The World Responds - The UK's TV audience for the opening ceremony peaked at 26.9m, the BBC has said. The average viewing figure for Friday's four-hour show was 22.4m, making it the UK's 13th most watched programme ever. The programme also had an 82% share - almost twice that of the previous high for an Olympic opening ceremony, in Barcelona in 1992. UK viewing figures for the opening ceremony of
Florian Allain, Dushow's technical director, explains, "We needed to use LED as we wanted to keep an eye on our power usage - we only have a limited amount available, and we wanted to get the most out of it. So with that in mind, we did a shoot out with a number of fixtures, concluding that ETC's Source Four LED, which was demonstrated to us by ETC distributor Avab Transtechnik France, was the most suitable for us.
"The presenters sit in front of a window with Tower Bridge in the background, which could have been our biggest challenge - we need enough lighting to avoid them being silhouetted, even with the bright ligh
(The first system - Olympic Ceremonies - features curved lighting poles that extend over the edge of the playing field. They hold the Syncrolites, FOP lights and some smaller moving heads). Patrick Woodroffe is the LD.
Forty SXL (four each on 10 of the 14 'paddles') are flown head down to light the Opening Ceremonies stages and action doing many jobs from long-throw, cross-fading washes to our big beams, motion FX and ballyhoos. This system replacies the work of over 400 regular moving heads. "Due to the extraordinary output (350,000 lumens) of our Syncrolite SXL fixtures, the efficiency and powerful looks are unparalleled. We believe the combination of our Syncrolite and ArenaColor is the future of major stadium permanent installations," says the company.
Fifty-four ArenaColors are f
After their first deployment in flyaway systems at Wimbledon to broadcast matches for ESPN in America, the AMP1-16-MAMUs were installed into two triple expander HD OB vehicles to cover the London 2012 Olympics for US broadcaster NBC before moving on to Sky's coverage of the next season's Premier League football.
The AMP1-16-M AMUs enable NEP Visions engineers to select, monitor and meter up to 16 channels of embedded audio from either of two 3G/HD/SD-SDI streams. With a stereo analogue output on XLRs, adjustable volume and balance controls, the AMP1-16-M also features level metering and phase on two bright 2.4-inch LED backlit displ
"We see nothing but positives in this decision," said SGM CEO Peter Johansen. "These will be the only official dealers for SGM products in the UK and Ireland, and between them they will be able to increase penetration in all SGM's core markets."
AC-ET managing director Phill Capstick and UK sales director, Jonathan Walters, were impressed when LED Projects MD Ian Kirby introduced them to SGM's new generation of LED products at this year's Frankfurt Prolight+Sound Show.
"We were very excited, particularly by the X-5 and XC-5 LED strobes, and could see enormous potential in the Six Pack [SP-6] and P5 LED Wash, which with its IP65 rating, will be well suited to the arc
CREATE Jobs - which aims to tackle youth unemployment and provide new routes into the arts and creative industries - wants creative industry employers to provide eight-week traineeships for talented young people from the six Olympic Host Boroughs (Barking & Dagenham, Greenwich, Hackney, Newham, Tower Hamlets and Waltham Forest), where youth unemployment is at its highest.
The initiative has already won support from the Whitechapel Gallery, Hip Hop Shakespeare Company, and Shoreditch Trust, and has successfully placed 100 young people. With a booming creative economy, where 1:6 jobs in London are pr
Marking its presence with a series of the region's most well known festivals Mojo is working with promoter Last Tour International, supplying Sonisphere (25 - 26 May), BBK Bilbao Live (12 - 14 July) and En Vivo (27 - 29 September) where it will be installing its Barrier Load Monitoring System (BLMS), which includes sensors to monitor crowd pressure.
Mojo Barrier's extensive product range and stock inventory has enabled them to work closely with production manager Eneko Gurrutxaga to create custom configurations for each site. For BBK Bilbao Live Mojo design and install a barrier layout for the main stage utilising 240 units of standard barriers, specials and corners incorporating two mega exits to aid the flow
PLASA 2012 organisers have revealed that the first session to take place as part of The Olympics Uncovered programme at the PLASA Show, taking place at Earls Court between 9-12 September 2012, is 'Behind the scenes at the London 2012 Ceremonies', chaired by technical director, Piers Shepperd, the full team will present an overview of the mega staging, flying, audio, AV and special effects behind the London 2012 Olympic Ceremonies. The panel line-up includes:
Piers Shepperd - Technical Director
Jeremy Lloyd - Technical Manager - Technical Design and Staging
James Lee - Technical
"I first saw Sharpys at the Ultra Music Fest almost two years ago," says lighting director Mike Cooper. "The lighting designer had a huge Clay Paky rig and a row of Sharpys on the stage, and I was blown away. I thought I had to use them."
Since then Cooper has deployed Sharpys on the Godsmack/Staind tour and Motley Crue appearances in Europe. "I love them: Their speed is awesome, and they can cut through anything," he reports. "We have a full rig of 1500-watt lights, but the Sharpys just cut through everything."
Lighting and production designer Sooner Routhier
Event producer Don Richards of Foghorn Creative brought in San Francisco-based Lightswitch with lighting designer Norm Schwab to help organise the event, along with Prelite of San Francisco to design the lighting concept. Working with Syncrolite for lighting the bridge, Schwab and Prelite created a moving tribute with historical significance. The final effect was reminiscent of the Scintillator, a vintage lighting technique that was introduced to the city at the Pan Pacific Exposition in 1915.
The show culminated in a blaze of 75 Syncrolite light beams - the only lights used o
Staged by Capital Concerts, the nation's leading producer of live patriotic television shows, in order to produce these large-scale live outdoor television events its staff are joined by a dedicated crew of hundreds of professionals. On the technical side these included lighting designer Bob Barnhart, of Full Flood Inc, and lighting director, David Grill, who chose large quantities of GLP impression LED fixtures in their armoury of effects. These were all supplied by Martee Nuruddin at PRG's Orlando
The units were supplied by SM Lighting Ltd of Glasgow. Scott Munro, MD of SM Lighting commented, "We were very happy to use the LEDhead 144Qs on the outdoor NME stage at T in the Park for the Professor Green set. The brightness is ideal for day time shows and came across well on television. They had just returned from The Proclaimers' Scottish tour, where power was an issue in some venues. Since buying them we have been very happy with the brightness and reliability and also, of course, the price."
(Jim Evans)
The building selected for this spectacular show was The Maritime Hotel in New York's Meatpacking District (South Manhattan). Pearl Media Productions, a subsidiary of Pearl Media, managed and produced the entire project from concept to completion, including media content, installation and operation. Pearl Media's real estate division negotiated with the residential landlord of / and the hotel on which the projection and control area was placed, taking great pains to ensure the integrity of the even
Integrator Saville Audio Visual was appointed alongside POLARaudio to provide a flexible PA system for Hammersmith Academy's multi-purpose performance space. The space is utilised as a lecture theatre, assembly hall, drama studio and general performance area.
The brief was to provide a high quality PA system that could be employed for each function of the multi-purpose auditorium. Three Bi-amp Audia Flex mainframe DSP's with Cobranet are at the heart of the system and are fed via a variety
Tait Technologies specialises in combining video and scenic technologies and provided the technology behind the largest ever video screen at the Opening Ceremony, which literally engulfed the audience. The screen is composed of 70,500 individual, full colour Pixel Tablets with a resolution five times that of HDTV and a height of 413ft.
Crystal is a creative agency which specialises in digital imaging and 3D animation. Crystal London created the stunning ani
Working with production managers Ronnie Lee for Metropolis Music and Jon Howes for Somerset House, PRG's senior account manager Loz Wilcox provided a lighting system for the temporary stage at Somerset House. Jon Howes said: "Nothing but praise for the kit supplied to Somerset House once again. PRG's service and back up was excellent."
PRG supplied house lighting designer, Petter Skramstad, with a core lighting package of Clay Paky Alpha Spot 700 HPE, i-Pix BB4 LED Battens, Martin Atomic Strobes and GLP Impression 120 Zoom LED Washlights, combining to provide a flexible house rig suitable for the broad range of performers and visiting LDs.
Petter commented
Black Coffee supplied the full technical. The dimmers were at the beginning of the 120m ramp (pier), and there was a socopex run to each of the 24 5m long truss totems erected and reinforced along the pier. Each totem was topped with six PAR 64s. Set up was two days prior to the event.
Simon Hampton was the lighting designer and operated the grandMA2. Also part of the team was Brandon Bunyan and Llewellyn Pieters.
.(Jim Evans)
This year, they asked London based lighting and visuals rental company Colour Sound Experiment (CSE) to provide lighting, trussing, rigging, power distribution and crew. The design and specification for the kit was produced by Makin' Steps' founder and creative director Scott Simpson, and his lighting designer Mike Penketh.
This year's show, entitled 5212 covered the six decades of popular music since the Queen's coronation in 1952.
It was the first time CSE has worked with Makin' Steps, and CSE's Haydn Cruickshank comments, "I was totally impressed not just with the level of excellence o
_oxley_collegetn.jpg "The new performing arts centre at Oxley Christian College")
This space was not simply to be a stage for performing arts; it would have to fulfil the myriad of functions that fill any school's academic year. One week it might have to host a full scale student drama and music production playing to 250, the next it could be hosting a lecture or parents' evening. The College, bolstered by a significant grant from the Federal Government, set about turning their plans into reality.
The new space would require a discreet, yet flexible, sound reinforcement system to complim
EXIT is one of Europe's hottest and most popular events, staged in the picturesque environs of the Petrovaradin Fortress in Novi Sad.
The four day event attracted over 100,000 music fans who enjoyed a diverse line up with over 500 live acts appearing across 20 stages.
The Studio Berar lighting rigs illuminated international stars like Duran Duran, Guns N'Roses, New Order, and Eryka Badu on the Main Stage; AVICII, Luciano, Richie Hawtin and Laurent Garnier in the Dance Arena, and The Toy Dolls, Eyesburn, Zemlja Gruva and Elektricni Orgazam on the Fusion Stage.
The company, also based in Novi Sad, has been involved in Exit since the first event in 2000.
Lighting for the three stages t
The three storey high IT & Media Block (AKA North Block) facilitates a range of courses run by the College, including Film, Audio Recording, Broadcast, Design, Development, CGI and Computer Programming.
Their modern facilities include soundproofed studios for audio and film recording, independent control & media rooms, a green screen area for filming 3D footage, and computer rooms.
ACSP were approached by Robert Drury, the College's project director - who is responsible for all of their building and development programmes - to provide a future-proof technical infrastructure for the main two production and technical areas of the North Block.
The project was co-ordinated for AC
More than 12 vehicles of Team Garmin, who won this year's Giro d'Italia, were equipped with a MOTOTRBO radio solution enabling communication between the individual vehicles. MOTOTRBO provides conventional trunked radio and is the solution for any application that requires high quality of speech transmission. Long battery power cycles and the integrated GPS module make MOTOTRBO radios a suitable solution for applications such as the Tour de France.
In addition to the digital radio network, Team Garmin used NanoTalk radios for the communication between vehicles and cyclists. NanoTalk is an extremely small rad
Operating from 27 July to 12 August, in addition to being the Canadian Olympic Committee's space for athletes, their friends and their families, Canada Olympic House hosts business leaders and government dignitaries and showcase Canada's leading industries and businesses. Christie is among the select technology companies invited to participate.
Christie's partnership with DFAIT at Canada Olympic House in London includes a large lobby display of up to 37 Christie MicroTiles and four 72" diagonal Entero cubes, the world's first LED-based ultra-high resolution pro
International lighting designer Roman Stolyarov of Moscow-based Arlecchino Group specified 24 Clay Paky Alpha Profile 1500s, 50 Clay Paky Shotlight Washes and 32 Clay Paky Sharpys and delivered an 'unforgettable experience' for thousands of party going graduates. Lighting was also supplied and installed by the Arlecchino Group.
Stolyarov used the Shotlight and the Alpha Profiles to create the general atmosphere for the event and The Sharpys to deliver the lighting and set effects in sync with the music.
"I really like the different gobos, the colours and the optics of the Alpha Profile series," says Stolyarov. "The Clay Paky Shotlight affords my design a wide range of possibilities including some clever beam mani
