Spain - Since 2004, SeeSound has offered top professional solutions in the audiovisual market. With the mindset that the best technology and innovations are the keys to achieving this goal, SeeSound often turns to a variety of RF solutions from Wisycom. This includes the brand’s MRK16 Ultra-wideband Wireless Receiver System, MCR54 Four-channel True Diversity Wireless Microphone Receivers, MPR50 Wideband IEM Receivers and MTP60 Multiband Bodypack Transmitters.
For the theatrical touring productions of The Phantom of the Opera and The Producers, SeeSound deployed the Wisycom solutions mentioned above, in combination with the brand’s SPL2208 Wideband Active Antenna Combiner/Splitter.
“The Wisycom wireless coverage capabilities are great, and the audio quality is one of the main strengths of this system,” says Javier G. Isequilla, sound designer, SeeSound. “It is extremely clear and faithful to all the changes in voice dynamics, which makes Wisycom perfect for these applications.”
While coverage and audio quality played an essential role in choosing equipment, leaving a minimal footprint was also an important aspect for Isequilla, who deploys the system with DPA Microphones’ 6060 Subminiature Lavalier Microphones. “Using the Wisycom gear, we are able to deliver all audio on a single data cable, which greatly reduces overhead costs, stage clutter in the theatre and manpower to set up the system,” he continues.
“For The Phantom of the Opera, specifically, we deployed a total of 16 receiver systems along with 40 receivers, which is a lot of gear,” he explains. “We chose Wisycom because we are able to deploy just one single rack unit for this large system, which further minimises workspace on the stage and is perfect for our needs.”
The Phantom of the Opera and The Producers had showings throughout Italy and Spain, in a variety of theatres averaging 1,200 spectators per show. “The Phantom was performed at Rossetti Theatre in Triestre, Albeniz Theatre in Madrid, Arcimboldi Theatre in Milan and Salle Garnier, a casino theatre in Montecarlo. Additionally, The Producers was shown at Tivoli Theatre in Barcelona and Alcala Theatre in Madrid.
Given the touring format of these productions, the ability to integrate the system easily at each venue contributed to SeeSound’s decision to deploy Wisycom. “The system configuration does not change with Wisycom – you only have to do frequency calculations in each new place,” says Isequilla. “As the working band is 470Mhz to 694Mhz, which is quite wide, it is easy to integrate the number of frequencies required for each show.”
When it comes to SeeSound’s relationship with Wisycom, Sandra Badules of SeeSound marketing says: “It is based on mutual trust, seriousness and transparency. From day one, we have worked closely together, forming a cohesive and committed team. This synergy allows us to provide audio solutions and exceed our clients’ expectations.”
