Lighting was crafted by the RAH's lighting designer & systems manager, Richard Rhys Thomas, who used 16 of the BMFL Spots, 34 of the house Robe PARfect LED PARs together with 16 LEDBeam 100s and 32 Pointes which were hired in from TSL Lighting as part of a large rig.
Richard has worked at the RAH since 2005 and managed the lighting department since 2008. He lights many of the shows throughout the venue's busy year-round schedule and for this one, the design was based around the music, with the concept of 'space' a key to the process and inspiration for the way lighting was used.
Much of the show structure was in place by the time Richard came on-board and some of the pieces had been performed before and in other countries, but the overall look of the lighting was left to him.
It was based around the house rig, to which he added extra trusses rigged at different angles and populated with some of the rented kit.
The music comprised well-recognised popular pieces, and included masterpieces by Holst, Strauss and John Williams, whose themes for Star Wars, Superman, Close Encounters and E.T. were highlights of the two nights of shows - with Darth Vader and his Stormtroopers even making an appearance.
The BMFL Spots were positioned on the main overhead trusses and were the primary profiles on the rig, used for string gobo looks and as for wash and effects lights as required. "The tight, bright beam and fast movement were essential to the show," stated Richard.
The Pointes were grouped in threes on various angled trusses and on the deck to create big beamy looks shooting out and up into the vast height of the venue, as well as for creating wide and subtle break up looks.
The LEDBeam 100s were dotted around the orchestra and on the floor, utilised for air-effects and for a wall of colour emanating from the orchestra and reaching into the air. They are "Small and quiet enough not to disturb any orchestra members who had some difficult pieces of music to play at times," commented Richard. In these floor positions they also broke up the large orchestra area as well as framing them very effectively.
The PARfects were used to illuminate the RAH's famous organ as a centrepiece as well as to catch the underside of the aluminium roof dome.
Pyro was designed and supplied by Just FX with a crew led by Lincoln Parkhouse. Lasers were delivered by Definitive Lasers, co-ordinated by Will Hitchins.
(Jim Evans)
