Business

Details

14 March 2016

Elite's Darren Russell was asked to propose a design and his primary concern was to spec fixtures that would give the flexibility and variety of effects needed for long periods of operation, that would enable the club to have a completely different look and feel according to its programme that night.

The Academy is the largest club in Canberra and is right in the heart of the city. It has an 800 capacity main room and the 150 capacity Candy Bar upstairs, which features a glass wall along one entire side offering a commanding view of the main club dancefloor.

The Robe

Details

14 March 2016

Entertainment Workshops is set to produce a catalogue of product functionality videos accessible to customers via QR codes and website links. This partnership not only supports the charity with a guaranteed financial income over at least the next two years but more importantly provides real-life, hands-on experience for students to work on projects being used in our industry today.

Entertainment Workshops provides an alternative education programme for young people who benefit from a kinaesthetic learning style. The charity provides the students with opportunities to gain Arts Awards and BTEC's in areas such as stage, sound and l

Details

14 March 2016

This year, from 3 to 13 July, 225 000 people attended some 2800 performances in 50 venues scattered across Grahamstown and its surrounds. Once again Electrosonic SA was a sponsor of this world class arts festival. This year, to celebrate the festival's 40th birthday, it was decided to do something special. Recently Electrosonic SA became the sole distributors of Green Hippo's Media Servers, and the festival presented the ideal opportunity to show what these servers can do.

The plan to use the Hippo to project images onto a large area was the brainchild of NAF Technical Director Nicci Spalding and Robbi Nassi (Electrosonic SA's project manager and programmer. Report

Details

14 March 2016

Hosted by TalkSport's Andy Goldstein, the event featured awards for nine separate categories and was dominated by Ronnie O'Sullivan and Mark Selby with Dennis Taylor and Cliff Thorburn inducted in to the Hall of Fame.

For the third year in a row MRL Productions supplied full production including lighting, staging, AV and camera feeds to screen. MRL also provided sound which meant that, also for the third year running, KV2 Audio loudspeakers were relied upon exclusively to transfer the presentation and performances to the audience.

The event had two stages - a live band stage and main awards stage.

For the band stage a KV2 Audio ES system was used whilst the main awards stage featur

Details

14 March 2016

St. John's existing sound system had poor intelligibility and coverage and a recurring feedback issue., Eric Johnson of Audio Video Group offered St. John's a new system using Community's Entasys column line-source loudspeaker system. Johnson performed a live demonstration that showed his design could provide intelligible sound with even coverage while minimizing audio feedback.

St. John's new system has an Entasys ENT-FR full-range column and an ENT-LF low-frequency column on each side of the chancel tilted slightly downwards to avoid rear-wall echoes.

The left and right tran

Details

14 March 2016

Supplied by Allen & Heath's Mexican distributor, Audyson, students will learn to mix using Allen & Heath digital mixers, starting with the Qu-24 and progressing onto larger consoles, such as the GLD-80. The course will also include practical sessions, placing students in real situations with live bands, where they will also mix using A&H consoles. One such session has already taken place with a Qu-24 at FOH, with additional IO provided by an AR2412 audio rack, and a ME personal monitoring system for the musicians.

"We are using the Qu-24 and GLD-80 with SAE students because we want the new generation of sound engineers to know about the excellent sound quality and ease of use, and way to mix of the Allen & H

Details

14 March 2016

Responding to a specification drawn up by consultants, Arup - to supply and fit sound and communication, lighting and staging systems in the 850-capacity nightclub/live venue - they constructed their digital routing network around BSS Audio Soundweb London components, before turning to sister company Soundcraft's digital VI platform for the main FOH and monitor mixing consoles.

Named after an alumnus who made a sizeable donation towards the £24m development cost, the building itself was designed by Irish architects Sheila O'Donnell and John Tuomey (O'Donnell + Tuomey).

Set on seven storeys above ground and two high storeys below, it contains a nightc

Details

14 March 2016

With over 6,000 women taking part, the event drew huge crowds of support and is expected overall to raise hundreds of thousands, if not more for Cancer Research.

Le Mark's Sam Cooke commented, "It was inspirational to run. We were an amazing team, both during the run and working together to raise as much as we could. Crossing the line was so emotional, with so many of the runners having their own personal story. We're all definitely going for it again next year, and we'll be bring even more people with us".

Donations may be made at www.justgiving.com/peasinapod1

(Jim Evans)

Details

14 March 2016

Lawrence Ryan of Eagle Eye Studios was tasked with designing and programming a show control interface for the beautiful fountain in Delhi known as the Fountain of Oneness.

The idea behind this unique architectural structure originates from the Guru himself as a symbol of people from different religions, cultures and languages coming together in one place. The structure is made up of adults and children holding hands in a circular formation, so large that the audience can walk around or through the fountain.

As a centrepiece, a huge sphere represents the world, denoting worldwide unity. Great care has gone into making it structurally sound, with the key focus being the huge weight of the structure and strong winds in the area

Details

14 March 2016

The installation was an active and porous ceiling that displayed projected light via LED RGB architectural luminaires to create intricate colour change effects based on the theory of complementary colours. Enriching the piece was a soundscape composed using synchronised harmonious musical intervals.

"The circle of fifths - which depicts all 12 tones and musical key signatures graphically in the form of a circle - is like the musical analogy of the colour wheel," explained Christopher Sims, Arup's acoustic and theatre consultant. "Just as complementary colours are visually harmonious, the musical interval of a fifth is mat

Details

14 March 2016

At the International Broadcast Centre (IBC) in Rio de Janeiro, two 24-fader Artemis Light consoles served as the first point of control in the signal path, responsible for submixing all sound associated with the matches and creating simultaneous 5.1 and stereo mixes. In addition, controlled commentary and controlled effects were passed on to all other users including the edit suits in the IBC, the various multiplatform control suites in the U.K., and the BBC's studio broadcasting center (SBC), also in Rio.

At the SBC, a 56-fader Artemis Beam was used to combine the submixes from the IBC with other sources, including studio mics, postproduction playbacks, co

Details

14 March 2016

In an emotive ceremony, the president praised the architect and Mayor of La Reina who died in July of 2013, Fernando Castillo, who was not only the Mayor of Regina, but was also Mayor of the Metropolitan region and rector of the Catholic University.

The overall production of the event was by G2 Events, a company that has over 10 years in the audiovisual services market, with Sin Acople Producciones, dedicated to the production of events.

Among the materials used in the event we were Fenix lifting towers from the Megara series.

(Jim Evans)

Details

14 March 2016

Chris explains, "The Pool Stage is a treacherous environment for lighting gear. It is an outdoor stage in Las Vegas. The temperature reaches 120 degrees [Fahrenheit - equal to 50 degrees Celsius] in the summer and below freezing in the winter. Las Vegas rarely rains but when it does it comes without notice. There is no time for crew to be dropping lighting fixtures on short notice. We needed 10 spare fixtures to service our 10 previous moving lights and I was looking for a fixture that we could hang all year

Details

14 March 2016

Supplied by Swedish PA company, Parashoot, which recently invested in the GLD-80, the mixer is supplemented with an AR2412 remote IO rack and additional AR84. Together with one roll of Cat 5e and the mics set, the whole audio touring kit packs into four Pelicases.

"I like the new ideas and easy layout of the GLD-80," comments engineer, Oscar Soederland."It's very simple and quick to setup, and has all the greatness of iLive, such as dynamics, EQ and the killer FX, combined with great speed and sharpness. GLD is also very roadworthy with a thick steel shell, quality screen, nice hard rubber sides, and the feel is very sturdy."

The tour plays approximately 20 songs, which ca

Details

14 March 2016

Following a tradition of bringing musical masterpieces to the stage, the latest 'Cosmos' revue troupe has revisited of The Rose of Versailles, which was first turned into a major hit by the Theatre back in 1974, to help celebrate its landmark year. And a Martin Audio MLA Mini PA system was on hand to assist.

The multi-cellular loudspeaker array was specified by Woody Land, the rental company that supports the Takaraduka Musical, to help reinforce the historic grand romance between Count Axel de Fersen and French Queen Marie-Antoinette in a magnificent production.

Woody Land, who recently purchased the MLA Mini system, ground-stacked eight cabinets above two MSX subwoofers, on each

Details

14 March 2016

Cairing the expert panel is Nic Howden, a journalist with over 12 years' experience covering UK and Europe's largest festivals. Joining him will be Lee House, senior events manager for Coventry City Council and production lead for the Godiva Festival, UK's largest, free to attend, festival; Dan Craig, head of operations at Loudsound, event director for Field Day and operations director at Barclaycard Presents British Summer Time and Hannah Farnham, Live Nation's head of production and events (UK) Music.

Howden commented, "I'm delighted to be chairing the judging panel for the inaugural Festival Supplier Awards, there's a refreshingly singular focus to the FSAs in

Details

14 March 2016

A stage 50m by 25m was erected for the event, along with the installation of four maxi-screens, 200 chemical toilets and 20 km of barriers. The "stalls" had seating for 35,000. The area to be covered by the audio system measured 650m by 250m and the sound reinforcement system installed was manufactured by Outline - to be precise a rig comprising 56 Butterfly modules, 24 Mantas modules and 24 Subtech 218 to boost the low frequencies.

In the vicinity of the Papal chair, two Outline DVS 8, two stage monitor H.A.R.D. 212 and two H.A.R.D. 115 speakers were installed. The choir had other H.A.R.D. 212 monitors at its disposal, while Tripla, Doppia and DVS 10 enclosures covered o

Details

14 March 2016

The latest recipient of Sensor is the Prince Edward Theatre on Old Compton Street. The theatre's dimmers were last updated in 1993, and were due for renewal in time for the hit production of Miss Saigon. In keeping with other theatres in the Delfont Mackintosh group, which The Prince Edward is part of, five ETC Sensor3 power-control racks fitted with 240 modules, including ThruPower modules, were specified and installed. That gives a

Details

14 March 2016

The Tony Awards are a place of recognition for achievements in Broadway productions over the past season and this year's ceremony saw an array of shows from Aladdin, Hedwig and the angry inch, The Glass Menagerie and A Raisin in the Sun to Les Miserables, Of Mice and Men as well as Rocky. With such a wide line-up the 15 Musical Tony Awards went to seven different musicals while the 11 Play Tony Awards went to six different plays.

This year's show was programmed and operated by highly experienced Hippotizer expert Peter Vincent Acken who designed a set-up using a total of 192 layers running over more than 48 DMX universes

Details

14 March 2016

While Capital Sound, again deployed MLA and MLA Compact to guarantee coherent site coverage, Martin Audio's R&D director, Jason Baird, was determined that new optimisations would enable them to eke out as much as an additional 3dB at front-of-house without increasing offsite pollution.

As a result, 102dB(A) was achieved for McBusted, with 73dB(A) recorded offsite, comfortably within the maximum allowable of 75dB(A), while both Tom Jones (during his more strident numbers) and Black Sabbath nudged 103dB(A).

Baird explained that the

Details

14 March 2016

The Public Theatre boasts several expansive venues, including its landmark downtown home on Astor Place, which houses five theatres plus Joe's Pub; the Delacorte Theatrein Central Park, home to its free Shakespeare in the Park; and the Mobile Unit, which tours Shakespearean productions for underserved audiences throughout New York City's five boroughs.

Recently named audio supervisor of the famed establishment, Corrine Livingston manages upwards of 20 plus shows and producti

Details

14 March 2016

White Light provided a complete lighting package for the tour, which was designed by LD Simon Tutchener. He described his approach to lighting the tour:

"I wanted to include a lot of colour and texture into the lighting. This was my third George Benson tour, so I was able to incorporate my previous experience and knowledge into this tour and have some fun with it."

The lighting rig is based around a core of Martin Professional fixtures - namely the MAC Viper Profile - while also i

Details

14 March 2016

The delicate lighting design created by the Newcastle-based designer weaves the band's haunting music into a web of theatrical glamour and is already earning itself industry praise.

"The brief from the band was that they wanted every song to look different," explains Bewley. "So the creative concept for the lighting design came from the idea of merging looks from a TV show, a stage show and a gig. We wanted to create a real mix - there's some old-style lighting mixed with video as well some new styles layered with some cutting edge LED technology."

During the past six months Bewley has worked with the band on their UK and American tours, deciding to change up the rig during this current UK tour by specif

Details

14 March 2016

Pinna used 68 Robe Robin LEDBeam 100s which were used as specials and for highlighting the ebullient audiences that flocked to see Rossi whose controversial and hugely successful career has spanned four decades, spawned 27 albums and several spats with authority. He is one of the great Italian showmen who is passionate about his performances and famous for his live interaction and very strong bonds with the crowds when onstage.

For these shows Pinna took the set design by Gioforma based on the album artwork as his starting point for lighting. The stage was custom designed for the show and he crammed every available centimetre with lighting fixtures -