Tal Frid sets moods for Ishay Ribo at MSG
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Ribo created a transcendent atmosphere that resonated throughout the big arena. Enhancing the experience for the 15,000 in attendance was the lighting design by Tal Frid.
Working with an Audio Spectrum supplied rig that was anchored by 146 Chauvet Professional fixtures, the Israeli designer created a soaring 24-universe, mostly timecoded, show that mirrored the essence of Ribo’s deeply moving music, while also reflecting the excitement that the charismatic star brought to the stage.
At the heart of the production design was a 17m x 11m overhead transparent LED screen slanted in a downward, upstage direction that had a revolving circle below its centre. This circle, as well as columns leading up to the overhead structure, all flashed messages in Hebrew about forgiveness, reflecting the Yom Kippur theme of the show.
A collection of 56 COLORado PXL Bar 16 motorised battens outlined the screen and columns, helping to define their form. The high output linear fixtures also set the big LED screen off from its surroundings, which added to its impact.
“The idea behind the design and the timecode of the show was to convey the prayers that we say to go up to God wherever he is,” said Frid. “Creating the transparent LED screen on top of the stage with the hole in the middle and the columns of prayers going up to the sky, while using fanning and other movements behind and on the sides of the sky, created a heavenly, 3D feeling. The show was largely timecoded, so having the right effect at the right time always creates nice moments and good ways to deliver your ideas.
“By having the PXL Bar 16 with its amazing optics. I was able to frame the sky and give it more of a heavenly feeling,” continued Frid. “Changing the zoom, position of this fixture, I had it act like a one long piece. It felt like a spiritual experience.”
Contributing to the audience lighting were the rig’s 34 Color Strike M motorised strobes and 56 Rogue R1 BeamWashes. Frid positioned 24 of the Color Strike fixtures on top of and behind the LED screen, and arranged the remaining 10 units on the stage deck behind the band. All of these fixtures were used as blinders and color wash lights, while those behind the LED screen did double duty as top lights for some songs.
As for his Rogue R1 BeamWashes, Frid described them as “amazing,” using them to create a powerful wall of lights.
