The tour's lighting is designed by California-based lighting designer Chris Reade, and being looked after on the road by Jimmy Duke as the band's new lighting director.
Reade's creative starting point was to make the band look larger than life onstage - a goal to which their extravagant theatrical makeup and distinctive black outfits that utilize a number of styles and textures like leather, rubber and PVC - naturally enhance. As the design process evolved, video also became intertwined with the addition of two 4 x 8 ft 6mm LED screens aligned with the set.
"The band is very powerful visually and sonically, so I wanted our part of the performance to be based on timing and punch," Reade explained. "Rather than just a lot of thrashing and flashing for no apparent reason, you can expect lots of big potent looks - and a careful application of 'less-is-more' to make the most of the 'negative' space onstage as well."
He chose to make 14 Robe Pointes the principal fixtures of the rig. The idea is that they define the performance space, divide it into a number of possible layers and are truly the core workhorses of the rig, with additional 'house' overhead rigs provided locally completing the design.
Black Veil Brides is the first time that Reade has collaborated with Jimmy Duke, based in Las Vegas, also an LD of international repute and a Robe enthusiast having used the brand regularly since 2010, when he was brought in to programme lighting for Robe Lighting's booth at the LDI expo in Las Vegas that year and again for LDI 2011 in Orlando.
Apart from the lights, Duke likes the intuitiveness of Robe's software, and also commented that "I think of Robe as a happy family. They are incredibly personable, friendly and accessible as a company. Plus, you cannot help but get this sense of accomplishment when you peek inside Robe products and see the magic that makes Robe such a success - and I am hinting mostly about CEO Josef Valchar".
For the two largest Black Veil Brides shows on the UK leg of the tour - London's Brixton Academy and Manchester's Apollo - Siyan also supplied the 'house' overhead rig, which brought more Robe fixtures to the equation.
Eight MMX Spots were added and used primarily for effects and specials together with 16 x Robe LEDWash 600s which provided the base stage colour washes. They were joined by three floor placed and four vertically positioned LED battens, eight 8-lite Moles, four bars of 4 ACLs and six vertical LED smoke machines.
Pyrojunkies supplied additional fireworks and sparks for Brixton.
All lighting was programmed and run by Duke on an Avolites Pearl Expert console with a touch wing, and an ArKaos media server, with all the video elements supplied by Visions Lighting from California.
The extensive UK and European tour was project managed for Siyan by Tom Grant, Ben Inskip was Siyan's account handler and Dan Everitt was the tech.
"The communication level with Siyan has continuously impressed me," enthused Duke, "All the attention paid to detail by Tom Grant makes for a great working relationship both now and in the future."
(Jim Evans)
