Sarner Strengthens Management Team
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This 26,000 member nondenominational church in Dallas, Texas, led by Pentecostalist minister, author and entrepreneur T.D. Jakes, set out to build the country’s most technologically innovative church facility yet. $32 million later they have created a 300ft by 300ft, 8,200 seat venue, dubbed a ‘Smart Church’.
Power and data terminals installed at 200 seats allow attendees to download sermon notes and power point presentations onto laptop computers. Altar attendants are equipped with handheld PDAs to allow immediate input of new member data and ‘prayer needs’. An associated language translation centre features translation r
The décor of the Hermitage Rooms recreates, in miniature, the imperial splendour of the Winter Palace and its various wings which now make up The State Hermitage Museum in St. Petersburg. This imperial shell will provide the backdrop for rotating exhibitions from the collections of the Museum in St. Petersburg and other Hermitage-related activities, providing London with a window on Russian art and history.
Although the Hermitage Rooms at Somerset House have been designed to be a palatial backdrop for important works of art, they also feature the latest in high technology display. The techno
The project, which involved several months of in-depth research, in collaboration with the Victory’s curators and crew, led to the installation of a shore-based ‘mood theatre’, which takes a personal view of the battle of Trafalgar in October 1805 - Nelson’s greatest, and final, triumph.
Using Alcorn McBride control and playback systems, Sarner’s David Dempsey, Ross Magri and John Griffin devised a four-scene experience, with an independently-controlled waiting area and several interactive elements. David Dempsey explained that in the case of the Victory Gallery, technology was used to make the story of Trafalgar more accessible, without trivialising this pivotal piece of naval history. "There was
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Situated within the Prince Pierre Theatre, the event provided the opportunity to introduce enabling technologies and methodology in a unique fashion. The organisation briefed production company Project Worldwide to design an adventurous set on a grand scale. They conceived a massive, rear-projected 17-metre screen as the entire backdrop, with the aim of turning the theatre into a giant internet site.
To help them, they asked Creative Technology to devise a projection system based on the new Dataton Watchout soft-edge system. The keynote room and stage thus became the website page, with the proscenium arch as the web page header, enabling them to present streaming video alongside flash animation and basic Powerpoint and video
Barco Digital Cinema is one of only three licensees of Texas Instruments’ DLP Cinema technology. TI developed DLP Cinema technology in close co-operation with key players in the film industry, and will continue to work closely with Barco to develop commercial products based on this technology. "One of the most frequently asked questions about digital cinema is: Where are the engineers and technicians going to come from, to install and service equipment in this new technology?" said Harry Mathias, Barco’s director of Digital Cine
While Westlife are a well-voiced, but ultimately plastic facsimile of pop stardom (see feature this issue), Craig David has it all. Last time I made such an assertion was for Baby Bird, who promptly migrated South, so I’ll temper my predictions for David. He is a skilled songwriter - consecutive hits have established that - and he has a rich, round voice, but it was seeing him live that convinced me. He prowls the stage with the leonine grace of a caged animal. He’s compelling, urging the crowd like a Gladiator holding his sword to the neck of his vanquished foe: Thumbs up? Thumbs down? Who cares, this man is dangerous. He may not be playing as many arena shows as Westlife, but they’re sell-outs, and get this
In California, an even closer association is taking place with the opening of a new XL Video office in LA, also specializing in live video production. The US operation is headed up by Bob Higgins and Barbara Riedling, both of whom have a long-standing history in, and vast knowledge of, the US concert touring market. This name-change and US office launch follows a successful 12 months for the St Albans-based company. Over the past year it has worked with artists such as Oasis, Madonna, Eric Clapton, Craig David, the Corrs, Robb