Lighting for the show, designed by Nick Whitehouse with Steven Douglas touring as lighting director, relies heavily on Vari*Lite fixtures - 84 x VL3500 Wash, 84 x VL3000 Spot, four VL3500 FX and 30 x VL500.
"With the variety of lenses that we are using - both internal and clear external - we can get everything from two VL3500 Wash fixtures covering the whole stage to really narrow pin spots," remarked Steven Douglas. "The colours are also so rich. It's pretty much the same with the VL 3000 which both Nick and I regard as the best profile fixture on the market.
"I know that Nick did a comparison with all the latest fixtures on the market, but at the end of the day we felt that the VL3000 was still the way to go. It has a great selection of gobos which is ideal for a show like this which is all about the big picture."
The VL500 fixtures are mainly built into the set piece that resembles a Roman amphitheatre. In between the columns are black projection screens and three VL500 inset into the header piece. A further twelve VL500 are situated on the floor.
"The VL500 fixtures were chosen for their beam angle," said Douglas. "They have a low profile and are small, taking up the least amount of space in front of the projection screens."
The four VL3500 FX fixtures are housed in a custom-made rack which can be wheeled in for special backlighting such as when Kylie appears on an upstage centre lift.
(Jim Evans)
