O.H.R.C.A, stands for three key concepts: Open; High Resolution; and Configurable Architecture. The core benefit of this new platform is flexibility - adapting to the needs both of the application and the operator by delivering 128 freely definable audio paths and essentially allowing the console to be 'built' to suit each application. All paths are delivered at a pristine 24-bit/96kHz sound quality and can be used as a mixing channel, AUX, matrix, subgroup buss or MIX-MINUS buss in any input/output configuration.
Peter Heath, head of Roland ProAV in Europe commented, "The response from our European partners to the M-5000 has been tremendous. As well as meeting current demand, the M-5000 has opened new doors for us into areas such as live touring and larger venues. We are confident that we are bringing something new to the market - not 'just another console'."
In addition to two REAC (Roland Ethernet Audio Communication) ports, the M-5000 has two expansion card slots to support a range of system configurations and audio transport protocols such as Dante™, MADI, Waves SoundGrid and other formats of the future. The back panel includes 16x16 analogue I/Os; 4x4 AES/EBUs; a 16x16 USB audio interface; connection for control via an iPad, connected or wireless; and control ports including footswitches, GP I/O, RS-232C and MIDI - enabling the console to see up to 300 inputs and 296 outputs, all at 96kHz. Furthermore, inputs can be patched to outputs independently of mixing channel resources.
Visitors to the Roland booth at this year's Prolight+Sound (stand 8.0 G54) will be able to experience the functionality of this new console for themselves with the M-5000 setup and ready to mix live performances on the stand throughout the show.
(Jim Evans)
