To ensure the voice of the charismatic singer would be reproduced with maximum fidelity on his return, the band turned to Electro-Voice. Sadler's performing style, which makes use of the entire stage, meant that a wireless microphone system was the only viable solution. After a number of tests and comparisons, the band opted for an REV system from Electro-Voice with a hand-held microphone equipped with an N/D767a capsule.
Monitor engineer Chris Kostyra, who has been freelancing for a variety of artists for 15 years, explains, "Michael Sadler moves about on stage a great deal, as well as having two static positions: one at the front of the stage and the other behind the keyboard. He also plays bass from time to time. Since the bass guitars alone call for two transmitters, it would have been utterly chaotic if he'd had to use cables."
The supercardioid pick-up pattern of the N/D767a, in Kostyra's opinion, is ideal for Sadler, firstly because his natural register is in the upper midrange, and secondly because he sings with tremendous power. The N/D767a fits the bill on both counts, with its directional response and excellent off-axis rejection ensuring an impressive amount of presence to the signal.
(Jim Evans)
