White Light sets the scene in Kew Gardens
- Details
Each performance during the four-week run began at twilight, to take full advantage of staging the Shakespearean favourite beneath the stars and canopy of Kew Gardens’ heritage trees. To enhance the play’s woodland setting and achieve lighting designer Peter Amesbury’s vision, WL specified a range of different lighting fixtures, all controlled by the HES Road Hog 4 console. The rig included Elation SIXPAR 200IPs and Chauvet Ovation E-910FC IPs, as well as SGM G-Spot Turbos. Look Solutions Unique hazers were utilised, to add to the sense of magic in the air.
WL’s key account manager - Dominic Yates comments: “Given the alfresco set-up for the performances, our entire rig had to be fully IP-rated. There were different visual elements to focus on, from the players on-stage, to the surrounding trees, which we wanted to appear larger than life to heighten the drama. To work around the ambient sounds of the gardens, we supplied a robust audio solution, which provided evenly distributed coverage regardless of where the audience were seated.”
Amesbury adds: “We were so impressed with the quality of the solution and service delivered by WL. The SGM G-spots were a real powerhouse fixture for the show, providing gobos and heightening most of the dramatic moments. This was the first time I've designed a show with LED Profiles outdoors and the Chauvet E-910FC has been rock solid. 24 of them provide a heap of punch, even from 25m away. This show would normally have 36 VNSP Parcans FOH, however using the IP rated profiles, we have saved on dimmers and also cut maintenance time by nearly 60%."
