LD Tomas Lecký specified Robe for his moving lights, which were rigged on a combination of flown trusses and an 8m high ground support system measuring 24 x 10m that was installed onto one of the derelict factory's old halls. The off-beat location was transformed into a highly atmospheric temporary showcase area in which to reveal the various Q5 models.
He used a total of 10 Robe ColorSpot 1200E ATs, 16 Robe ColorWash 1200E ATs, 12 Robe ColorMix 575 ATs and four Robe Scan 575 XTs. There was also a large LED video wall in the hall.
The Robes, along with all the other lighting and audio equipment for the show was supplied by Q-99. Lighting was programmed and run from a grandMA full size console by Michael Schmidt, and a grandMA light was used for controlling the LED and video. Lasers were supplied by Kvant and programmed by Martin Kubánka, and the show's creative director was Martin Káko?.
(Jim Evans)
