CORIOmaster from tvONE is a flexible video wall proceesor
Belgium - tvONE reports that CORIOmaster has been chosen by custom motion graphic creators Prismax to drive more than 1000sq.m of video walls at Tomorrowland, one of the world’s biggest dance music festivals held in Boom in Belgium each summer. The units were supplied by Belgian reseller, Intronics, and will be used by Prismax at other large events.
Prismax selected CORIOmaster from tvONE as it is a flexible video wall processor that allowed its designers to achieve striking visual effects. Ruben Gorissen, owner of Prismax says, “tvONE’s CORIOmaster video wall processor was chosen as it offers an efficient approach for building video wall systems. The CORIOmaster is modular, scalable and easy to use which makes it an ideal solution for the vast video walls at Tomorrowland. Eight years ago you had to use different cables for each set, nowadays everything is fixed together and in a compact size.
“Often, festivals hire a third party for switching between the different sources,” he adds. “Thanks to the CORIOmaster, Prismax can offer its customers a one-stop-shop show production.”
Prismax has worked with Tomorrowland for several years and CORIOmaster provided a video wall processor that allows easy switching between multiple outlets on a main stage which has up to six full HD outputs.
Almost every DJ in the top 30 has a team with own VJs and visuals. With the CORIOmaster, VJs change smoothly and without loss of time with each other because they can test their set in advance. Before the performance starts it is a matter of plug and play and the guest VJs have access to production and screens. The CORIOmaster makes it possible to organize events by configuring in advance and has a low learning curve. The operation is easy and fast to master.
Alan Greenfield, regional sales manager, UK for tvONE notes, “We are delighted to have been chosen by Prismax for this prestigious event. CORIOmaster offers a huge degree of flexibility and is very easy to set up and install.”
(Jim Evans)

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