Soundcraft

Soundcraft's Urei range of DJ mixers (a badge bought by Soundcraft) attracted much attention. Launched at NAMM earlier this year, the 1620 is a faithful replica of the original and widely loved Urei mixer, while the 1601 and 1601S are new derivatives. The 'S' model contains an on-board sampler enabling sampling on the fly; both models are intended for pro use and feature component degradation software that automatically compensates for wear and tear on the physical controls (pots and faders). Another attractive facet of the Urei range is that 90% of the control surface is user replaceable. Expect additions to this range.

At a more conventional level, Soundcraft was promoting the GB4 (launched at PLASA last year) and it's new big brother the GB8 professional live mixing consoles. These are feature packed 'value' mixers, in the words of their spokesman, intended for use on small touring systems, and installations such as churches and small theatres. Available in 16 to 48 channels, each with four full-function stereo channels and four stereo returns, features include four-band EQ. The dual-mode topology as featured on the MH3&4 desks allows the GB8 to be used for FOH or monitor, with fader control of group or aux outputs. Additional features over the GB4 include a 1kHz oscillator and a meter bridge with three LED meters.

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