Schouwburg Gouda switches to LED with Robe
- Details
As part of a recent major technical upgrade on lighting, it has taken delivery of a substantial quantity of over 200 Robe LED luminaires, including 94 x T11 Profiles, 40 x ParFect 150s and 32 x iBar 15s, the latter specifically for cyc lighting, plus 34 x T1 Profiles, 20 x T2 Profiles, 24 x LEDBeam 150s and 32 x LEDBeam 350s.
The new lights have transformed the venue into an all-LED house for stage lighting, and the project was driven by the desire to shift to greener and more sustainable lighting that is more cost-effective to run. It is the first time that Robe products have been in the theatre, and they are already making a massive difference to the quality and potential of the lighting offered to all productions in De Goudse Schouwburg’s busy schedule.
The new luminaires are in use in the Schouwburg’s two performance spaces. The large auditorium features two semi-circular balconies, seats 813 people and has a 24m high fly-tower including 67 computer-controlled electric 500kg flybars plus trolley beams and chain hoists. The fully flexible small auditorium is a studio space with an audience capacity of 232 and five fixed lighting bridges.
The popular Goudse Schouwburg produces some shows and receives many others embracing a vibrant range of genres including music, opera, musical, dance, theatre, cabaret and comedy, staging over 300 performances a year. Often there are multiple shows on one day, so there is never a dull moment for head of technical Bart Peijen and his team of seven who run all things technical. It is now proudly an all-LED lighting house.
The theatre and the city of Gouda both decided it was time to commit to more sustainable and flexible lighting, so the spec was drawn up in consultation with the technical crew, and a competitive tender issued. This was won by sales and installation specialist Controllux proposing Robe fixtures.
Bart also manages the overall building as part of his remit, while stage manager Sandra Schenke oversees everything happening onstage. The lighting team includes technician Jelle Turk, and all have been pleased with the new lights, which have made a big practical and creative impact on how shows can be lit.
“LDs and operators have a lot more choices in front of them now when working here, and can be a lot more adventurous,” he says.
Some productions are created by the theatre, but the vast majority are received shows playing for one or two nights, so there’s a constant turnover.
“Having all the Robe in house now also means we have to do less work at height,” elucidates Bart, “and it also means we can work more quickly and efficiently – less manual focusing.” Service and support from Controllux is also “something we can always rely on,” commented Bart.
