Details

14 March 2016

Since the building was constructed, the original sound system had never served its purpose. The sound system was plagued by poor intelligibility and reliability while the mics constantly picked up and transmitted echoes and noise. To resolve this, Yunus Emre asked several companies to quote for a new system and the project for design and installation was awarded to Hifi Center Herteleer.

Kristof Broux of Hifi Center Herteleer explained, "The budget was tight and we were the most expensive, so to convince them of our ability to deliver the best audio solut

Details

14 March 2016

As deeply rooted in family tradition as she is, however, Parton is a consummate entertainer who understands that even an old-time country show needs to make a bold theatrical statement to reach today's audiences. This is why the director of My People called on lighting designer Susan Rose to add an extra visual dimension to the show's stage. Rose drew on the power of two stalwart LED moving fixtures from Chauvet to accomplish this task des

Details

14 March 2016

Known as the greatest show on snow, the festival was a week-long whirlwind of world-class electronic DJs and bands, across 17 venues in a magnificent mountain setting.

Stephen Abbiss got the party swinging for Fat Boy Slim on main stage, The Racket Club, using a Tiger Touch II and Fader Wing. The console was controlling a house rig featuring Sharpys, Robe 100 LED beams, Mac 700s and PC beams as well as Sunstrips and Atomics.

"I always use an Avo for Fat Boy Slim shows", notes Abbiss. "The shows are so hands on, I need a desk with great live access.

"We've got set looks for set songs which we try to do on the fly. It was a bit more free-rein than nor

Details

14 March 2016

For the run of shows which saw the band play dates in countries such as France, The Netherlands, Germany and the Czech Republic, Campbell specified just four of the Showline strobes from Siyan. "The units are bright and impressive enough for this amount to be ideal," he explains. "I would normally have used at least double that with older fixtures."

The tour was an amalgamation of Karnivool's first three albums with Campbell's concept reflecting this. It saw big strong white/tungsten rock looks for album one 'Themata', darker, moody looks for album two Sound Awake and asymmetrical looks with maximum impact for the band's latest offering Asymmetry

Details

14 March 2016

Held at the Chauvet Professional Showroom in Burbank, the one-day event drew students from California Institute of the Arts, the University of California Irvine Claire Trevor School of the Arts, LACC Theatre Academy, and the University of Southern California School of Cinematic Arts. Groups of two or three students from each school collaborated on designing a lightshow for one song chosen by them. Lighting designer Joe Spangler programmed the one-song shows for the students.

When the student lightshows were completed, they

Details

14 March 2016

"I've always liked working with Meyer rigs, but Lyon is something special," says Scott Tkachuk, FOH engineer for Godsmack. " When the band's pushing hard and I'm going for it, I've still got 30 percent of my headroom still available. I also like the way it tracks every move I make on my Midas PRO9 console. When I pull something out in the mix, it's all right there. It's a very responsive box."

Having supplied Meyer Sound systems for every event genre from rock to comedy, Rainbow looked no further when it came time to expand its inventory. "The touri

Details

14 March 2016

After their first live tests, including productions with UK pop sensation Jessie J and US megasellers BoyzIIMen, as well as some corporate shows, Headroom Media CEO Andreas Adelhofer stated that he is very pleased with both the quality and versatility of the latest addition to their lighting rental pool.

"We were able to include the Cuepix Panels in the lighting design of some of our more prestigious shows and got great feedback from both the lighting designers and operators," Adelhofer commented. "This is a product just to my liking, well thought through and crafted, scalable with high light output. It seems like designers are thinking of new

Details

14 March 2016

Spanning four seasons, the talent show is extremely popular with viewing figures in the millions. To make sure season four packed a huge punch with fans, da Costa specified 99 x Clay Paky A.leda B-EYE K20 fixtures and 108 x Sharpys from Cologne-based supplier Magic Light and Sound.

"The biggest challenge this series was to find a set-up that allowed me and my team to change the stage visually so it stayed diverse and exciting over the course of about 80 titles," says da Costa. "My design therefore comprised various fixture blocks. This block system worked individually, in combination and as a whole."

Da Costa rigged the B-EYEs in these blocks all round the studio,

Details

14 March 2016

"Our success as a staging services provider is a direct result of our innovative application of the latest technology alongside the very best technical and operational personnel," said Dave Crump, CT CEO for Europe and the Middle East. "We have been using Riedel equipment in the US for some time. This new investment underlines the confidence we have in Riedel equipment and the critical role it plays, in enabling our teams worldwide to provide high

Details

14 March 2016

The new web-based service is open to clients across the company's Visual Systems and Communications divisions Europe wide, and will be expanded to other business divisions later this year. Professionals who sign up for the scheme have access to the latest product information, sales news and business incentives, with rewards scaled according to the level of partnership.

The Partner Portal categorises clients between three different partner levels - Registered, Expert or Solutions - depending on the client's level of training and sales volume. This level tailors the content which partners can see, with more exclusive benefits for 'Expert' and 'Solutions' partners.

The Partner Portal featu

Details

14 March 2016

ArrayProcessing is a new optional feature for optimising the tonal and level balance of d&b J, V and Y-Series line array systems across an entire listening area, significantly improving the consistency of performance. The D20 joins the D80 as part of the four channel 2RU amplifier family. It features intuitive user interfaces and fast, responsive remote control and monitoring via Ethernet, through the OCA protocol. The MAX2 is a flexible 15" stage monitor, which can be pole mounted on a d&b subwoofer and used as a small, full range system.

The Y-Series also made its first appearance at th

Details

14 March 2016

Now operating as National Stage Technology Ltd the company is able to offer UK-wide services for specialist lighting, sound and stage solutions for the theatrical, architectural and construction markets. National Stage Technology, based out of Manchester, Wirral and Oxford, boasts access to world-class manufacturing, highly trained and experienced lighting specialists, sound and stage engineering experts.

Patrick Colin, managing director at National Stage Technology, commented: "Northern Stage's acquisition of the business of Lancelyn Lighting and Lancelyn Theatre Supplies earlier this year has added strength and depth to our company, and our new unified approach is certain to benefit all of

Details

14 March 2016

As well as a tour of the factory and office complex, the team received advanced sales training on the full line of Fishman products.

The JHS team were accompanied by Fishman European brand ambassador, Steve Fairclough who is working alongside JHS to produce dealer training and sales focused in-store clinics.

JHS executive director, sales & marketing Alan Smith added, "What a fantastic opportunity to see the amazing attention to detail and quality throughout the design and production process. The passion and pride in producing the world's best products runs through the organisation fr

Details

14 March 2016

They simply walked into a gym-turned-ballroom on Manhattan's upper West Side and were dazzled by a menagerie of ornamental zebras, lions and fanciful creatures not found in nature, as well as ornamental gardens, garlanded gates, glittering centrepieces and a multi-faceted lighting display created with Next NXT-1 moving LED panels from Chauvet Professional, provided by WorldStage.

Liron David, founder and CEO of Eventique, the visionary team behind t

Details

14 March 2016

Further to a long standing relationship with White Light, Thorpe Park has now invested in audio equipment that can be tailored to their specific future event needs. Thorpe Park's entertainments technical coordinator Martin Swain comments, "We required some equipment for our upcoming Ministry of Sound event along with the Island Beats concerts we'll be hosting all summer. Prior to this, we used to hire equipment but recently had the opportunity to purchase it instead."

White Light business development manager J

Details

14 March 2016

"This is the first time we have purchased a line array system immediately, before any of our rental clients have had a chance to ask for it, because we are certain that it will be requested as soon as they hear it," notes Marc de Fouquières, general manager of Dushow, who purchased 24 Leopard loudspeakers and 10 900-LFC elements.

Besides the system's small cabinet size, full range response and ease of setup, Fouquières says it's the listening experience that proves most convincing: "The uncompromised sound quality of Leopard simply overshadows every other small line array system, and some larger ones as well."

Details

14 March 2016

Existing partners, Hawthorn, Stage Electrics, and White Light have become GDS's stock-holding, main distributors, supplying the GDS range on a large scale across the board.

Alongside the distributors, GDS continues to work with installation partners LSI Projects and Push the Button.

As part of the review of its distribution network, the company has appointed Black Light, Enlightened, National Stage Technologies (formerly Northern Stage Services and Lancelyn Theatre Supplies) as committed, non-stock-holding dealers, who hold demonstration kit and are able to supply GDS products.

GDS managing director Matt Lloyd comments, "The success of GDS products like ArcSystem has been brought to wide attention by their presence in many large scale and extremely

Details

14 March 2016

Handling the selection, deployment, and coordination of wireless microphones, IEMs, and intercoms for the event was the team from Las Vegas-based Soundtronics, led by managing partner Mark Barbuti. "For a major live televised event, there can't be any mistakes," he notes. "This fight was such a high profile event that we were basically told directly to do whatever it takes to make sure that there were no wireless issues whatsoever. I knew immediately that we would be using Shure Axient for all our key channels."

Fortunately, Soundtronics had worked on multiple boxing events in the MGM Grand Ga

Details

14 March 2016

This latest run of gigs - which included London's Brixton Academy and their largest headline show to date at hometown Glasgow's Hydro Arena - saw Paul build on the design he had created for the autumn 2014 tour - also supplied by Colour Sound.

The concept evolved around a core floor 'touring' package which was scaled up for the larger venues on the itinerary, which have increased in line with the growing profile of the band, complete with a local-promoter supplied 'top' rig. At Brixton this was also provided by Colour Sound.

The starting point for the touring des

Details

14 March 2016

"During the shows, we may get a request from an artist about the approach to their performance so in terms of instrumentation, we design a plot to provide a wide variety of looks for situations we know we will come across," began O'Reilly. "In the producti