad in pixels - at each corner.
Audiotek wanted to avoid the frequently seen cliché of following the architecture and ending up with another club with a ceiling crammed with circles of lights!
"However, we also didn't want to ignore the architecture and form completely, so instead devised a design uniting both criteria with a ring of lights around a relatively small oculus feature in the center of the room," explained Andy.
Most of the Pointes are rigged on 'spines' starting at the oculus feature and reaching out across the room.
With so many LED elements and mappable pixels in the room and surrounding the dancefloor, the task of lighting was simultaneously challenging and inspiring for the Audiotek team. To combat the levels of ambient lighting being kicked out by the video and LED surfaces, they decided that beams should be the main luminaires.
"The Pointe continues to be a workhorse fixture for all our large club installations at the moment," Andy commented. Pointes are normally the fixture they pick and place first in a design.
"Placement is key to getting the best out of beam lights," he enthused, so once he had worked out where the Pointes should go, they became the backbone of the rig and everything else followed.
Needing some spot fixtures in the room, they chose Robe's LED DL4X.
The client had also made it clear from the outset that they didn't want another epic looking EDM club, so the DL4Xs provided a bit of finesse, some nice gobo work around the room and can double up as performance key lights.
Four of the ColorStrobes are positioned at celling height, directly above the dancefloor, pointing straight down, with one each on top of the four vertical LED-clad pillars at the corners of the room just below ceiling height and firing in on the dancefloor. They are used for both strobing and as blinders and crowd pleasers.
(Jim Evans)
