This competition recognises the commitment, sacrifice and hard work of all the choir members, employees of the Barclays Africa Group, who practiced uncompromisingly, outside of normal working hours.
When travelling abroad ten years ago, Robbie Blake, director of Showgroup, was inspired when seeing Clash of the Choir. "Back in the day, Robbie pitched a similar concept to ABSA bank when they wanted to do something for their staff," explained Andries from Showgroup. ABSA - now under the Barclays Africa Group umbrella - have run the event ever since.
For the latest competition, crew moved into the Joburg Theatre as Starlight Express was moving out. "The Joburg Theatre, especially the technical manager Simon James are on the ball and are able to provide whatever you ask for," said Andries. Andries was responsible for the design of the show and was also project manager.
Showgroup sub-contracted MJ Event Gear for additional equipment and staff. The companies regularly work together and have formed a wonderful relationship over the years.
This was the first year HD was used for the live broadcast. The production was recorded for a designated television channel and ABSA / Barclays Africa Group branches were invited to log in and vote for their choir of choice.
It was tricky to get the lighting just right. "In rehearsals when the camera first arrived, we lit a single choir with 16 side lights, 2ks for backlight, 2k top lights and Profiles," said Andries. "When the director arrived he asked, 'Is that all you've got?' One of the items included 460 people on stage. Needless to say, it took some tweaking and moving choir members about to get the right look for camera.
With experience in designing Johnny Scholtz was asked to light the show. "He had a big gel list," laughs Andries!" As always, the Sharpies were popular. The Robin 100 LEDBeams were effective, used for movement behind the main choir.
The greatest challenge was fitting all the gear onto the stage. There were two 14m stage tracks which moved the choir on and off the performing area. Two stage managers were kept on their toes to ensure a smooth production.
The show also included two 4.6 x 2.7 6mm LED screens used on the side, and five 1.5 x 5m LED pillars (10mm) panoramic screens.
This year marked a significant step forward for the festival as choirs from each of the countries in which Barclays Africa operates were represented for the first time. Choirs from Botswana, Egypt, Ghana, Kenya, Mauritius, Mozambique, Seychelles, South Africa, Tanzania, Uganda, Zambia and Zimbabwe participated.
Lighting equipment used includes: 24 x Robin 600LEDWash; 16 x Robe 700 LEDWash; 16 x Robe 300 Classic Spots; 24 x Robin 100 LEDBeams; 24 x Clay Paky Sharpies; 24 x Longman ColourME Bars; 186 x ADB Profiles; 114 x ADB 2k Fresnels; 1 x GrandMA2 full size with extended screens; 1 x MDG Hazer CO2; 80 x Moodlight panels. All racks and power distribution was by Avolites. All splitters were 10-way LSC Splitters.
