Travis used a visualizer to pre-empt programming in between working at the Oppikoppi festival and television shoots. "I tried to keep a clean look with smooth transitions," said Travis who maintained the rock fused with theatrical feel. "The gig went very well and the pre-planning and assistance from the Grand West staff made it pleasurable. I worked with Sean Caie who is a super helpful guy."
The rig was flown from fly bars in the venue, with six Robe ColorSpot 700s on the deck for beam work. "We kept a simple design to avoid a large change over due to the next gig taking place shortly thereafter.
"Working with the band is awesome, they are such nice guys and we always have a good time. Having 4000 plus people going crazy always makes for a good show ."
(Jim Evans)
