Now, one year on, the show is still amazing its audiences. KÀ is the first show of its kind to successfully integrate advanced technologies seamlessly into a show on such a grand scale. Stage Technologies' Nomad console controls over 200-axes of automation that are an integral part of the show. The automation was incorporated so successfully that Cirque has developed new creative applications that have never before been seen in live entertainment.
Cirque du Soleil is renowned for the energy and skill of its performers and now KÀ demonstrates how their creative team utilise technologies to enhance and expand their performances. Automated sets rise up from a 51ft deep pit (where the stage would traditionally be), with moving platforms and performer flying confusing the audience's perception of gravity.
Stage Technologies spent 15 months with Cirque du Soleil during the refitting of the MGM showroom to transform it into the KÀ theatre. When the show opened, Stéphane Mongeau, the production manager at KÀ, commented: "Stage Technologies has developed an extraordinary, complex and reliable system for the new show of Cirque du Soleil. Some of the new exciting systems have been developed during the creative process and Stage Technologies were always there to support and innovate with the design and production teams. They have made our dreams come true!"
There are more than 100 technical staff working behind the scenes at KÀ, producing the show twice a night, five times a week. Kevin Taylor, CEO of Stage Technologies Inc, worked very closely with the team in the initial months of rehearsals and continues to offer 24-hour support with the assistance of Stage Technologies specialised engineers based in the US and UK.
The performers carry out some incredibly skillful moves throughout the show such as falling from platforms over 70ft (22m) into the pit onto automated safety nets, and traveling on wires moving at great heights at speed of up to 12ft (3.66m) per second using Stage Technologies high-speed winches. These performances are nerve-racking to any performer and complete trust in the equipment is paramount.
Stage Technologies has worked with Cirque du Soleil on a number of installations in the past, including Zumanity at the New York New York Hotel & Casino and are currently working with them on their latest project at the Mirage Hotel & Casino.
(Lee Baldock)
