The DM1000 features an intuitive control surface which allows analogue-style hands-on operation - ideal for sound reinforcement or broadcast applications - and houses 12 user-defined keys for assignable functions. The unit offers the same head amplifiers as the DM2000, and is equipped with 20 XLR analogue inputs (16 with mic preamps) and 12 analogue XLR outputs. All onboard A/D and D/A conversions make use of true 24-bit/96kHz converters.
The DM1000 includes a range of 96kHz-compatible stereo effects with 32-bit internal processing, plus several specifically designed for surround. Users can manipulate up to four individual effects processors simultaneously. The 17 precision 100mm motorized channel faders may be instantly layer-switched to control any of the 48 channels, plus Auxiliary, Bus and Remote channels. Additionally, all available inputs, outputs, effects and channel inserts can be assigned to any channel or output via the versatile digital patching system. The eight auxiliary buses can also be patched to any location in the system. An extensive selection of preset effects "libraries" is also included. All 48 input channels feature a comprehensive range of flexible, independent compression and gating/ducking processors, 4-band parametric channel EQ with switchable Type I or Type II algorithms, and channel delay with a maximum delay of 453 milliseconds. The DM1000 also features comprehensive automation and scene memory control, with full automation of virtually all console parameters.
"The features of the DM1000 will more than meet the requirements of any posting, scoring or editing facility that requires high quality digital audio production," says Marc Lopez, product manager for Yamaha Commercial Audio. Bundled Yamaha Studio Manager software is compatible for both Macintosh and Windows platforms, and works as a common medium for exchanging mix data between the DM1000, DM2000 and 02R96. Further details are available from the website below.
(Lee Baldock)
