The conference programme is a busy affair, with no less than 125 talks, seminars and discussion groups over the four days. The subject matters varied widely, although all are theatre-based. The programme caters well for all disciplines, with topics as diverse as 'hands-on sound engineering courses', 'followspot operation', 'scenery painting', 'projected scenery' or the more obscure 'playback party' where delegates were invited to take along a favourite recording they have made to play back to the other delegates. There were a few more obscure subjects lurking in the programme too, including 'A brief history of the brief', exploring the sociological influence of underwear on civilisation!
The exhibition had some familiar faces, with the likes of ETC, City Theatrical, Clear Com, Meyer, Vari-Lite, GAM, Lee, High End Systems, Selecon and Le Maitre taking prominent stands amongst the college and university stands. Not being a 'manufacturers' trade show as such, there were no new products to report on, although the 'nearly new' products recently launched were attracting interest.
The rear of the hall was taken up with several exhibitions of scenic artwork and costume designs, predominantly from Forrest A. Newlin. There was also a 'digital design' exhibit, hosted by the scene design commission showing various lighting, scenery and costume designs generated by computer. A novel display of gadgetry was tucked in a corner, consisting of various 'devices' stage hands had constructed to solve problems, ranging from automated revolves to a steam boat whistle. It was good to see the spirit of innovation is still alive!
James Eade
