For the Academy shows, GPA ran the units across the vocal channels, as well as the main left/right PA. In the latter case, the frequency-conscious compression was used to good effect on the low end, a key requirement for the dance sector. "Compression on bass frequencies sounds good, but there's nothing worse than listening to a compressor working hard," says Chris Hinds. "With the frequency-conscious compression of SiDD, you can bring more life to the low end, but it doesn't 'pump' on the high end."
This fact isn't lost on Shan Hyra, who describes said: " I will certainly be getting in touch with XTA to have a more in-depth look at the SiDD processor."