UK - Adlib's busy audio division renewed their working relationship with Las Vegas alt rockers Panic! At The Disco for their recent UK and European live shows. This dates back to 2006 when Adlib hooked up with them for the first time in Manchester. The Liverpool based technical production company have worked with the band on their various UK shows ever since.

Tour manager / tour director Tony Marino, production manager / FOH engineer Spencer Jones and monitor engineer Jeremy "Spud" Groshong returned to the UK to share more stories and good service from Adlib.

They took a Coda Audio sound system from Adlib into their three largest UK shows at Manchester O2 Apollo, London's Eventim Apollo Hammersmith and Wolverhampton Civic Hall. A basic lighting package for LD Alex Spec

Australia - The annual Entech & Entech Connect Riggers' Forum has secured Australia's Pollard Productions as a key sponsor for the first time, further enhancing the programme's reputation as the only one of its type in the Asia-Pacific region.

The two day programme, which offers attendees to the opportunity to workshop with key industry leaders whilst exploring and debating this specialist section of the industry, will take place on the 23 -24 July at the at the Royal Exhibition Building, Melbourne Australia.

James D Ring, managing director of Pollard Productions said, "Pollard Productions are very proud and pleased to be the Riggers' Forum Sponsor for Entech Connect. The Forum sessions are important because they help spread the word on safety and share knowledge and experience with others leading to a better and safer industry."

Stephen Dallimore Entech Connect ev

UK - Relationships that have had a big influence on Gary Barlow's latest tour. Barlow is a master of his genre, as he has amply demonstrated by selling out all 17venues around the UK. His first solo outing onto the arena circuit, show director Kim Gavin along with designer Tim Routledge and production director Chris Vaughan, elected for a minimalist approach to staging, but with an emphatic widescreen approach to video.

Tim Routledge comments, "Gary wanted to keep as close to his audience as he had on last year's theatre outing. At the same time we needed a bigger show to suit the scale of venue. Kim is the show producer, he and Chris Vaughan set the guidelines; the resultant stage design has barely changed from my first renderings. The stage is a neatly defined smooth oval with the band wrapped around one step up behind Gary. An über-wide 100 foot screen forms the back wa

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Case Study: Hans Zimmer Live

When award winning film composer Hans Zimmer brought his smash-hit tour Hans Zimmer Live to North America fall 2024, the show's audio team sought out to bring infrafrequency bass to the show to add new depth to the show's audio experience. The team chose Danley Sound Labs.

UK - A.C. Entertainment Technologies (AC-ET) Ltd. has announced that well-known industry figure, Ian Muir has been appointed as TV & film development manager for the company's UK and international sales territories.

Ian brings a wealth of TV & film lighting industry experience to the new role from his previous position at Gekko, where he worked for over six years as business development manager for the LED lighting brand. Prior to this, Ian has also held various sales roles involving managing relationships with customers and suppliers in the UK, Europe and the USA.

Based in AC-ET's High Wycombe head office, Ian will work alongside the sales, marketing and purchasing departments to develop and implement the company's business plan for the TV & film market, to exploit their growing presence and customer base in this sector.

Ian will also be responsible for helping to raise cus

Austria - The legendary Top of the Mountain concert brought two new stars to the alpine resort of Ischgl this year: Robbie Williams and Nexo STM.

Held each May at an altitude of 2,300m, Top of the Mountain rounds off the ski season in fine style. Robbie and his Big Band scaled the heights this year to perform their entire Swings Both Ways album, marking the event's 20th anniversary.

The STM modular line array PA system had to cope with the biggest-ever audience at the Silvretta Arena, a crowd of 30,000 people, but it also had to score in another crucial area. All equipment is brought into the resort by snow gondola, with snowploughs handling on-site transport and the crew flown in by helicopter. Here, STM's ability to break down into smaller elements proved invaluable, allowing for ease of transport to the arena.

All technical production was supplied by Austria's Fant

USA - Alternative rock band The Pixies have made quite the comeback after their revival 10 years ago, and are now on a worldwide tour with a full lighting rig from Martin Professional.

Full service lighting, sound and rigging rental company based in New York, See Factor, worked with Myles Mangino, lighting designer for The Pixies, to create a rig featuring 15 MAC Viper Profiles, 12 MAC Auras, four RUSH MH3s and three Jem K1 Hazers.

The Pixies, who recently stopped at the renowned Coachella Music Festival after their reunion tour began nearly 10 years ago, needed a versatile lighting solution designed for different venues, stages and festivals.

"The real challenge was to have a show that could be as closely as possible duplicated in markets across the world," stated Mangino. "Having a kit that was small enough to fit in a container, and also using fixtures that

UK - Bath City Church, which has recently benefitted from a major audio systems upgrade by Autograph Sales & Installations, has the distinction of being located in a truly unusual venue. The Forum first opened its doors in 1934 as a cinema which operated until 1969, after which it housed a bingo hall and a dance school until Bath City Church took it over in 1989. A gem of art deco architecture and furnishings, the building had fallen into a sad state of disrepair until it was lovingly restored by the church. With a capacity of 1600, today The Forum is not just a church, but also Bath's biggest venue and the third largest seated auditorium in the south west of England.

Now that the fabric of the building had been restored to its former glory, it was the turn of the audio infrastructure to receive a similar overhaul in order to bring the systems up to the high standards demanded b

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OPUS X4 PROFILE – the most powerful LED moving head from Cameo to date

The OPUS® X4 PROFILE is the new flagship model from Cameo and is among the most powerful LED moving heads on the market. Equipped with a 1,400-watt LED white light engine, this spot profile moving head produces an enormous light output of 50,000 lm, providing powerful spot and gobo projections on even the largest stages and much more.
www.cameolight.com

Denmark - On 10 May, the final of the 59th Eurovision Song Contest was broadcast live to an audience of approximately 125m in the Eurovision countries and Australia. The world's biggest live music contest was a spectacle, with imaginative introductions for each country that competed and many musical highlights among the 26 songs of the final.

The host broadcaster for the event was Danmarks Radio (DR) which relied on Sennheiser's Digital 9000 for the audio transmission of the show. 96 channels of this digital wireless microphone system were deployed for the contest, the VIP area and the press centre which included part of DR's own 24-channel Digital 9000 system. Then added to this were 28 channels of the 2000 Series for the artists' wireless monitoring.

"Join Us" was this year's motto for the Eurovision Song Contest, which was hosted on Refshaleøen island in th

UK - DiGiCo has released V685, the latest software upgrade for its range of digital mixing consoles. It is the power of DiGiCo's proprietary Stealth Digital Processing that allows the company to unlock the incredible amount of new features with each new software version for live, broadcast and theatre applications.

For the theatre, the Relative Faders in Cue Groups is now a Macro command, Auxs, Groups and Matrix channels can now be added to channel sets, and Channel Cues now defaults to showing names.

And for broadcast applications, Backstop PFL is now functional on output busses and there is s new option on the SD7B and SD10B for Speaker Mute to do Dim.

"Waves is happy to provide the increasing number of DiGiCo SoundGrid MultiRack users, the added benefit of doubling their rack capacity," comments Mick Olesh, Waves EVP sales & marketing. "Increasing the numbe

UK - The stars of ETC's stand (number 53) at this year's ABTT show, 11-12 June in London, will be ETC's newest lighting system, Cobalt, along with the Source Four® LED Series 2 luminaire. Stand visitors will also be able to take the opportunity to see a range of other new and improved products that have been designed with theatre users in mind.

The new Cobalt system that will be on display has an all new operating style that allows operators to keep their eyes on the stage and not on the controls. The Cobalt line - which includes Cobalt 20 and its smaller, but no less powerful sibling, Cobalt 10 - has been receiving great reviews from users for its speed of operation, with lighting designer Rob Halliday writing, "once you get yourself into the Cobalt mindset, you can achieve very much very quickly."

Also being shown will be the Source Four LED Series 2 luminaire,

Belgium - ArKaos PRO has released the 4th generation of its MediaMaster software. MediaMaster 4.0 brings more flexible protection via an optional dongle and many additional features, yet retains the simplicity of operation familiar to its users.

ArKaos PRO has acted upon feedback from its users to produce its latest and ever-more powerful version of this favourite media server software. MediaMaster 4.0 has a wealth of new features yet remains fast and easy-to-use.

New features include: New licensing system with online activation and deactivation for greater flexibility; Optional License Dongle with unique hot swapping ability: New extended fixture profile with over 70 parameters per layer; DMX controllable cropping features; New Video Mapper with grouping; New Hue / Saturation / Lightness control; Per layer Aspect Ratio control; Start Point playback control; Per layer volume

Sweden - Over 150 Clay Paky fixtures were used on this year's popular Melodifestivalen tour with the Sharpy Wash 330 being singled out as a 'mind-blowing' fixture by lighting designer Fredrik Jönsson.

The Melodifestivalen tour is part of Sweden's national competition to find out who will be representing the country in Europe's annual Eurovision Song Contest. Jönsson had to create a high-spec touring lighting design that captured the imaginations of the contest's live and at-home audiences.

"The brief for the show was to create a visually stunning environment for the performance of the 32 songs," explains Jönsson. "I went for a 'Metal meets Eurovision' look with an old-school 'ACL-look' lighting rig but with ultramodern technology. My first inspiration for the look of the rig was actually an old Def Leppard logo since the first drafts of the stage and set remi

UK - The Theatres Trust has announced that the Secretary of State for Culture, Media and Sport has appointed six new board members and reappointed five board members to The Theatres Trust.

New appointments include Dara Ó Briain, Professor Gavin Henderson CBE, Peter Roberts, Simon Ruddick, Ann Skippers and Anna Stapleton. Trustees reappointed for a second term include Nicholas Allott OBE, Ruth Eastwood, Oliver Goodwin, Jerrold Katzman, and Judith Mellor OBE.

All Trustees will be on the board of The Theatres Trust for a term of three years.

(Jim Evans)

France - Opened at the beginning of the year, the Le Platinium bowling and bar complex in Andrézieux, France, is already a major focal point of the community for both young and old. Yamaha CIS series loudspeakers supply the soundtrack.

The venue's sound reinforcement system needed to deliver high quality background music, but also be loud enough for announcements and for the music to be turned up so that youngsters can enjoy a night of high-spirited fun and dancing as they bowl.

Supplied by local Yamaha dealer Radio2/XL Sono, six pairs of VXC6W full range ceiling loudspeakers plus two VXS10S and two VXS10ST dual coil, floor-mounted subs deliver the audio.

"The venue's owners needed high quality, reliable loudspeakers, but they were on an extremely tight budget," says Stephane Brocard of Yamaha France. "It was exactly the kind of installation that the CI

China - TC Group has announced that it has appointed Peter Glinvad as managing director of TC Group China.

Originally from Denmark, Peter Glinvad has been working and living in China for 12 years. His in-depth knowledge of the Chinese culture and fluency in the language are a golden opportunity for TC Group China to have the best of both worlds. Drawing from experience in general management and as the chairman of the Danish Wind Energy Group - China, Ginvad brings a wealth of knowledge to the position.

Further, TC Group China has recently been incorporated as a WFOE (Wholly Foreign Owned Entity) and moved to a new, larger office facility in the Chaoyang District. Along with these changes, as well as the steady release of innovative products and an ongoing improvement of operations, Peter Glinvad will be leading TC Group China onto an accelerated growth path into the future, sa

Denmark - When Austrian drag act Conchita Wurst was crowned the winner of the 59th annual Eurovision Song Contest in the Danish capital of Copenhagen, it brought to the end a spectacular show, in which SGM's pioneering LED lighting was a clear highlight of the rig.

In a groundbreaking design, the show's creative director, Per Zachariassen and lighting designer Kasper Lange (with whom he has worked for ten years) ensured that content throughout the 26 artistes performing could be delivered to four different surfaces, allowing the stage to be transformed from act to act. This included the huge, classic SGM LED back wall - measuring 110m wide by 13m high - and it was here that over 350 SixPack blinders were used to such dramatic effect.

Once again, SGM had been appointed an official technical event supplier as the evergreen event arrived in the company's own back yard, tak

Denmark - 46,320 parameters, 138 universes 1,380 moving lights, 1,500 spot (conventional, LED, effect), 10kms of data cable, 12kms of power multicore cable, 6kms of power cable - numbers like these hint ... that it was Eurovision Song Contest time again.

The 2014 event took place in an old shipyard at Refshaleøen, Copenhagen, Denmark and once again set new standards for production technology and as an eye opener.

Danish lighting designer Kasper Lange relied on seven grandMA2 full-size and two grandMA2 light consoles, 19 x MA NPU (Network Processing Unit) and 9 x MA 8Port Node for control.

Amongst numerous Martin Moving Lights and PRG Bad Boys, 178 x Clay Paky Sharpy Wash 330, 32 x Clay Paky Alpha Beam 1500, 30 x Philips Vari*Lite VL3500 Spot, 24 x Philips Vari*Lite VL3500 Wash and 212 x Philips Vari*Lite VL5 were in the lighting rig. Furthermore six Robert Juliat Cyra

USA - Moogfest, the annual electronic technology, art, science and music festival celebrating the creative vision of analogue synth pioneer Bob Moog, expanded its festivities in downtown Asheville, North Carolina this year to five days in late April and more than 10 venues. For audio reinforcement at US Cellular Centre's 2,431-seat Thomas Wolfe Auditorium, which served as the festival's primary stage, Thunder Audio specified the use of its new L-Acoustics K2 loudspeaker system.

The loudspeaker complement for Moogfest 2014's main stage included left and right arrays of nine K2, plus eight SB28 subs and three ARCS II out-fills per side. Two additional K2 and two K1-SB subs per side were utilized as side fills, while six Kara enclosures were spread out across the stage lip for front-fill. Ten LA-RAK touring racks, each loaded with three LA8 amplified controllers, delivered the powe

Ivor Novello Awards - Fleetwood Mac's Christine McVie has been honoured with a lifetime achievement at this year's Ivor Novello songwriting awards. McVie played with Fleetwood Mac for 28 years and wrote some of their most famous songs, including Don't Stop and Little Lies. Other winners at the ceremony in London included London Grammar, The Chemical Brothers and Nile Rodgers. The annual awards, now in their 59th year, are voted for by songwriters.

Picking up her award, McVie confirmed she had rejoined Fleetwood Mac after a more than 15-year absence and would join them on a world tour. "We are in the process of making another studio album which should be out next year," she added.

Alt-pop trio London Grammar won the award for best song musically and lyrically for Strong. Last year's Mercury Prize winner James Blake received the best contemporary s

UK - As part of their support for education and training in the field of entertainment lighting, the Worshipful Company of Lightmongers (WCL) in conjunction with the Association of Lighting Designers (ALD) are offering an annual award for those who are at the start of their career.

The Worshipful Company of Lightmongers is one of the modern Livery companies and number 96 in order of precedence within the City of London. Being a modern company, it has all of its members involved in the lighting industry through engineering / manufacture, design, architecture, electrical installation and distribution. Two of WCL's main objectives are to foster the art and science of lighting and to encourage invention and imagination in the use of light through annual awards.

"The Lightmongers are pleased to have worked with the ALD in creating an award which will recognise the work of new

Italy - Multi-talented Italian superstar Luciano Ligabue - a prolific singer-songwriter, film director and award winning author - played a series of intimate concerts at the start of his 2014 Mondovisione tour which builds up to stadium shows in the summer, with lighting designer Jo Campana including 20 x Robe Robin Pointe moving lights on his rig.

Campana, who has worked with the artist since 2009, first saw the Pointes in action at this year's Sanremo Music Festival in March - where he was also working for the artist. The fixtures immediately caught her attention, so much so, that he decided to include the 20 Pointes for the initial show on the tour.

The gigs for this leg of the tour primarily visited smaller towns, and the whole vibe of the production was to present a 'back-to-the-roots' style of show where the singer could communicate in a close and personal way wit

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