France - Modulo Pi has announced the immediate availability of Modulo Kinetic version 4. With this release, the fully integrated media server solution offers a revamped user interface, improved 3D engine, and new extensive capabilities dedicated to virtual productions.
Introduced in 2016, Modulo Kinetic makes a major step forward in its development with a variety of new features and improvements. The Modulo Kinetic Designer offers a revamped user interface with new icons, optimised views, toolbars, timelines, nodal programming editor, and more.
Special attention was paid to the 3D scene viewer to offer users a smooth navigation and polished experience with the software.
Version 4 includes the support of Notch Block, 10-bit Apple ProRes, and 10-bit GoPro Cineform. Modulo Kinetic also supports LUT format, allowing creative filters and real-time colour grading.

UK - Brompton Technology has collaborated with White Light (WL) to showcase the new functionality of its latest Tessera V3.1 software release.
The software’s new features, such as Frame Remapping and High Frame Rate+, have unlocked a number of virtual production opportunities. Frame Remapping within White Light’s SmartStage LED studio enables multiple cameras and shooting modes to each see their own render perspective. It also means that a live feed can be captured, fully utilising the benefits of XR technology, including reflections and bespoke lighting, while adding the capability to simultaneously shoot against a green screen to give options in post-production.
Dynamic chroma key adjustments can be made, allowing any 24-bit RGB colour to be specified. For events with remote participants in different countries, the technology allows outputs to be tailored and reg

USA - For the past year, the world has been preoccupied with Zoom meetings. Disguise has been looking at a very different type of zoom. Instead of video meetings, disguise allows its users to zoom in and out of a virtual world on camera.
disguise’s extended reality (xR) workflow, released to the general public in April 2021 through its new r18 software, includes this new feature which extends the virtual scene to allow cameras to zoom in and out of each scene. With these capabilities, the community of disguise users can now build even more exciting and elaborate scenes than ever before.
xR pioneers and disguise partners, XR Studios, were among the first to incorporate the new feature into their current workflow and explore its full potential. Their first project using virtual zoom was with singer Katy Perry. For what is now the third collaboration with Perry, XR St

France - PRG and MADO XR has launched Virtual Production Studio-xR, a 360-° LED facility powered by Brompton Technology Tessera SX40 4K LED processing. The space “brings the power of virtual production to any type of pre-recorded or live production” and features ROE Visual LED panels, with multiple Tessera LED processors running the entire set-up.
“Situated on the outskirts of Paris at the historic TSF Studios, we designed a modular studio of approximately 800m2 to provide full control over both the lighting and the filmed scenes in a realtime recording environment. We have put a team together that is fully dedicated to the studio and is composed of PRG and MADO XR staff who will be able to advise and guide you in the realisation of your projects,” comments Thierry Kra, managing director of PRG France.
Louis De Castro, CEO and co-founder of MADO XR, utilised o

UK - Preevue and Race Furniture have announced a strategic partnership, bringing together Race’s decades of experience in theatre seating design and Preevue’s venue scanning and sightline analysis technologies.
While the two companies will remain separate, they will collaborate closely on future projects where skills and resources can be shared, with Preevue services being integrated into Race’s offering to new and existing clients.
Lucy Stokes, managing director of Race Furniture comments: “I am thrilled to announce this key partnership between Race and Preevue. Race has over 75 years heritage within theatre and venue seating and continues to grow. We view this partnership with Preevue as a major step forward not only in Race’s evolution but the evolution of the entire industry - for the first time ever seating design, layout and manufacturing expertise wil

UK - AV and entertainment technology company Anna Valley has acquired event technical support provider Production Plus. The purchase will provide Anna Valley with additional staff and technical capabilities to support the company’s portfolio of venue clients.
Production Plus has provided technical services to the events, hospitality, corporate and private markets since 1985. The company supplies video, audio, lighting, rigging and set design, build and staging services and equipment from a 20,000sq.ft facility in Hertfordshire and is the preferred supplier to a number of five-star hotels and venues.
Like many suppliers in the sector, it has recently experienced difficult trading conditions due to the Covid-19 pandemic. Over the last 12 months, the owners were forced to reduce the company’s full-time staff and re-evaluate the business, ultimately deciding to approac

UK - Christie has announced a new UK partnership with Visualization. The UK-based company will be joining Christie as the UK’s technical distribution partner, offering a full system design, build and supply of services and products, to the integration and dealer channel.
Visualization is an associate company of AV Rack Build and is able to draw on a long-established relationship with Christie and its products. The new arrangement gives integrators a one-stop-shop for system pricing, orders, and an opportunity to take advantage of additional AV engineering services and technical expertise each step of the way.
“Christie products are respected across the AV world and their reputation speaks for itself,” comments Nick Pidgeon, managing director at Visualization and AV Rack Build. “We have enjoyed an excellent working relationship with Christie since early days wit

Europe - LED manufacturer Absen is set to hold three online round table panels on immersive LED experiences. The sessions will cover immersive LED in virtual studios, retail spaces, and corporate spaces, with each round table session hosting a variety of expert brands in each sector.
Hosting all the roundtables will be Jessica Golding, Absen’s European brand manager. The first roundtable, upcoming on 19 May, will discuss the impact and rise of virtual studios on the AV industry over the last year. With a panel of the industry’s virtual studio experts, including Christian Czimny, Absen’s industry product director, the panel will discuss what virtual means in the industry, where virtual studios can be used, and what the benefits are of using LED over traditional ‘green screens’. The event will provide a multitude of perspectives, from end user to integrator, on the r

France - The Organisation for Economic Co-operation and Development (OECD), based in Paris is an international organisation made up of 37 member countries that works to build better policies for better lives. More than 1,000 conferences are organised annually in the OECD conference centres (La Muette and Boulogne), including around 30 conferences and major events. The OECD Conference Centre offers 3,000sq.m of modern and modular conference rooms and a range of facilities.
Currently, OECD manages around 250 daily web conferences. Most high-level meetings offer interpretation in at least both official languages of the OECD and rely on collaboration, meaning interactions are dynamic amongst participants.
Audio visual services (audio, video and web conferencing) have been used for several years in OECD, but with the significant increase in remote participation requests in

France - Technological Innovations Group (TIG) has appointed Alexandre Martin into the role of residential sales engineer in France.
Reporting to Christophe Malsot, TIG's director of hospitality, leisure and retail, Alexandre will be the go-to technical specialist for system integrators and smart home customers, working closely with the expert regional sales team.
Christophe Malsot comments: "Alexandre is a Crestron certified programmer and will therefore make a superb asset to the team, thanks to his perspective acquired from past roles as System Integrator and Automation Programmer. He brings a technical mindset and vast industry knowledge to help us ensure our continued, exceptional customer service for the Residential market."
Alexandre adds: "I feel so happy and proud to join such a talented team and recognised brand. Crestron offers system integrators and h

UK - Remembering the Oscars, staring Strictly Come Dancing’s Aljaž Škorjanec and Janette Manrara, is a celebration of the Golden Age of Hollywood. With the originally intended 41-date UK theatre tour curtailed for two consecutive years because of the pandemic, Škorjanec and Manrara were desperate not to disappoint fans. The show’s producers, Steven Howard for The TCB Group and David Shepherd from Imagine This Live, looked for alternative solutions.
With streamed performances gaining increasing success, they turned to video production specialist iMAG Displays to help them bring the sparkling show to life in a series of streamed performances, which aired for three weeks from 27 March.
“When Steven and David got in touch with us, we were more than happy to help,” says iMAG founder and technical director, Alex Strachan. “We sent them pictures and

UK - Creative Technology supported the live broadcast of a ‘secret’ event from one of the UK’s leading motor racing circuits.
The event would be streamed to a small number of top clients for the manufacturer, with security of the broadcast being of utmost importance. CT proposed the use of its Eden platform which enabled two-factor authentication for the invited attendees to maintain a high level of security, ensuring confidentiality of the product. CT were on hand to collaborate with the end client’s IT department and Sprout, throughout the production process, to ensure that all protocols were observed and minimise any issues on the day for the invited audience.
CT’s involvement with the project further extended into the ‘live’ environment following Sprout’s decision to broadcast the event on-demand over the weekend of 13-14 March.
The on-site e

USA - When the Seattle Symphony orchestra wanted to explore the realms of music through audio and visual representation, they envisioned creation of a space that would immerse the audience into ‘a music experience unlike any other’.
The Octave 9: Raisbeck Music Centre is named after Seattle philanthropists James and Sherry Raisbeck, who donated $2m on top of the various public and private donations to transform the former Soundbridge Seattle Symphony Music Discovery Centre into a musical experience to remember. Fusing music and technology, Octave 9 was designed to stretch the boundaries of creative possibility and immerse the viewer in new worlds created with the orchestra’s music.
With this in mind, the technology implemented in this immersive space needed to be fully adaptable to match the variety of genres and eras recreated by the orchestra, and able to chan

World - Green Hippo has released a major upgrade to its Hippotizer software which introduces a new design, pre-programming and content delivery workflow. Version 4.6 builds on the familiar flexibility of Hippotizer’s realtime media manipulation system with planning, visualization and timeline control architecture.
“Version 4.6 is the result of some incredible work by our R&D team who have worked their trademark Hippo magic to implement a host of powerful, simple-to-use, project-enhancing features designed with the end user firmly in mind,” says Green Hippo’s product and development director Ryan Brown. “Hippotizer has always been the ‘pocket knife’ of media servers, delivering multiple solutions from a single box. Now, version 4.6 adds so much more.
“Version 4.6 combines Hippotizer’s familiar content and design practices with a redesigned, realtim

Russia - On 12 April 2021, the Baikonur Cosmodrome hosted a gala concert to celebrate the spaceflight of the first cosmonaut Yuri Gagarin. The festivities were broadcast live by the Russia TV network.
The concert’s ‘X-factor’ was a beam of light shooting out from the pit of the launch complex that sent the Vostok-1 spaceship into orbit 60 years ago. The light beam was created by TDS, a full-service production company.
The design concept called for the light beam to be so powerful that more than 60 high-power light projectors would be needed to create it. Another way to accomplish the task was to use augmented reality technology.
“Our team landed at the Baikonur Cosmodrome on 9 April,” reports TDS. “We had only four days to prepare the equipment for filming, install special marks, calculate precise distances using industrial-grade range meters, calib

UK - Dream is a multi-layered mix of movement, music, visuals, cool technology and narrative magic, an immersive digital performance fusing the drama of Shakespeare with the dynamic worlds of gaming and theatre in a production by the UK’s Royal Shakespeare Company in collaboration with Manchester International Festival, Marshmallow Laser Feast, and the Philharmonia Orchestra (read a full production report in the upcoming issue of Lsi, out early May).
Staged physically in the Studio at Portsmouth Guildhall and inspired by the classic A Midsummer Night’s Dream, the characters were played by six real actors utilising Vicon motion capture cameras, their avatars and effects appearing onscreen - centring around the antics of cocky and capricious mischief-maker Puck. They run amok in the virtual Midsummer forest, hellraising and spoofing four other sprites during

Sweden - Blackmagic Design reports that its technology has been instrumental in allowing the creators behind ReaktLive.com to stream performances direct to audiences from its own platform.
Based out of the former EMI/Abbey Road Stockholm studio, the live content experience has built its live video capabilities around the Blackmagic URSA Min Pro 12K, URSA Mini Pro 4.6K G2 and Micro Studio Camera 4K with the support of Scandinavian Photo.
The full-service streaming studio and broadcast company features a studio design with six small, discreet cameras on robotic rails and jibs, reveals co-founder Nicolas Notini. “The purpose of automation for us was to ensure artists and creators have far fewer distractions and can just ‘do what they do’ more easily.
“With our background as professional musicians, this is how we feel it works, and looks, best. After a few mi

UK - The Vice-Chancellor’s Innovation Awards recognise and celebrate the high-quality research-led innovation at Oxford University, that is having societal or economic impact. With categories including Team Work, Building Capacity, Inspiring Leadership, Early Engagement Innovators and Policy Engagement, the Awards reflect the excellence of the innovation that takes place across the University.
Established in 2018, the first two editions of the Awards were celebrated at a live event involving around 150 delegates who enjoyed panel discussions as well as a presentation ceremony. The 2020 renewal was due to take place at the Sultan Nazrin Shah Centre at Worcester College, Oxford, but the prevalence of the COVID-19 pandemic rendered this impossible.
Supported by events organiser Michelle Miles of Fusion Events and Weddings, the university opted to stage a virtual event.

Germany - At the new Axel Springer Campus in the heart of Berlin, WeltN24 has commissioned two state-of-the-art TV studios for the WELT station. Both news studios are equipped with Ethernet/IP-capable lighting fixtures throughout, enabling IP-end-to-end communication and, therefore, efficient workflows that are fully integrated into the broadcast infrastructure. The ARRI System Group handled the consulting, planning, and turnkey installation of the studio lighting and control systems on behalf of the system integrator Qvest Media and in close partnership with the planning office mo2 design.
WELT’s two TV studios enable closer networking and collaboration with digital and print. This exchange is also reflected in the visual concept of the studios, each measuring 175sq.m and 5.5m high. Glass fronts in Studio 1 ensure transparency, visibility, and interaction. Challenges in t

Spain - Pixotope has enabled VideoReport Canarias, a regional news and entertainment broadcasting services provider, to expand its virtual production offering in six months.
VideoReport Canarias is the broadcasting services provider of a number of well-known media broadcasters in Spain, including RadioTelevision Canaria. VideoReport Canarias partnered with Pixotope to find a more resource-friendly and visually stimulating way of producing live TV. Working through Pixotope’s distributor Tangram and VideoReport Canarias’ supplier and system integrator Bienvenido Gil (BGL), an entirely new show format was created for RadioTelevision Canaria’s daily primetime weather show, Una Hora Menos.
“Innovation has always been at the core of VideoReport Canarias. This is why we were excited to introduce virtual reality in our sets, specifically in our prime-time show.

UK - The Institute of Sound, Communications and Visual Engineers (ISCVE) has announced the launch of its remote invigilation service for HS&E assessments. The new online service means applicants who need a valid HS&E certificate to accompany ISCVE ECS card applications, can now take their HS&E assessment online.
Prior to the launch of the new service in conjunction with ECS, applicants for HS&E assessments were required to take a test at an approved centre or at an event organised by ISCVE. The new online service reduces the requirement for travel to centres and allows applicants to take the assessment without having to leave home or the office.
The new service means applicants now have the opportunity to securely and safely complete their HS&E assessments online using just a web browser, thereby avoiding any unnecessary delays. Results are publishe

USA - With the year-long Covid shutdown turning live performance on its ear, the challenges facing music venues and organisations have been relentless. Like so many orchestras, the San Francisco Symphony has been reinventing and regrouping, finding new ways to bring music to arts-starved audiences, including incorporating the recording and streaming of audio and video content.
One of the challenges, explains Jon Johannsen, audio engineer for the Symphony, is capturing the orchestra when members can’t play together as an ensemble. “With wind and brass players in particular, we can’t have that many musicians together in a common space. People still need to be isolated in individual capture rooms.” As a result, the Symphony has created literally dozens of individual capture spaces on site. “We’ve now created capture rooms everywhere – downstairs, in dressing room

USA – Northview Church, a multi-site community church serving central Indiana from nine campuses, is delivering engaging visual content for its live worship and online services using the time-saving features of a Hippotizer Boreal Media Server from Green Hippo. Located at the church’s Carmel campus, the Boreal feeds content to the 60ft x 25ft projection screen which forms a striking backdrop to services both live and streamed.
“The Boreal drives all the video content on the upstage screen, plus any overlays or synchronised video on the house IMAG screens,” says Evan Rodecap, president of Signal Productions. A long-standing full-time engineer for the church, Evan knew Hippotizer from the touring world, and consulted on the specification of the Hippotizer Boreal.
“The Hippotizer had the outputs and resources, within a single frame, needed to drive the projecti

UK - Brompton Technology has announced its new Tessera v3.2 software with ShutterSync, a tool for users of Tessera SX40 and S8 LED processors. In addition, it has added the option to upload a custom 3D LUT directly to the Tessera LED processor for the very first time.
Tessera v3.2 is designed for creatives using LED on camera for both virtual production and XR (eXtended Reality) applications, giving professional users more flexibility than ever before with convenient features that put the emphasis on creative choice and control.
“Until now, filming an LED screen required the camera’s shutter speed to be precisely matched to the LED screen refresh to prevent ugly artefacts appearing. With ShutterSync, LED refresh can be tuned to the camera, not the other way around, giving creative control back to the user,” says Brompton CTO, Chris Deighton.
ShutterSync

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