SAW celebrates first d&b install in Zimbabwe
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The headquarters of Celebration Church International is a building in Borrowdale, Harare, called Celebration Centre. Finally opened in 2004 after a marathon 14-year build process, Celebration Centre is now a significant Zimbabwean landmark. Stage Audio Works has recently completed a comprehensive audio systems upgrade for the main 3,800-seat auditorium based on a d&b PA system and Yamaha consoles with Dante networking.
The decision to upgrade their audio systems was taken in 2019 just before the COVID pandemic. Pastor Bonnie Deuschle, who leads the praise and worship teams, and is the driving force behind Celebration’s famous 300-voice choir, was becoming increasingly frustrated by the limitations of the old system. “If the voice of the word of God is not amplified, people won’t hear it,” she says. Consequently, the decision was made to upgrade. However, as Pastor Tom explains, the ‘who’ was every bit as important as the ‘what’.
“We looked at three providers,” he recalls. “Ultimately, we chose Stage Audio Works not because of price – overall they were more expensive than the others – but because of their willingness to work with us and solve problems. If I could boil it down to one thing, it would be the relationship: the relationship was more important to Stage Audio Works than the transaction, and we really appreciate that.”
Stage Audio Works’ technical director, Nathan Ihlenfeldt, takes up the story: “The brief was to provide a high-end audio system that covers all the seats in the main auditorium. One of the biggest considerations was the choir which plays an extremely important part of the worship at Celebration Church. This informed a lot of our design decisions. The main challenge was to provide sufficient gain before feedback for the choir, particularly as the music at Celebration is quite loud and contemporary, but with a significant choral element which is typically associated with softer musical genres.”
Ihlenfeldt dealt with that by specifying d&b Y-series as L/R main arrays with an A-series centre array. All the subs were flown, with an end-fire sub array of 21Ss in the centre and flown arrays of 27As behind the main L/R arrays. “We needed a centre array because during worship services there tends to be a lot of people gathering right in front of the stage, so the centre array acts as a flown downfill for that specific area. It also helps us gain more accurate vocal and speech localisation,” he notes.
“We opted for A-Series because we didn’t need to cover the same distance as the main arrays, and a traditional line array solution rather than the augmented array would have required more boxes to do the same job. A-Series offered us a visually discreet solution that sits just above the proscenium and doesn’t interfere with sight lines.”
The main system is supplemented with 44S front-fills embedded into the stairs at the front of the stage, Y7P point source balcony delays and 5S under-balcony delays.
“We were allowed to choose the right microphones for the choir, and we landed on high quality Neumann microphones for this. The balance of microphones for the band are Sennheiser. The cardioid subs are flown to optimise the directivity of the PA system and keep energy off the stage and away from all of those highly sensitive microphones!” observes Ihlenfeldt. “We also initiated a move away from wedges to Livemix in-ear monitoring systems where possible to help keep bleed off the stage.”
Another key element of the audio system upgrade was the provision of three Yamaha CL3 consoles for FoH, monitors and broadcast respectively. “We especially wanted to provide a solution for Celebration to have a quality live stream,” explains Ihlenfeldt.
Celebration Church’s technical manager, Harris Machingura, is delighted with the system upgrade. “It makes life easy both for the technical staff and the choir,” he says. “Things flow effortlessly now.”
