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14 March 2016

The MMX WashBeam was entered into the Lighting Category. The fixture offers multiple features in one unit, and combining a Philips Platinum 35 lightsource with Robe's advanced optical system, provides an output exceeding most traditional 1200W products.

The Etoile du SIEL Awards were judged by an independent panel of industry experts, including lighting designers, technical and creative directors and representatives from top rental companies.

(Jim Evans)

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14 March 2016

Shinedown lighting designer Carter Fulghum and Three Days Grace lighting designer Mike Filsinger created two performances filled with throbbing lights that enhanced the high octane music and pyrotechnics.

With both bands co-headlining, Fulghum and Filsinger worked to reconfigure the rig to be more arena friendly, as the rig had previously been designed for amphitheaters. Additionally, fixtures and fixture placements were changed to accommodate both bands.

"Designing a rig for two artists can be a challenge," said Filsinger. "Keeping both bands happy both visually and financially can turn into a full on brawl but luckily in this case, it

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14 March 2016

The city's newspaper The New Orleans Picayune declared the float to be the best in the parade, noting that it was "indeed impressive, both for its size and the light display, which bathed the crowd in glorious color." Ray Ziegler of RZi Lighting (New Orleans) used a variety of products from Elation Professional, Acclaim Lighting and A

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14 March 2016

This Developers Conference aims to provide a European forum for manufacturers, designers, consultants and prospective users; and to ensure that the adoption of these new standards achieves desired levels of interoperability and reliability.

The conference includes presentations in understanding, implementing and using the published PLASA control protocols suites. Discussions will also embrace the current protocol developments that form part of the PLASA Technical Standards Programme. The past 12 months has seen considerable advancement in the development of RDMnet - with various drafts of BSR E1.33 being offered for public revi

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14 March 2016

Part of the relaunch of the cult TV series, Nickelodeon and Viacom Consumer Products (NVCP) invited over 350 guests to Shoreditch, London to announce their plans for a number of their well-known characters including: Dora the Explorer, SpongeBob SquarePants and the Teenage Mutant Ninja Turtles.

Anagram used the first ever eight-head Avolites Ai media server, combined with three HD10k Christie M series projectors, to project images of the well-known children's characters onto the walls of the stage in the Village Underground.

In addition, a feed was sent from the Ai to all the HD plasma screens within the room. The server's projection mapping capabilities enabled lighting programmer Russ Grub

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14 March 2016

Respected lighting consultant and designer Denis Hutchinson specified Philips Selecon Acclaim Axial Zoom Spots, Acclaim 650W Fresnels and Hui Cyc 1 A 500W Symmetrical floods along with Philips Strand 200 Plus 24/48 Lighting Control Desk and Monitor plus a number of six Pack 6/10 Amp Dimmer Packs for the co-educational Herron Bridge College.

Supplied by South African Philips partner DWR Distribution, Selecon and Strand Lighting made up the bulk of the order: "An essential part of the brief was to deliver a lighting system that is easy to understand and operate," explains Hutchinson. "However it also needed to feature a creative capability that surpasses regular school light

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14 March 2016

Creative thinkers Charcoalblue is sponsoring the Award for Most Welcoming Theatre (Central, North, South East, East, North West and South West). The award is one of the few public nominations awards, allowing theatre fans to vote via the OffWestEnd.com website.

"We're delighted that Charcoalblue, with such an impressive track record for transforming spaces, has thrown its weight behind helping us champion the most welcoming London theatres off the beaten track," says Sofie Mason, Director of Off West End. "Independent theatres, wonderfully scattered across London, can have strong personalities that are memorable in a way you would rarely find in the West End. Often theatregoers fall in love with the venue as much as the performance and return b

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14 March 2016

"Our Open Day brings together all the latest AV, sound, lighting and stage technology under one roof," says Black Light's head of company development, Phil Haldane. "We're inviting everyone to come along and help us celebrate 30 years in the business."

Black Light has already got over 30 of the biggest names in the industry confirmed. That means that the 2013 Open Day will be the most exciting yet, says the company. It will be a great chance for everyone to come and see the hottest new equipment in action, quiz the experts and, of course, meet friends and colleagues.

The Open Day will take place on 15 March. As in previous years, the event will feature a wide range of exhibitor stands at which visitors will be able to talk to ma

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14 March 2016

Located in the Dallas Arts District, the first phase of the venue opened in September 2012 and includes a 750-seat multi-purpose proscenium theatre, public lobby, and support space.

GDS was asked by Texas Scenic Company (TSC) to supply a zoned, DMX-controlled, working light system to be used across the stage galleries, auditorium catwalks and followspot booth to allow technicians access to technical areas under dark performance conditions without drawing audience attention.

Working in conjunction with Schuler Shook Theatre Planners, TSC installed GDS' award winnin

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14 March 2016

The stage, set and studio company based in Wakefield, West Yorkshire, picked up awards for Favourite Rehearsal Facility (sponsored by Showcase) and Favourite Staging Company (sponsored by Sunbaba). LS-Live was also nominated for Favourite Set Construction Company (sponsored by J&C Joel Limited).

The annual TPi Awards has celebrated the most talented individuals and service companies working in the live production industry worldwide for over a decade. Presented by Radio DJ Lauren Laverne at the Novotel London West in Hammersmith on Monday 11 February, the 2013 event attracted 1,500 people.

Director Ben Brooks collected the awards and commented after the event, "We are very proud to be judged favourite rehearsal facility and staging company, and I'd like to thank everyone who voted f

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14 March 2016

Saturating the monument in Albania's national colour of deep red are Exterior 430s from Martin Professional's award-winning Exterior 400 range of outdoor LED luminaires. Eight Exterior 430s, supplied by local Martin distributor Prosound Audio and Light, are used to uplight the eagle.

Lighting aspects of the monument were also handled by Albi Cifligu who turned to the Exterior 430 after a recommendation by Prosound sales manager Kliton Gjika.

"The only lighting fixture that can turn black metal red is the Exterior 430 so I sugges

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14 March 2016

The concert - an intimate affair compared to Muse's usual stadium-headlining shows - saw them tone down their show to fit the theatre surroundings. Before the gig bass player Chris Wolstenholme told BBC's Newsbeat, "You don't want to be spending all the money on pyramids and flashing lights - that's money that could be going to charity."

Awards News - Opera magazine is to have its first annual international awards, presented at a ceremony in London on 22 April. The Operas, the brainchild of th

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14 March 2016

The rig houses only Vari-Lite moving lights: forty-four VL2500 Spots, twenty-two VL2500 Washes and five VL3500 Spots whilst conventional lighting consists of over 200 ETC Source Four fixtures. It's a fairly straight forward rig that was, according to Hamilton, expertly prepped at PRG, easily hung and there were very few problems to overcome.

"The overhead trusses go spot, wash, spot, wash, spot, wash and the ladders are all VL2500 Spots," explained Hamilton. "It's a great rig because you can put anything you need where you need it, plus it

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14 March 2016

Lighting designer Declan Randall is harnessing the diverse colour palette and rapid colour changing abilities of the PLCyc fixtures to dramatically enhance the shifting ambience during the production at Guildford's Holy Trinity Church.

"I'm treating the ceiling of church as the cyclorama, up-lighting the roof and using the PLCycs to throw shadows of scenic elements and the cast up onto the roof," says Randall. "The show varies from intense colour to more natural, gentle, skin tones and the PLCycs offer us speedy colour changes and an amazing palette to work with. What's great about the PLCyc LED luminaires is that they deliver both the natural and unnatural colours

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14 March 2016

Inspired by the beauty and the masterpieces of Rembrandt van Rijn, following a substantial investment, guests can enjoy authentic Dutch cuisine in a cosmopolitan atmosphere with open kitchen, whole listening to music through a premium RCF sound reinforcement system.

In fact premium is the watchword, since installer Mike Ho, of locally based service company 24/7 Audio, specified a TTL11-A active steerable column array, requiring only two systems with two presets to service all the requirements - literally 24/7 (including live music and a DJ on weekends).

"I first heard this system under demo at RCF's he

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14 March 2016

Located in the heart of London's East End and home to the 770 seat Great Hall, the theatre's transformation included a lighting and audio solution supplied and installed by specialist integrators Stage Electrics.

"Queen Mary, University of London is delighted with our newly refurbished venue and we're now getting a huge amount of interest from external hirers and promoters who are discovering this hidden gem in east Lo

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14 March 2016

Gaskell, of Pinnacle Productions, combined the razor sharp beams of the Clay Paky Sharpys, supplied by rental operation Colour Sound Experiment, with laser bounce mirrors to deliver a three dimensional prism of super bright almost architectural effects around the band. This worked as part of a layered lighting concept that combined evocative video, moody washes and striking effects during the dynamic, content rich show. The result was a dramatically striking, 3D world of light and images that worked as one with Orbital's music but at the same time also reached out and engaged the li

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14 March 2016

The showstopper was the new InvisiBezel LCD panel cover, demonstrated (with and without the bezel cover) via a 2 x 2 display of 46" LCD panels. Passers-by, captivated by the display, massed to witness how this media could be reduced from a standard 5mm bezel width to a virtually seamless 1mm with the help of the dnp 'super narrow bezel' panels. These can be mounted on top of standard LCD screens and at the same time protect the panels from scratches.

According to global sales & marketing manager S°ren Kraemmergaard, there were several differentiators embedded in the dnp system which give it a competitive edge.

"The pixels can be optically stretched at the edge of the panel via

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14 March 2016

Hawthorn applied its own event expertise to transform their facility into a swanky party venue, where guests enjoyed a night of food, drink, networking and revelry. Giant video screens, sizzling catering points, glitzy dancefloors created a vibrant ambience in the main event room; then if guests walked through a giant logo structure they entered a series of 'games rooms' with Karaoke, 'drive simulators', and familiar computer games.

Founder and Managing Director Martin Hawthorn cut the birthday cake and thanked all present:

"It's great to welcome everyone here as we celebrate our achievement bringing the company from the humble beginnings to where we are today supplying an incredible range of events. We have developed some great

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14 March 2016

Jeffrey Goes commented, "The grandMA2 offered the best solution in networking and stability for this outdoor event. Especially in bad weather conditions it proofed to be a solid, stable control system. This was essential. Furthermore it offered us a perfect back-up solution as well as great network possibilities."

Daan Oomen continued, "We had to deal with pretty harsh weather conditions. Also some lighting positions were only accessible by helicopter. Furthermore the venue had a quite unusual shape unusual shape and an extremely steep slope. Making a