Reggensburg classical festival mixed with Lawo
- Details
The most testing production for Kümmel was Rigoletto, where more than 60 microphones were in use. As previously, he took a two-level approach to the console setup - one level was used for inputs and outputs that did not change during the festival (including feeds to the stage manager, the interval bell and communication with the stage) with a second level dedicated to the various performances. These included, for example, the levels of singers' mics, the band and orchestra.