"It's absolutely brilliant, it's revolutionised the show," he reports. "I've trained my deps on how to use it to its full potential with specific application to this show and they're complete converts, even the analogue junkies. The house technicians think it's a genius application of the right technology and Beardyman loves it.
"Feedback has been a massive issue with Beard's set-up up until now but with the DP548 he no longer needs to worry about it. In really extreme scenarios I have made use of the phase related filters in order to move bass nodes around the room and prevent localised coupling on stage which would otherwise be a show stopper."
JP Cavaco, sales manager at LMC, comments, "The XTA DP548 is a formidable tool in any engineer's arsenal. For Harry in particular, the SiDD derived dynamic EQ has allowed even greater levels of audio control and manipulation when working with Beardyman. Add AudioCore on a wireless tablet and you have an incredibly easy and intuitive interface from which to make adjustments, be it from FOH or indeed anywhere in the venue."
(Jim Evans)
