Robe on the menu for MasterChef Algeria
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David was working as both LD and director of photography for broadcaster the Allégorie Group who produced eight episodes of the series plus the finale, which was a huge hit with the public. He is one of France’s leading TV lighting specialists and has also worked on the French version of the series, which a few years back gave him the initial opportunity to use the first generation of Robe’s then DLS units.
He has been a fan of Robe for some time and is a bit of a pioneer when it comes to introducing LED lighting into French TV. A couple of years back, he was the first to utilize Robe’s LEDWash 600 fixtures on a variety of shows. “Robe was the first manufacturer to pay attention to the need in television for a good range of colour temperatures and produce an LED range that addressed this” he says, a philosophy that was then applied to all of Robe’s future LED ranges.
The DL4Ss – purchased by the Allégorie Group - were installed in the roof of the studio for the duration of the MasterChef Algeria recording period and also chosen for their shuttering capabilities “Essentially I replaced over 30 conventional fixtures with the 10 x DL4Ss, so this ultimately saved some production budget as well,” declared David.
He used the DL4Ss for key lighting the contestants, the presenters and the judges wherever they were on the set.
Just after the MasterChef series was recorded, the DL4S profiles were used for a conference for the African Forum of Investment and Business at the new CICA (Centre International de Conferences Algiers), a brand new 6000 capacity conference venue which is part of a new 270,000 square metre international conference development, currently the largest in north Africa.
Here David’s crew made use of the DL4S’s ability to run over sACN protocol and work as an sACN node to help connect other lights into the network via Ethernet. This reduced the consumption of DMX lines which were limited and needed to be deployed elsewhere on the rig and run lights that didn’t have control alternatives. “It’s an extremely useful function:” comments David.
He has also used Robe’s DL7S LED Profile on the French TV show Retour en Terre Inconnue. Supplied by Impact Evènement, this is another fixture he really likes for its smooth and subtle colour mixing and intends to incorporate more into future designs.
(Jim Evans)
