Joining the company's West End roster of shows in January were productions including Jerusalem, transferring from the Royal Court Theatre to the Apollo and lit by Mimi Jordan Sherin, The Little Dog Laughed at the Garrick, lit by Jon Clark, and Six Degrees of Separation at the Old Vic, lit by Jason Taylor.
The long-awaited sequel to The Phantom of the Opera, Love Never Dies, is also currently previewing at the Adelphi with White Light supplying Paule Constable's complex design; the show is due to open on 9 March. December was also a busy period for new shows, with the openings of The Misanthrope at the Comedy, lit by Peter Mumford, and the RSC's Twelfth Night at the Duke of York's, lit by Tim Mitchell.
White Light's equipment can also be found on tours around the UK and, indeed, around the world, the company having continued its association with the current Eddie Izzard tour by supplying a large rig of EvenLED LED cyc lighting panels to the US leg of the show, supplying the lighting to a touring production of Grease in South Africa, and supplying the new touring production of Les Misérables, which opened in Cardiff before Christmas and which is now in Norwich.
(Jim Evans)
