Channer has been a familiar face at Autograph for some time, having worked as a freelance operator on many of Autograph's West End productions. His experience will prove invaluable. Dennison's new role will allow him the freedom to occasionally leave his day-to-day involvement in the every-busy hire operation to work on smaller engineering projects. Autograph has recently expanded its portfolio of West End plays and this new appointment is a timely response. Dennison has already overseen installations on My Brilliant Divorce, The Three Sisters, Auntie and Me and Brand.
David ffitch has worked for Autograph for four years, having spent 20 years in the theatre industry, taking 18 months out in 1998 to become a computer programmer. He will utilize his IT knowledge to help further integrate the computer world with the company’s core business.
These developments put Scott Arnold in complete control of the hire department, leading a team of five. As a former West End operator, and former member of Autograph's specialized service department, Scott is well placed to understand and respond to the needs of the company's clients.
(Ruth Rossington)
