ROE Visual in Epic’s London Innovation Lab
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Epic Games, known for its video games, develops the Unreal Engine realtime 3D creation tool. This game engine not only powers their internally developed video games such as Fortnite and Infinity Blade series but is used to develop the virtual backgrounds and sets that made virtual production in film possible.
Since the technique of LED virtual production was explored and the first pioneering steps were taken, both Unreal engine and ROE Visual have been involved.
“ROE had already proven itself at the very cutting-edge and high end of LED virtual production with its pioneering use on Star Wars Mandalorian. It was important for us at Epic to give customers and our own teams a chance to get hands-on with this world-class tech in the heart of London. More importantly though is the amazing working relationship we have with ROE Visual, so together we can experiment, discover and shift the boundaries ever further”, states Ben Kidd, technical artist and project lead for the LED stage.
“With the new London studio we now have the availability to try and test new features on a screen the size which is normally used for mid-sized to smaller virtual production stages and studios as well.”
The full-operational virtual production space, using ROE Visual products for the LED wall and ceiling, will not only be used for testing, but will give customers and partners the possibility to experience a complete demonstration of what techniques come into play making a virtual production. The LED virtual production stage is built from ROE Visual Black Pearl BP2 LED walls and Carbon series CB3 is used for the ceiling.
David Morris, responsible for business development for ROE Visual, states: “Collaborating with Epic as a tech partner is a fantastic opportunity for all involved. Not only can we use the space to introduce clients to the technique, and have them experience virtual production first-hand, we also share our knowledge and experiences. Intensive testing and experimenting are very important to bring the technique of virtual production forward. Finding the right settings and simply discovering what works and what does not work tells us there is still so much more to explore.”
