Connecting the new Roland Wireless Connect USB adaptor to the M-300 USB port will enable the M-300 to appear on a wireless network so that the iPad can connect to and control the M-300 remotely. Then by simply using the wireless LAN to connect, the user is able to make the necessary level adjustments from different locations within a venue, rather than being restricted to the position of the console. As well as the obvious benefits of ease of use and mobility, this dual screen set up can also be utilised by the radio mic technician to check and monitor each microphone as they are handed out during a live performance, without any interruptions to the show.
"The success of the iPad as a tool in live audio applications is clear. This dedicated App for the M-300 builds on the success of the M-480 App released last year and is an important addition to our range of remote controlled applications for operators", commented Simon Kenning, sales manager RSG UK.
As well as the iPad App, Roland has also announced the Version 1.5 Firmware Update for the M-300. This free version update includes new features such as a 31-band mono GEQ, new effects for the effects library, audio cross fade for scene changes and a detailed Recall Filter function. A Channel Display screen has been added for DCA groups as well as the ability to disable more user settings and a default guest start-up mode feature.
Enhancements to the monitoring function include a dimmer function and a 'lock out' feature to disable the Level knobs to prevent any accidental monitor volume changes. The 1.5 upgrade also provides additional RS-232C commands, improving the control parameters and ensuring that system installers, integrators, and users have access to more remote control functionality from touch panels, video devices, and software.
Concurrent with this update is the announcement that all V-Mixers now include the ability to do multi-channel recording by simply connecting a Cat5e/6 cable from any REAC port to a network port on a PC to enable 40 channels of WAV capture.
(Jim Evans)
