Adlib gets down to EartH
- Details
Adlib worked closely with client Auro Foxcroft and his team, with support from L-Acoustics’ sales manager, Paul McMullan and applications engineers, Jeff Woodford (installation) and Sergey Becker (touring) to specify and install the 360° L-ISA system with the aim of delivering an all-round audio experience for audiences and artists alike.
EartH is the brainchild of Auro, champion of Hackney nightlife and founder of Shoreditch venue Village Underground, a commercially successful, sustainable and community driven initiative that also provides affordable workspaces for artists and creatives.
Adlib director John Hughes comments: “When we first made contact with Auro, we were looking at a standard left-right configuration for both upstairs and downstairs spaces”. However, when Auro met Paul and Jeff from L-Acoustics on site, they highlighted how perfect the venue was for an L-ISA configuration.
Having an exceptional sound system was always central to Auro’s plan to reinvent the building as he understands the importance of sonic excellence and in making a performance something truly memorable rather than just a show, a gig or a night out!
“After a visit to hear L-ISA in action in Highgate, the EartH team were amazed by the technology and convinced that it was the solution for their venue. L-Acoustics were incredibly helpful and the resulting audio system was very much born from a collaborative approach”.
Adlib already has a very strong relationship with L-Acoustics and were asked on board for this project to share their extensive knowledge and experience in providing high quality, dynamic sound systems which meet touring and professional specifications and can cater for a variety of artists.
The L-ISA Scene configuration features five hangs of seven Kara loudspeakers, spaced evenly across the stage in line with the proscenium arch. Low-end response is augmented by four KS28 subwoofers flown in an end-fire configuration. The surround system features 12 Syva colinear loudspeakers, four each mounted on the side and rear walls, plus eight X8 overheads which are flown from the ceiling to provide elevation to the mixing environment. Lastly, there are ten X8s installed as lip fills which are fed from the aux send of each object within the L-ISA Controller.
Audio from the FOH consoles runs via MADI to the L-ISA Processor which outputs on MADI. The signals are then converted to AVB and distributed to the 18 LA4X and one LA12X amplified controllers driving the system.
Adlib project manager Rob Crossland comments: “This is a very straightforward and immersive L-ISA system with side, rear, and overhead extensions. As more venues move to L-ISA, this approach will allow touring productions to move between similar systems without re-working their entire show every night.”
(Jim Evans)
