"We have 32 channels of line or mic input plus four stereo channels, so instead of using channel returns for FX we can dedicate four stereo channel returns for four stereo FX returns without losing any of the 32 channel inputs. Having that number of channels and sub groups - plus aux sends - gives us the chance to give everyone a great mix, and is simple for any of our three house engineers to operate. It's remarkably efficient for such a small footprint desk and provides good control level reference even under low-light conditions." The GB Series is augmented by a generously specified outboard rack which helps them to achieve their goal of "the ultimate hi-fi sound quality for the vocal and acoustic instruments."
The new system set-up includes two four channel BSS compressors. "These are brilliantly workmanlike," says Moore. "Because we have so many band instruments coming through the mix, it's important to be able to limit and compress the sound without affecting the quality of the performance." On top of that, a five-way monitor mix has every channel assigned to a BSS graphic. "In that way we can contour the sound for everyone so that they get the chance to be heard in the correct way," says Moore.
Moore sums up the characteristics of the 250-seat room. "Sonically it's pretty straightforward and we have created what we hope is a unique room sound; there's no standing waves because there's no parallel walls, and the combination of the wood, sails on the ceiling and curtains in the windows gives the room quite an absorbed, controllable live sound, although sometimes we have to look out for bass traps."
Moore has a long association with using Soundcraft desks, and also uses a Powerstation 1200 (and BSS graphics) in the upstairs Tavistock Room for acoustic performers. His endeavours to give emerging bands a platform (and record company A&R men a permanent shop window) was recognised recently when he was inducted into the Music Managers Forum Roll of Honour, with the nomination for an 'Outstanding Contribution to British Music' award.
(Lee Baldock)
